Indian river county supervisor of elections
IRL - Restore Health of Indian River Lagoon
2016.04.28 17:18 nuggets510 IRL - Restore Health of Indian River Lagoon
Hub for news and organizing activities around our beloved Indian River Lagoon, a national estuary, that provides habitat to thousands of species of plant and animal and yet suffers from human development, pollution, political neglect, muck and fish kills.
2011.01.03 02:55 HarryMuffin All about Vero Beach Florida
Information hub of news, events, and answers to your questions about the little, sleepy beach town of Vero Beach, located in Indian River County on the Treasure Coast of Florida.
2016.06.09 15:16 Libertarian Party of Florida
This subreddit is for the Libertarian Party of Florida and its activities.
2023.03.24 07:00 photosticenthusiast Shivpuri Rishikesh Camping: Journey Through Mountains and Rivers
 | Shivpuri Rishikesh Camping: An Adventure in Nature’s LapShivpuri is a small town located in the Indian state of Uttarakhand. It is situated on the banks of the holy river Ganges and is surrounded by lush green forests and mountains. Shivpuri Rishikesh Camping is a popular destination for adventure sports enthusiasts and nature lovers. Rishikesh, on the other hand, is a city located in the foothills of the Himalayas and is also known as the “Yoga Capital of the World”. It is a spiritual and adventure hub, attracting thousands of tourists every year. Shivpuri Rishikesh Camping is a popular activity among tourists who want to experience the thrill of adventure and the serenity of nature. https://preview.redd.it/ovxgwowknmpa1.jpg?width=4608&format=pjpg&auto=webp&s=374962346046b86658f750c9adbc2da3f06137d7 What is Shivpuri Rishikesh Camping?Shivpuri Rishikesh Camping is an activity that involves camping in the midst of nature, away from the hustle and bustle of the city. It is a perfect opportunity to experience the beauty of nature and to relax and rejuvenate your mind and body. Shivpuri Rishikesh Camping is a popular activity among adventure enthusiasts who want to experience the thrill of adventure sports like white water rafting, kayaking, rappelling, and rock climbing.Step by Step GuideOne of the most sought-after activities in Shivpuri Rishikesh Camping, and Shivpuri Rishikesh Camping is a must-try experience for anyone looking to explore the great outdoors. In this article, we’ll take you through the step-by-step process of planning and enjoying a camping trip in Shivpuri, Rishikesh. Read more |
2023.03.24 06:59 Ussamerica Supplies-
Got a call today from my supervisor telling me you’ll be getting a email to start soon, I got my boots, is there anything I should buy like out of county bag, or something I should be prepared to have some money for things like that any help would be awesome, I’ll be on a engine
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2023.03.24 06:54 linkelek1 Ukrajnai háború, péntek reggel
-elemzés: ukrajna ellentámadásra készül, az orosz támadás Bakhmutnál elakadt -a wagner csoport afrikára fog koncentrálni az ottani bányalopások jövedelmezőbbek, mint az ukrajnaiak -az indiai légierő a háború miatt nem kap meg fontos fegyvereket/alkatrészeket az orosz hadiipartól , valószínüleg S-400 légvédelem, és orosz gyártású vadászgépek az érintettek -mo nem fogja letartóztatni putyint -US NSC: az orosz tankok képesek elkerülni a szegényített urán lövedékeket, csak el kell hagyniuk Ukrajnát hozzá -az elrabolt gyerekeknek azt mondták, hogy a szüleik elhagyták őket , és fém rúddal verték azokat, akik ukrajnát éltették -Khersonból elrabolt gyerekek kerültek vissza Ukrajnába -ukrán zászló került egy krimi kommunikációs toronyra
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drónok, rakéták
-Magyar Róbert drón egysége part2 -drón bombázás kollekció -orosz BMP-2-es drón bombázva -drón bombázás orosz Strela 10 légvédelem ellen -az első 75 Shark ISR UAV drónt megkapta az ukrán hadsereg -drónnal pontosított tüzérség a Dniprón keresztülfegyverrendszerek
-az első 4 szlovák Mig29 már Ukrajnába repült összesen 13-at ígértek -2 cseh DANA önjáró löveg megérkezett Ukrajnába -vasúton a német Leopard 2-sek -már a lengyel vasúton vannak a mémet MArderek -Challenger 2 vs T54friss térképek
-Bakhmutban ma sem változott a front -Avidiivka front -teljes nap térképekenVeszteségek
-orosz EW bázist támadnak az ukránok 49.457843, 38.118327 -tatárföldi orosz önkéntes zászlóalj megsemmisülése -orosz tankellenes pozíciót semmisít meg egy Stogna-P találat -orosz veszteségek , 660 troop losses, 7-day troop average: 799, 67 equipment* losses, 7-day equipment* average: 45ISW
RUSSIAN OFFENSIVE CAMPAIGN ASSESSMENT, MARCH 23, 2023 Wagner Group financier Yevgeny Prigozhin has softened his rhetoric towards the Russian Ministry of Defense (MoD) likely out of fear of completely losing his mercenary force in Bakhmut. Prigozhin denied the Kremlin’s claims that Russia is fighting NATO in Ukraine and questioned whether there are actually Nazis in Ukraine as the Kremlin constantly claims. Bloomberg reported that Prigozhin is preparing to scale back Wagner’s operations in Ukraine after Russian military leadership succeeded in cutting key supplies of personnel and munitions. Ukrainian officials supported ISW’s prior assessments that Russian forces are unable to conduct large-scale, simultaneous offensive campaigns on multiple axes. Russian forces may be shifting their missile strike tactics to focus on Ukrainian military facilities as overall Russian missile strikes decrease, indicating the depletion of Russia’s stocks of high-precision missiles. Russian Prime Minister Mikhail Mishustin outlined various measures to support Russian military personnel, the Russian defense industrial base (DIB), and Russian independence from the West in an address to the State Duma. The International Atomic Energy Agency (IAEA) reported that Rosatom may be working to restore three power lines at the Zaporizhzhia Nuclear Power Plant (ZNPP) which would increase Russian control over the ZNPP. Russian forces conducted limited ground attacks northeast of Kupyansk and along the Svatove-Kreminna line. Russian forces are continuing to attack Bakhmut City and areas in its vicinity and around Avdiivka. Ukrainian forces continue to conduct raids over the Dnipro River in Kherson Oblast. The Kremlin continues efforts to coerce Russian reservists, conscripts, and other personnel into contract service. Russian Prime Minister Mikhail Mishustin announced that Russia is continuing efforts to integrate newly-occupied Ukraine into Russian institutions and infrastructure. Russian forces in Belarus recently redeployed back to Russia ahead of Russia’s spring conscription call-up on April 1.Vége
csütörtök reggel2023.03.24 06:44 Meaning-Plenty A Modest Proposal To Solve The Kashmir Problem
I am not Bal Gangadhar Tilak, that savant of plate tectonics who formulated a Unified Field Theory of India when he reconciled the … oh let’s call it … fact of India being the birthplace of humanity with the equally muscular fact of only cold places producing intelligence by his earth-shattering (literally) discovery that India as a whole moved up to the North Pole where Manu was placed on it, and then made a return journey to the tropics and thus was born the greatest civilization the world will ever know.Surface area of the Kashmir valley = 16,000 km2
I am not one of the great thinkers this land seems to be producing at an ever-accelerating pace, who have been able to decipher that Christianity is basically Krishna-neeti (Krishna’s policy) and Kaaba (Mecca) is a Hindu temple, and how India invented nuclear weapons (and called them Brahmastra) and diplomacy (krisna-neeting it Chanakya neeti). With these twain weapons shall India destroy and isolate Pakistan!
Hell, I am not even Narendra Damodar Das Modi, who cut through the fog of Chinese herbal teas and PM2.5 to ascertain that genetic science and plastic surgery was born in Ancient India as well, proof being the in vitro birth of Karan in Mahabharat and the replacement of the human head of Lord Ganesh with an elephant head, respectively.
No, sadly, I am a mere mleccha from a cold place and while that might give the Gangadhar a headache (Can I be intelligent?), it means I can only aspire to the lofty high these visionaries have attained.
So I dare not present grand facts about huge things. I will only make a tiny proposal about a small place.
Kashmir has been an eyesore on India’s body politic for the last 72 years. The average life expectancy in India is only 68.5 years, so there is a danger the eyesore might become congenital. The latest attack on Indian armed forces at Lithpur in District Pulwoam, where a Kashmiri suicide bomber killed more than forty Indian soldiers, can become India’s “enough is enough” moment. While randomly beating and harassing Kashmiris working or studying in various parts of Bharat is a good beginning, it won’t be enough. After all, if killing more than 80,000 Kashmiris and making about 10,000 of them disappear has not taught them a lesson, what will a few beatings achieve? No, India needs to do more.
This is my cue. Hear me out.
What are the various dimensions of the Kashmir problem?
Well, first of all, there is Pakistan, that bloody old Mamlikat-e-Khudadaad (I don’t even know what that means). They have been brainwashing Kashmiris from across the border while India, which holds the territory through its 700,000 soldiers and an iron-clad administration, has failed to convince Kashmiris about the merits of living in the World’s Largest Democracy. Unfortunately, brainwashing was not invented in Ancient India. Pakistan needs to be made to understand that its wishy-washy attempts to wash away India from Kashmir by brainwashing Kashmiris are mere pipe dreams.
Then there are these ungrateful Kashmiris themselves. I mean how many free and fair elections does India need to conduct in the state for Kashmiris to understand how much it loves them? Do the Kashmiris even realize what a logistic nightmare it is to muzzle every independent voice and put a soldier on every inch of the troubled land before every election so that its freeness and fairness is not called into question? Granted that India has made mistakes in Kashmir in the past; but if Kashmiris can’t forgive India, maybe India needs to find a new way to make its point.
Finally, what about Kashmiri Pandits? Kashmir was their land. It was a Hindu land. According to a Hindu myth, it was satisar, a great lake extending from Vearnag in the southeast to Varmul in the northwest, populated only by Jaludbhav, a rakshas (demon) who had been given the boon of immortality by Brahma himself, as long as he stayed in the water. Then the Pandits came from the banks of Saraswati in Haryana to settle on the banks of the lake (they loved their fish, still do). But Jaludbhav would gobble anyone who went near the lake. So they pleaded with Vishnu to rid them of the demon, and he sent Kashyap Rishi to drain the lake, leaving Jaludbhav vulnerable to Vishnu’s Sudharshan Chakra. Later, the mleccha came and polluted this holy land with their azaans and beef-eating. The holy land needs to be purified and restored to its formal liquid glory.
What if I tell you that my solution will take care of all these dimensions? Talk about single-window clearance! Am I a Modi Bhakt or what?
Ok, so here it goes. India needs to detonate a single thermonuclear device near Uri. Call it Surgical Strike 3.0. Since Uri means “the udder of a cow”, the strike can also be called Gau Raksha 1.0. Whatever the name, it will seal the narrow passage the Jhelum uses to sneak out of Indian-controlled Kashmir into Azad Kashmir. The result: Infiltration of water across the Line of Control will stop. Kashmir’s water will stay in the valley, slowly submerging towns and villages starting from Varmul, Sopore and Bandepur, then Srinagar and Ganderbal, then Pulwoam, Kopwoar, Badgoam, Koalgoam, Shopian, and Islambad, right upto Vearnag. Kashmir will become satisar, in the great Indian tradition of first inventing a legend and then creating it in reality. Kashmiris who are able to swim to safety can then be relocated to various manageable-sized colonies across India or given the option of going to Pakistan.
Varmul is at a height of 1,600 m above the sea level; Vearnag, at 1,850 m; the Baanhaal pass, at 2,832 m; Peer ki Galli, at 3,485 m; Zojila, at 3,485; and Sinthan, at 3,792. So, even after the blast, the blocked passageway, at about 2,600 m, will continue to be the lowest point of exit for the accumulating water. The volume of water that the bowl-shaped vale will be able to retain can be calculated from the formula for shallow domes, as follows:
Highest point = 2.6 km above sea level (Uri post-Gau Raksha 1.0)
Lowest point = 1.6 km above sea level (Varmul)
Therefore, height (h) of the spherical section = 1 km
Area of a spherical cap = 2 π r h. Here, area = 16,000 km2 and h = 1 km.
Therefore, r = 2,548 km
Volume will be π h2 (3 r – h) / 3; in our case, h = 1 km and r = 2,548 km.
Therefore, the volume of water in satisar will be = 8,000 km3 (approximately) or about 512 billion m3.
The ballpark figure of the flow of Jhelum’s water at Uri is around 4,000 m3 per second, so it will take about 128,000,000 seconds to fill up the satisar. This amounts to about 1,480 days. while that might be enough time to make Pakistan forget Karbala, india does not need to take any chances. So the strategic nuclear blast will have to be combined with the construction of a giant water wheel at the Baanhaal pass to ferry the water, once the satisar fills up, across the Pir Panjal Range and into the River Chenab, from where it can be sent to East Punjab through a network of canals starting at Reasi. It will ensure that Pakistan does not receive a drop of the water flowing in Jhelum and Chenab.The writer claims to be a direct descendant of Jaludbhav
A similar Patisar (“pati” in Kashmir means “backyard” or “behind”) can be created in Ladakh, and its water ferried over the Zojila pass into satisar, from where it can then be transported to the Chenab by the aforementioned channels, or sold to China at a discounted price. In this manner, Pakistan will lose the water of Indus as well.
Thus, all the three goals will be achieved. Kashmir will become India’s forever and ever. Tourism will bloom as more space becomes available for houseboats and shikara rides. There will be an abundant supply of fish as well. The two giant water wheels at Zojila and Baanhal will be among the chief tourist attractions and can also be repurposed or diversified as Ferris wheels. Two, all of Pakistan’s rivers will run dry, its people will die of thirst, and it will have no water with which to brainwash Kashmiris. The icing on the cake will be the fact of Kashmir becoming satisar, the wet dream of so many visionaries.
https://raiot.in/a-modest-proposal-to-solve-the-kashmir-problem/
2023.03.24 05:04 playspolitics Court Action Underscores Peril for Trump in Documents Investigation
 | Court Action Underscores Peril for Trump in Documents InvestigationFederal prosecutors continue to build a case that the former president obstructed efforts by the government to reclaim classified material and that he may have misled his own lawyer. Donald J. Trump standing on a stage against a mostly black background. Recent court actions have indicated that prosecutors have continued to construct a case around former President Donald J. Trump’s handling of classified documents.Credit...Haiyun Jiang/The New York Times Donald J. Trump standing on a stage against a mostly black background.The behind-the-scenes legal fight over obtaining evidence from a lawyer who represented former President Donald J. Trump in the investigation into his handling of classified documents has brought into sharper view where the Justice Department might be headed with the case. According to the wisps of information that have seeped out of sealed court filings and closed-door hearings, prosecutors believe they have compelling evidence that Mr. Trump obstructed the government’s efforts to reclaim the sensitive records and may have even misled his own lawyers. This theory of the case has not changed much since federal agents obtained a search warrant in August based on three possible crimes, obstruction being one of them. The search turned up hundreds of sensitive government records being kept at Mar-a-Lago, Mr. Trump’s heavily trafficked compound in Florida, after his lawyers had earlier assured the Justice Department that all such documents had been returned. Still, the more recent developments stemming from efforts to force testimony and other evidence from the lawyer, M. Evan Corcoran, in Federal District Court in Washington, indicate that prosecutors have continued to build a case and that the inquiry remains a serious threat to Mr. Trump. On Wednesday, a federal appeals court weighed in on the matter, ruling that Mr. Corcoran had to give the government what is likely to be dozens of documents related to his work for Mr. Trump as well as return to a grand jury on Friday to answer questions he had previously sought to avoid with assertions of attorney-client privilege. The appellate ruling effectively let stand the decision of a lower-court judge, Beryl A. Howell, who gave a blunt assessment of the case last week. In a sealed order issued on Friday upholding the crime-fraud exception to attorney-client privilege, Judge Howell noted that prosecutors in the office of the special counsel, Jack Smith, had made “a prima facie showing that the former president committed criminal violations,” according to people familiar with the decision. The crime-fraud exception allows prosecutors to pierce attorney-client privilege when they have reason to believe that a client — in this case the former president — used legal advice or legal services in furthering a crime. Most notably, in a lengthy memorandum of law that accompanied the ruling, Judge Howell, according to two people briefed on the matter, laid out damning assertions made by prosecutors that Mr. Trump knowingly deceived the government and caused Mr. Corcoran to misstate to prosecutors where the documents were being held at Mar-a-Lago. The existence of Judge Howell’s order and memorandum was first reported by ABC News. Shortly after the ABC report appeared, Mr. Trump’s campaign attacked it as “Fake News” and “ILLEGALLY LEAKED.” Image M. Evan Corcoran wearing a blue suit and black tie outside of a building with cars in the background. A federal appeals court ruled that M. Evan Corcoran had to give the government documents related to his work for Mr. Trump and answer questions for a grand jury.Credit...Jose Luis Magana/Associated Press M. Evan Corcoran wearing a blue suit and black tie outside of a building with cars in the background. “There is no factual or legal basis or substance to any case against President Trump,” Steven Cheung, a spokesman for Mr. Trump, said of Judge Howell’s ruling. “The deranged Democrats and their comrades in the mainstream media are corrupting the legal process and weaponizing the justice system in order to manipulate public opinion because they are clearly losing the political battle.” Mr. Smith’s office is likely still far from making any charging decisions. And the arguments that prosecutors presented to Judge Howell about possible crimes committed by Mr. Trump have not faced the scrutiny they would in a venue like a trial, where the burden of proof is much higher. Still, the accumulation of details emerging from the proceedings suggests that Mr. Smith and his team are drilling down on every scrap of evidence they can find in assembling an argument that Mr. Trump may have impeded a federal investigation. For their part, some of Mr. Trump’s aides have stated plainly if privately that the government — and, in their minds, Judge Howell — see him as “a criminal.” All this has taken place in spite of predictions from Mr. Trump’s allies that the documents investigation would quietly blow away after President Biden was also found to have kept classified materials after his term as vice president. A special counsel, Robert K. Hur, is investigating Mr. Biden’s handling of the documents. Mr. Corcoran, who testified before the grand jury earlier this year, is set to appear before the grand jury again on Friday in compliance with rulings from both Judge Howell and the appeals court. According to two people familiar with the events, he is not intending to invoke his Fifth Amendment right against self-incrimination when he testifies, underscoring that he is not the target of the special counsel’s scrutiny. In their initial motion to compel Mr. Corcoran’s testimony, prosecutors also sought to invoke the crime-fraud exception to get testimony from a second lawyer, Jennifer Little, who is based in Atlanta. Ms. Little represents Mr. Trump in the Fulton County, Ga., district attorney’s investigation into his efforts to overturn his loss in that state in the 2020 election. Prosecutors are interested in Ms. Little because she was one of the few criminal defense lawyers working directly with Mr. Trump when the Mar-a-Lago matter heated up at the Justice Department, according to two people briefed on the matter. She counseled Mr. Trump to be cooperative, the people said, and left the case soon after Mr. Corcoran was brought on by Mr. Trump. Judge Howell ordered Ms. Little to testify before the grand jury in her recent ruling, the people briefed on the matter said. They added that Judge Howell said Ms. Little did not have to turn over a document she had sought to withhold from prosecutors. Ms. Little and her lawyer did not respond to messages seeking comment. The extraordinary back-and-forth in the past several weeks between Mr. Trump’s lawyers, Mr. Corcoran and his lawyers, and Mr. Smith’s prosecutors — not to mention with multiple witnesses who are also Mr. Trump’s lawyers, as well as all of their lawyers — has turned the federal courthouse in Washington into a bustling hive of Trump-related inquiries. The latest example came on Thursday when lawyers for Mr. Trump — including Mr. Corcoran — appeared before a new chief judge, James E. Boasberg, with lawyers for former Vice President Mike Pence. They were there to discuss some issues related to Mr. Pence’s testimony before a grand jury investigating Mr. Trump’s efforts to overturn the 2020 election, an inquiry also being overseen by Mr. Smith, the special counsel. Late last month, prosecutors under Mr. Smith filed court papers seeking to stop Mr. Pence and Mr. Trump from asserting claims of executive privilege to limit the scope of Mr. Pence’s testimony. Representatives for Mr. Pence have said the former vice president would also seek to pare back his testimony by invoking the “speech or debate” clause of the Constitution, which is intended to protect the separation of powers. Judge Boasberg, after hearing arguments on both subjects, said he would issue a decision later, according to a person familiar with the matter. |
2023.03.24 04:57 Catvac-u-um_adnase Was Trump involved in Michael Cohen paying off Stormy Daniels?
 | submitted by Catvac-u-um_adnase to newtimes [link] [comments] |
2023.03.24 03:26 fractalfay Speaking of secretos: Recap of 90DF The Other Way S04E07
Gabe and Isabel have nearly enough characters in their tale to warrant a spin-off series, so time to crowd the stage and introduce Gabe’s stunt-friend Trey.
“What’s the point of me again?” Trey needs clarification over basketball. “How did we meet?”
“I heard you speaking English?” Gabe tries. “Oh, I’m trans. That and not knowing you is why I didn’t add you on social media.”
“Whoa! And you want to marry this girl?” Trey remembers his lines. “I mean, you should pause and think about it. Do you really want to be with someone who loves and accepts you?”
“Yes?” Gabe isn’t sure Trey is living up to the fake-friend promise.
“Well I would slow down, and definitely don’t ask for her hand in marriage and reveal the trans thing on the same visit with the parents,” Trey advises. “Every sitcom gives you 30 minutes to chew on a coming-out before the wedding episode, and this show is like a thousand minutes long.”
“Yeah, but the cameras make it a bit safer,” Gabe has a point.
“Did that stop River from lamp-smacking Pedro?” Trey has three points!
Gabe remains resolved so Trey takes his doubt on the road and meets up with Gabe and Isabel at a spot where they usually bro-out doing man things like smashing stuff with their beef-mitts in front of tits. Isabel does her best to believe Gabe has a second-life as a nomadic womanizer without guffawing. Perhaps the fake business and the real surgeries and actual families provide sufficient drama without the need for Trey’s services?
“I’m afraid not,” production has notes. “Normally, yes, but we’ve got a LOT of sad white women this season. Without these two, it’s basically crying and Nicole looking like she wants to return to the sea.”
“Speaking of secretos,” Trey isn’t ready to abandon the spotlight just yet. “How about that trans business? Did you know about this, Isabella?”
“Really?” Isabel won’t last much longer.
“It’s Isabel,” Mateo, Isabel’s friend, manifests like Daniele’s watching.
“Did YOU know about this?” Trey needs to ask this some more. “This culture es muy machismo. Mucho cheesimo. Muy.”
“Muy confuso,” M’Hog agrees.
“Colombia is more progressive than Alabama,” Jeymi has been talking to Kris. “Are any of you even armed right now?”
Gabe gets a bit worried when Isabel mentions her dad being religious, since the bulk of Gabe’s daily hate comes from trolls and people who use religion to justify bigotry. All the same, the whole family prepares to head to Isabel’s parents’ house for a few days, with Miguel taking on the turtle-transport task like someone who wants his reptiles to live. The parents are excited to see them, and report endorsing Gabe as a partner, since he has a good heart and a “special disposition to love Isabel.” After greeting and asking about sleeping arrangements, dad says Gabe will sleep in separate quarters since he’s a guest.
“Oh, I’m not a virgin,” Isabel breaks the news to them gently, hiding Miguel behind her back.
“More secretos!” Trey won’t leave.
They sit down to eat, and ask Gabe how Colombian food measures against American cuisine, and Gabe reports food in Miami is just deep-fried golf balls, and Colombian food has ingredients. Gabe adds that he’s calling Colombia home now, to further his relationship with Isabel. Dad can’t help but smile when Gabe mentions wanting to be with her his whole life, and the grandparents quiz the kids to make sure they’re on board with this plan. Miguel shrugs his support, while daughter says that she’s happy when her mom is happy.
“If God is not in our lives it won’t work out,” dad adds ominously.
“Okay,” Gabe is scared. “By God do you mean like God-God, or like red Starbucks cup God, or just-cover-your-body-and-serve-me God, or…”
Jen’s been trying to leave India since her plane landed, and this time tells Rishi she’s not keen to join the family home.
“Okay,” Rishi says.
“Really?” Jen looks for the fire exits.
As a compromise, Jen allows Rishi more time to tell his family he’ll be booing-up with the weird white lady who talks to them like they’re feral children communicating with claps.
Jen’s creeping up on 30 days in India, and she learned watching Jenny’s 23 seasons that all that’s required to stretch a visa to four months is leaving every 30 days. She rolls into a lawyer’s office with one week to spare and no fucks to give about the cost of airfare, to see how far she needs to go to be far enough from India to avoid offending the country.
“You do not have the google?” the lawyer is understandably stunned this is happening.
“I have two masters’ degrees, and haven’t read since,” Jen explains. Then she tells the lawyer and his paternal supervisor that she’s engaged, and would like to remain in India as God allows.
“Why do they keep trying to drag me into this?” God is exhausted.
The lawyer asks to see her visa, so Jen surrenders her phone.
“When are you getting married?” the lawyer asks, scanning her photos for nudes.
“He hasn’t told his family yet,” Jen TMI’s.
“So never,” the lawyer shrugs. “You’re going to need another tourist visa.”
“BUT!”
“This is your phone, correct?” the lawyer is over it. “Do you see where it says ‘number of entries’? The answer to your riddle lies here.”
“Whaaaaa? I thought ‘single’ was my marital status!”
“This is crazy American behavior,’ the lawyer is a touch too on-the-nose.
“Look, this is my fucking livelihood,” Camera #1 needs the lawyer to know what she’s been through. “Just wait until we leave to laugh like everyone else, and focus on distributing doom!”
Jen insists that nothing worth doing has ever been hard, and a life-changing decision should demand minimal effort.
“It’s like, message received, universe!” Jen cries.
“That wasn’t me,” the Universe chimes in.
“Maybe this is God telling me to stop trying to make this work,” Jen sobs.
“When did you start trying?” God is with the Universe on this one.
Jen’s got to tell Rishi this news in front of the chai-guy, and leaves out the part where this information was readily available to her the entire time. Rishi looks like he just took a kick from Oussama’s donkey, and neither of them are ready to get married in just a month, but they don’t want to break up. Tears happen.
“Would anyone like some more chai?” the chai-guy feels helpless.
Debbie and Oussama leave the airport for Rabat, and Oussama wastes no time sharing what every Arabic man tells their non-Muslim western-would-be-wife on this show, so do I even have to type it? Debbie thinks she’s already sacrificed enough by agreeing to like-button his facebook poetry, and Oussama requests she just learn to be “40% of a Moroccan housewife” — and Moroccan housewives work hard.
“I thought hard work kills the creativity?” Debbie needs to understand there’s two different standards at play here. “I’ve already worked hard my entire life. When do you start?”
Still, Debbie says she’ll warm to the idea if their food is primarily take-out and they agree to get fucked up on wine on the regular. Oussama notes that this is fine, they just can’t drink at the house.
“It makes the angels go outside of the home and makes the devil come inside,” Oussama explains how booze works.
“Finally, a fucking invite!” the devil has been waiting for this moment.
“Is that how you got this way?” Debbie starts putting the pieces in place. “Can we slough them off at a brew pub somewhere, or is this an exorcism situation? Do you have an ancient box I can twirl in my hands?”
Debbie colors this whole turn bizarre, and so she anticipates walking out the same 100% Debbie she was when she walked in.
“I need a drink just thinking about it,” Debbie laughs.
“No, this will be fine,” Oussama reads from his *PUA Handbook for Muslim Men Marrying Western Women for Lulz.* “My word is final. Old American women have so much dumb.”
“Excuse me! Did he say old?” Jen has an issue here.
“Me not old,” Memphis wants to be included.
“I don’t know what you’re talking about, so I’m packing, and I’m leaving,” Nicole does her part.
“I don’t know Oussama,” Debbie’s destined for reality tv. “It’s starting to sound like you plan to fuck around and find out.”
They arrive at a gorgeous inn with brilliant decor and architecture, and Debbie marvels at its beauty, before suggesting Oussama might want to be 20% a gentleman and give her back a fucking break and get the bags. God takes revenge on Oussama for suggesting Debbie dilute herself and brains him on his way out of her room.
“He just clotheslined himself bad!” Debbie laughs along with God, who takes full responsibility.
“My neck,” Kris feels it all the way in Colombia.
Debbie puts her stuff away and thinks she’s been left no choice but to remind Oussama of her majesty through jewelry. She makes her grand entrance in a flowing dress, and wants to finalize a few things, since Oussama has already written 40% of her identity out of the story. She asks how long they plan to stay with his parents, and Oussama assures her that she won’t be there long at all, but he’ll probably be there until the planet dies.
“So wait, where am I going to be when the planet dies?”
“Dead,” Oussama hopes this clears things up.
“What if it dies in three months? Where will I be then?”
“Oh, in America,” Oussama thinks she asks a lot of questions, and he swears he explained his policy about cats>humans.
“But I’m wearing a lion’s head,” she directs his attention.
Debbie thinks this information might have been more useful prior to packing, and Oussama says he knew she wouldn’t come then, so as you can see, this deception is fine. Debbie is gobsmacked, and reports the last time she was there he practically floored it to the courthouse, and now he’s demanding a two-month trial run and a return to Georgia before he weighs his options a second time.
“You sure screwed up Oussama,” Debbie sadly shakes her head. “Hell is empty and all the devils are here.”
With that Debbie takes her leave, and vows to get in a quick camel ride and replenish her bead collection before returning to the House of Wonders that has managed to remain enchanted without her.
The Four Day Torment of Kris is ready for Chapter Exhausted, and the box of pills and magic shot have narcolepsied Kris into a denim-coma, granting Jeymi a chance to escape this tit-pillow prison. She asks Kris if she still wants to take photos on the backs of horses wearing cowboy hats, or if it’s cool for her to change out of this outfit, and Kris says Jeymi should go it alone while she face-plants and listens to “Ring of Fire” on repeat. With that, Jeymi scurries off to meet with friends Alex and Leo.
“HELP ME!” She screams as she runs into the restaurant.
“DID SHE FOLLOW YOU?” Alex and Leo need to know this first.
Jeymi says that somewhere Kris’ car-accident total rose to four, one for each day she’s spent in Colombia, and one of these accidents resulted in a neck injury so confusing that it somehow feels better smashed sideways into a moosh pillow.
“Kris also said it would be better if you didn’t meet her before we’re already married,” Jeymi frowns.
“Has she been in jail?” Alex has a wager he’s looking to settle. “Is she there now?”
“Does she think everything south of Texas is Mexico?” Leo has a bet of his own. “Is Tucker Carlson her president?”
They tell Jeymi this is why their original advice was to leave her at the airport, and she interjects that Kris is going back there soon enough anyway.
“Because she’s going to jail?” Alex isn’t letting his theory dissolve, but is willing to wait.
Nicole waffles around the house in search of a storyline other than clothing, and settles on slow-motion ironing, which is still clothing, and another reason to be late to Mahmoud’s uncle’s house. Uncle owns a garment factory, and Mahmoud and Nicole think they can turn her designs into a family business, once they’re married to other people. For reasons known only to Mahmoud, he believes this sojourn to the next House of Judgment will relax Nicole.
“I feel that once she sees my aunt completely covered with only her eyes exposed, she’ll understand how respectful this is,” Mahmoud says things.
Nicole’s welcomed into the house, and they share her sketches with the family, while Nicole describes a strange, isolated hamlet of America where women are restricted to short sleeves and skirts with nary a pant to be found.
“What?” Every clothing shop from LA to NYC has questions.
Uncle Fashion reports that Nicole’s designs are a good start, but they’re not quite a burqa yet, and he’s wondering when Mahmoud is going to brainwash Nicole into thinking a similar outfit is her own idea. Nicole thinks this is a very personal question, and thought she made it clear she’s there for a business opportunity. Uncle says if she hadn’t converted and somehow fallen into the strictest circle of religious Egypt this wouldn’t be a thing. Mahmoud tells them that Nicole doesn’t understand the purpose of the hijab, or any facet of the religion beyond the single sentence she willingly recited prior to nuptials, but he’s made a point to repeatedly bring it up while speaking of nothing else. Uncle retorts that the clothing is not the most important part, the praying is, and Nicole says that Mahmoud still has to teach her this.
“I’m having a crisis of faith,” Nicole describes losing something she never had. “I still need to iron it and find the shoes to match.”
“Trust me, praying is more important than the clothes,” Uncle insists.
“Not to Mahmoud!” Nicole objects.
“There are books that could answer a lot of these questions…” God tries.
“I was not told there would be reading!” Nicole objects again.
“Right?!” Jen’s on board.
STILL TO COME THIS SEASON: Kris and Jeymi commit love crimes in front of astonished witnesses, Jen travels through time towards her actual age, Nicole dresses like a lady-sperm on an important ovarian quest, Gabe shares his secrets with Isabel’s family, Daniele goes snorkeling for new complaints, and Yohan finds an excuse to reference the baby-arm in his pants.
Thank you, Patreon supporters, and Venmo tipper!
submitted by fractalfay to 90dayfianceuncensored [link] [comments]
“What’s the point of me again?” Trey needs clarification over basketball. “How did we meet?”
“I heard you speaking English?” Gabe tries. “Oh, I’m trans. That and not knowing you is why I didn’t add you on social media.”
“Whoa! And you want to marry this girl?” Trey remembers his lines. “I mean, you should pause and think about it. Do you really want to be with someone who loves and accepts you?”
“Yes?” Gabe isn’t sure Trey is living up to the fake-friend promise.
“Well I would slow down, and definitely don’t ask for her hand in marriage and reveal the trans thing on the same visit with the parents,” Trey advises. “Every sitcom gives you 30 minutes to chew on a coming-out before the wedding episode, and this show is like a thousand minutes long.”
“Yeah, but the cameras make it a bit safer,” Gabe has a point.
“Did that stop River from lamp-smacking Pedro?” Trey has three points!
Gabe remains resolved so Trey takes his doubt on the road and meets up with Gabe and Isabel at a spot where they usually bro-out doing man things like smashing stuff with their beef-mitts in front of tits. Isabel does her best to believe Gabe has a second-life as a nomadic womanizer without guffawing. Perhaps the fake business and the real surgeries and actual families provide sufficient drama without the need for Trey’s services?
“I’m afraid not,” production has notes. “Normally, yes, but we’ve got a LOT of sad white women this season. Without these two, it’s basically crying and Nicole looking like she wants to return to the sea.”
“Speaking of secretos,” Trey isn’t ready to abandon the spotlight just yet. “How about that trans business? Did you know about this, Isabella?”
“Really?” Isabel won’t last much longer.
“It’s Isabel,” Mateo, Isabel’s friend, manifests like Daniele’s watching.
“Did YOU know about this?” Trey needs to ask this some more. “This culture es muy machismo. Mucho cheesimo. Muy.”
“Muy confuso,” M’Hog agrees.
“Colombia is more progressive than Alabama,” Jeymi has been talking to Kris. “Are any of you even armed right now?”
Gabe gets a bit worried when Isabel mentions her dad being religious, since the bulk of Gabe’s daily hate comes from trolls and people who use religion to justify bigotry. All the same, the whole family prepares to head to Isabel’s parents’ house for a few days, with Miguel taking on the turtle-transport task like someone who wants his reptiles to live. The parents are excited to see them, and report endorsing Gabe as a partner, since he has a good heart and a “special disposition to love Isabel.” After greeting and asking about sleeping arrangements, dad says Gabe will sleep in separate quarters since he’s a guest.
“Oh, I’m not a virgin,” Isabel breaks the news to them gently, hiding Miguel behind her back.
“More secretos!” Trey won’t leave.
They sit down to eat, and ask Gabe how Colombian food measures against American cuisine, and Gabe reports food in Miami is just deep-fried golf balls, and Colombian food has ingredients. Gabe adds that he’s calling Colombia home now, to further his relationship with Isabel. Dad can’t help but smile when Gabe mentions wanting to be with her his whole life, and the grandparents quiz the kids to make sure they’re on board with this plan. Miguel shrugs his support, while daughter says that she’s happy when her mom is happy.
“If God is not in our lives it won’t work out,” dad adds ominously.
“Okay,” Gabe is scared. “By God do you mean like God-God, or like red Starbucks cup God, or just-cover-your-body-and-serve-me God, or…”
Jen’s been trying to leave India since her plane landed, and this time tells Rishi she’s not keen to join the family home.
“Okay,” Rishi says.
“Really?” Jen looks for the fire exits.
As a compromise, Jen allows Rishi more time to tell his family he’ll be booing-up with the weird white lady who talks to them like they’re feral children communicating with claps.
Jen’s creeping up on 30 days in India, and she learned watching Jenny’s 23 seasons that all that’s required to stretch a visa to four months is leaving every 30 days. She rolls into a lawyer’s office with one week to spare and no fucks to give about the cost of airfare, to see how far she needs to go to be far enough from India to avoid offending the country.
“You do not have the google?” the lawyer is understandably stunned this is happening.
“I have two masters’ degrees, and haven’t read since,” Jen explains. Then she tells the lawyer and his paternal supervisor that she’s engaged, and would like to remain in India as God allows.
“Why do they keep trying to drag me into this?” God is exhausted.
The lawyer asks to see her visa, so Jen surrenders her phone.
“When are you getting married?” the lawyer asks, scanning her photos for nudes.
“He hasn’t told his family yet,” Jen TMI’s.
“So never,” the lawyer shrugs. “You’re going to need another tourist visa.”
“BUT!”
“This is your phone, correct?” the lawyer is over it. “Do you see where it says ‘number of entries’? The answer to your riddle lies here.”
“Whaaaaa? I thought ‘single’ was my marital status!”
“This is crazy American behavior,’ the lawyer is a touch too on-the-nose.
“Look, this is my fucking livelihood,” Camera #1 needs the lawyer to know what she’s been through. “Just wait until we leave to laugh like everyone else, and focus on distributing doom!”
Jen insists that nothing worth doing has ever been hard, and a life-changing decision should demand minimal effort.
“It’s like, message received, universe!” Jen cries.
“That wasn’t me,” the Universe chimes in.
“Maybe this is God telling me to stop trying to make this work,” Jen sobs.
“When did you start trying?” God is with the Universe on this one.
Jen’s got to tell Rishi this news in front of the chai-guy, and leaves out the part where this information was readily available to her the entire time. Rishi looks like he just took a kick from Oussama’s donkey, and neither of them are ready to get married in just a month, but they don’t want to break up. Tears happen.
“Would anyone like some more chai?” the chai-guy feels helpless.
Debbie and Oussama leave the airport for Rabat, and Oussama wastes no time sharing what every Arabic man tells their non-Muslim western-would-be-wife on this show, so do I even have to type it? Debbie thinks she’s already sacrificed enough by agreeing to like-button his facebook poetry, and Oussama requests she just learn to be “40% of a Moroccan housewife” — and Moroccan housewives work hard.
“I thought hard work kills the creativity?” Debbie needs to understand there’s two different standards at play here. “I’ve already worked hard my entire life. When do you start?”
Still, Debbie says she’ll warm to the idea if their food is primarily take-out and they agree to get fucked up on wine on the regular. Oussama notes that this is fine, they just can’t drink at the house.
“It makes the angels go outside of the home and makes the devil come inside,” Oussama explains how booze works.
“Finally, a fucking invite!” the devil has been waiting for this moment.
“Is that how you got this way?” Debbie starts putting the pieces in place. “Can we slough them off at a brew pub somewhere, or is this an exorcism situation? Do you have an ancient box I can twirl in my hands?”
Debbie colors this whole turn bizarre, and so she anticipates walking out the same 100% Debbie she was when she walked in.
“I need a drink just thinking about it,” Debbie laughs.
“No, this will be fine,” Oussama reads from his *PUA Handbook for Muslim Men Marrying Western Women for Lulz.* “My word is final. Old American women have so much dumb.”
“Excuse me! Did he say old?” Jen has an issue here.
“Me not old,” Memphis wants to be included.
“I don’t know what you’re talking about, so I’m packing, and I’m leaving,” Nicole does her part.
“I don’t know Oussama,” Debbie’s destined for reality tv. “It’s starting to sound like you plan to fuck around and find out.”
They arrive at a gorgeous inn with brilliant decor and architecture, and Debbie marvels at its beauty, before suggesting Oussama might want to be 20% a gentleman and give her back a fucking break and get the bags. God takes revenge on Oussama for suggesting Debbie dilute herself and brains him on his way out of her room.
“He just clotheslined himself bad!” Debbie laughs along with God, who takes full responsibility.
“My neck,” Kris feels it all the way in Colombia.
Debbie puts her stuff away and thinks she’s been left no choice but to remind Oussama of her majesty through jewelry. She makes her grand entrance in a flowing dress, and wants to finalize a few things, since Oussama has already written 40% of her identity out of the story. She asks how long they plan to stay with his parents, and Oussama assures her that she won’t be there long at all, but he’ll probably be there until the planet dies.
“So wait, where am I going to be when the planet dies?”
“Dead,” Oussama hopes this clears things up.
“What if it dies in three months? Where will I be then?”
“Oh, in America,” Oussama thinks she asks a lot of questions, and he swears he explained his policy about cats>humans.
“But I’m wearing a lion’s head,” she directs his attention.
Debbie thinks this information might have been more useful prior to packing, and Oussama says he knew she wouldn’t come then, so as you can see, this deception is fine. Debbie is gobsmacked, and reports the last time she was there he practically floored it to the courthouse, and now he’s demanding a two-month trial run and a return to Georgia before he weighs his options a second time.
“You sure screwed up Oussama,” Debbie sadly shakes her head. “Hell is empty and all the devils are here.”
With that Debbie takes her leave, and vows to get in a quick camel ride and replenish her bead collection before returning to the House of Wonders that has managed to remain enchanted without her.
The Four Day Torment of Kris is ready for Chapter Exhausted, and the box of pills and magic shot have narcolepsied Kris into a denim-coma, granting Jeymi a chance to escape this tit-pillow prison. She asks Kris if she still wants to take photos on the backs of horses wearing cowboy hats, or if it’s cool for her to change out of this outfit, and Kris says Jeymi should go it alone while she face-plants and listens to “Ring of Fire” on repeat. With that, Jeymi scurries off to meet with friends Alex and Leo.
“HELP ME!” She screams as she runs into the restaurant.
“DID SHE FOLLOW YOU?” Alex and Leo need to know this first.
Jeymi says that somewhere Kris’ car-accident total rose to four, one for each day she’s spent in Colombia, and one of these accidents resulted in a neck injury so confusing that it somehow feels better smashed sideways into a moosh pillow.
“Kris also said it would be better if you didn’t meet her before we’re already married,” Jeymi frowns.
“Has she been in jail?” Alex has a wager he’s looking to settle. “Is she there now?”
“Does she think everything south of Texas is Mexico?” Leo has a bet of his own. “Is Tucker Carlson her president?”
They tell Jeymi this is why their original advice was to leave her at the airport, and she interjects that Kris is going back there soon enough anyway.
“Because she’s going to jail?” Alex isn’t letting his theory dissolve, but is willing to wait.
Nicole waffles around the house in search of a storyline other than clothing, and settles on slow-motion ironing, which is still clothing, and another reason to be late to Mahmoud’s uncle’s house. Uncle owns a garment factory, and Mahmoud and Nicole think they can turn her designs into a family business, once they’re married to other people. For reasons known only to Mahmoud, he believes this sojourn to the next House of Judgment will relax Nicole.
“I feel that once she sees my aunt completely covered with only her eyes exposed, she’ll understand how respectful this is,” Mahmoud says things.
Nicole’s welcomed into the house, and they share her sketches with the family, while Nicole describes a strange, isolated hamlet of America where women are restricted to short sleeves and skirts with nary a pant to be found.
“What?” Every clothing shop from LA to NYC has questions.
Uncle Fashion reports that Nicole’s designs are a good start, but they’re not quite a burqa yet, and he’s wondering when Mahmoud is going to brainwash Nicole into thinking a similar outfit is her own idea. Nicole thinks this is a very personal question, and thought she made it clear she’s there for a business opportunity. Uncle says if she hadn’t converted and somehow fallen into the strictest circle of religious Egypt this wouldn’t be a thing. Mahmoud tells them that Nicole doesn’t understand the purpose of the hijab, or any facet of the religion beyond the single sentence she willingly recited prior to nuptials, but he’s made a point to repeatedly bring it up while speaking of nothing else. Uncle retorts that the clothing is not the most important part, the praying is, and Nicole says that Mahmoud still has to teach her this.
“I’m having a crisis of faith,” Nicole describes losing something she never had. “I still need to iron it and find the shoes to match.”
“Trust me, praying is more important than the clothes,” Uncle insists.
“Not to Mahmoud!” Nicole objects.
“There are books that could answer a lot of these questions…” God tries.
“I was not told there would be reading!” Nicole objects again.
“Right?!” Jen’s on board.
STILL TO COME THIS SEASON: Kris and Jeymi commit love crimes in front of astonished witnesses, Jen travels through time towards her actual age, Nicole dresses like a lady-sperm on an important ovarian quest, Gabe shares his secrets with Isabel’s family, Daniele goes snorkeling for new complaints, and Yohan finds an excuse to reference the baby-arm in his pants.
Thank you, Patreon supporters, and Venmo tipper!
2023.03.24 03:25 fractalfay Speaking of secretos: Recap of 90DFTOW S04E07
Gabe and Isabel have nearly enough characters in their tale to warrant a spin-off series, so time to crowd the stage and introduce Gabe’s stunt-friend Trey.
“What’s the point of me again?” Trey needs clarification over basketball. “How did we meet?”
“I heard you speaking English?” Gabe tries. “Oh, I’m trans. That and not knowing you is why I didn’t add you on social media.”
“Whoa! And you want to marry this girl?” Trey remembers his lines. “I mean, you should pause and think about it. Do you really want to be with someone who loves and accepts you?”
“Yes?” Gabe isn’t sure Trey is living up to the fake-friend promise.
“Well I would slow down, and definitely don’t ask for her hand in marriage and reveal the trans thing on the same visit with the parents,” Trey advises. “Every sitcom gives you 30 minutes to chew on a coming-out before the wedding episode, and this show is like a thousand minutes long.”
“Yeah, but the cameras make it a bit safer,” Gabe has a point.
“Did that stop River from lamp-smacking Pedro?” Trey has three points!
Gabe remains resolved so Trey takes his doubt on the road and meets up with Gabe and Isabel at a spot where they usually bro-out doing man things like smashing stuff with their beef-mitts in front of tits. Isabel does her best to believe Gabe has a second-life as a nomadic womanizer without guffawing. Perhaps the fake business and the real surgeries and actual families provide sufficient drama without the need for Trey’s services?
“I’m afraid not,” production has notes. “Normally, yes, but we’ve got a LOT of sad white women this season. Without these two, it’s basically crying and Nicole looking like she wants to return to the sea.”
“Speaking of secretos,” Trey isn’t ready to abandon the spotlight just yet. “How about that trans business? Did you know about this, Isabella?”
“Really?” Isabel won’t last much longer.
“It’s Isabel,” Mateo, Isabel’s friend, manifests like Daniele’s watching.
“Did YOU know about this?” Trey needs to ask this some more. “This culture es muy machismo. Mucho cheesimo. Muy.”
“Muy confuso,” M’Hog agrees.
“Colombia is more progressive than Alabama,” Jeymi has been talking to Kris. “Are any of you even armed right now?”
Gabe gets a bit worried when Isabel mentions her dad being religious, since the bulk of Gabe’s daily hate comes from trolls and people who use religion to justify bigotry. All the same, the whole family prepares to head to Isabel’s parents’ house for a few days, with Miguel taking on the turtle-transport task like someone who wants his reptiles to live. The parents are excited to see them, and report endorsing Gabe as a partner, since he has a good heart and a “special disposition to love Isabel.” After greeting and asking about sleeping arrangements, dad says Gabe will sleep in separate quarters since he’s a guest.
“Oh, I’m not a virgin,” Isabel breaks the news to them gently, hiding Miguel behind her back.
“More secretos!” Trey won’t leave.
They sit down to eat, and ask Gabe how Colombian food measures against American cuisine, and Gabe reports food in Miami is just deep-fried golf balls, and Colombian food has ingredients. Gabe adds that he’s calling Colombia home now, to further his relationship with Isabel. Dad can’t help but smile when Gabe mentions wanting to be with her his whole life, and the grandparents quiz the kids to make sure they’re on board with this plan. Miguel shrugs his support, while daughter says that she’s happy when her mom is happy.
“If God is not in our lives it won’t work out,” dad adds ominously.
“Okay,” Gabe is scared. “By God do you mean like God-God, or like red Starbucks cup God, or just-cover-your-body-and-serve-me God, or…”
Jen’s been trying to leave India since her plane landed, and this time tells Rishi she’s not keen to join the family home.
“Okay,” Rishi says.
“Really?” Jen looks for the fire exits.
As a compromise, Jen allows Rishi more time to tell his family he’ll be booing-up with the weird white lady who talks to them like they’re feral children communicating with claps.
Jen’s creeping up on 30 days in India, and she learned watching Jenny’s 23 seasons that all that’s required to stretch a visa to four months is leaving every 30 days. She rolls into a lawyer’s office with one week to spare and no fucks to give about the cost of airfare, to see how far she needs to go to be far enough from India to avoid offending the country.
“You do not have the google?” the lawyer is understandably stunned this is happening.
“I have two masters’ degrees, and haven’t read since,” Jen explains. Then she tells the lawyer and his paternal supervisor that she’s engaged, and would like to remain in India as God allows.
“Why do they keep trying to drag me into this?” God is exhausted.
The lawyer asks to see her visa, so Jen surrenders her phone.
“When are you getting married?” the lawyer asks, scanning her photos for nudes.
“He hasn’t told his family yet,” Jen TMI’s.
“So never,” the lawyer shrugs. “You’re going to need another tourist visa.”
“BUT!”
“This is your phone, correct?” the lawyer is over it. “Do you see where it says ‘number of entries’? The answer to your riddle lies here.”
“Whaaaaa? I thought ‘single’ was my marital status!”
“This is crazy American behavior,’ the lawyer is a touch too on-the-nose.
“Look, this is my fucking livelihood,” Camera #1 needs the lawyer to know what she’s been through. “Just wait until we leave to laugh like everyone else, and focus on distributing doom!”
Jen insists that nothing worth doing has ever been hard, and a life-changing decision should demand minimal effort.
“It’s like, message received, universe!” Jen cries.
“That wasn’t me,” the Universe chimes in.
“Maybe this is God telling me to stop trying to make this work,” Jen sobs.
“When did you start trying?” God is with the Universe on this one.
Jen’s got to tell Rishi this news in front of the chai-guy, and leaves out the part where this information was readily available to her the entire time. Rishi looks like he just took a kick from Oussama’s donkey, and neither of them are ready to get married in just a month, but they don’t want to break up. Tears happen.
“Would anyone like some more chai?” the chai-guy feels helpless.
Debbie and Oussama leave the airport for Rabat, and Oussama wastes no time sharing what every Arabic man tells their non-Muslim western-would-be-wife on this show, so do I even have to type it? Debbie thinks she’s already sacrificed enough by agreeing to like-button his facebook poetry, and Oussama requests she just learn to be “40% of a Moroccan housewife” — and Moroccan housewives work hard.
“I thought hard work kills the creativity?” Debbie needs to understand there’s two different standards at play here. “I’ve already worked hard my entire life. When do you start?”
Still, Debbie says she’ll warm to the idea if their food is primarily take-out and they agree to get fucked up on wine on the regular. Oussama notes that this is fine, they just can’t drink at the house.
“It makes the angels go outside of the home and makes the devil come inside,” Oussama explains how booze works.
“Finally, a fucking invite!” the devil has been waiting for this moment.
“Is that how you got this way?” Debbie starts putting the pieces in place. “Can we slough them off at a brew pub somewhere, or is this an exorcism situation? Do you have an ancient box I can twirl in my hands?”
Debbie colors this whole turn bizarre, and so she anticipates walking out the same 100% Debbie she was when she walked in.
“I need a drink just thinking about it,” Debbie laughs.
“No, this will be fine,” Oussama reads from his *PUA Handbook for Muslim Men Marrying Western Women for Lulz.* “My word is final. Old American women have so much dumb.”
“Excuse me! Did he say old?” Jen has an issue here.
“Me not old,” Memphis wants to be included.
“I don’t know what you’re talking about, so I’m packing, and I’m leaving,” Nicole does her part.
“I don’t know Oussama,” Debbie’s destined for reality tv. “It’s starting to sound like you plan to fuck around and find out.”
They arrive at a gorgeous inn with brilliant decor and architecture, and Debbie marvels at its beauty, before suggesting Oussama might want to be 20% a gentleman and give her back a fucking break and get the bags. God takes revenge on Oussama for suggesting Debbie dilute herself and brains him on his way out of her room.
“He just clotheslined himself bad!” Debbie laughs along with God, who takes full responsibility.
“My neck,” Kris feels it all the way in Colombia.
Debbie puts her stuff away and thinks she’s been left no choice but to remind Oussama of her majesty through jewelry. She makes her grand entrance in a flowing dress, and wants to finalize a few things, since Oussama has already written 40% of her identity out of the story. She asks how long they plan to stay with his parents, and Oussama assures her that she won’t be there long at all, but he’ll probably be there until the planet dies.
“So wait, where am I going to be when the planet dies?”
“Dead,” Oussama hopes this clears things up.
“What if it dies in three months? Where will I be then?”
“Oh, in America,” Oussama thinks she asks a lot of questions, and he swears he explained his policy about cats>humans.
“But I’m wearing a lion’s head,” she directs his attention.
Debbie thinks this information might have been more useful prior to packing, and Oussama says he knew she wouldn’t come then, so as you can see, this deception is fine. Debbie is gobsmacked, and reports the last time she was there he practically floored it to the courthouse, and now he’s demanding a two-month trial run and a return to Georgia before he weighs his options a second time.
“You sure screwed up Oussama,” Debbie sadly shakes her head. “Hell is empty and all the devils are here.”
With that Debbie takes her leave, and vows to get in a quick camel ride and replenish her bead collection before returning to the House of Wonders that has managed to remain enchanted without her.
The Four Day Torment of Kris is ready for Chapter Exhausted, and the box of pills and magic shot have narcolepsied Kris into a denim-coma, granting Jeymi a chance to escape this tit-pillow prison. She asks Kris if she still wants to take photos on the backs of horses wearing cowboy hats, or if it’s cool for her to change out of this outfit, and Kris says Jeymi should go it alone while she face-plants and listens to “Ring of Fire” on repeat. With that, Jeymi scurries off to meet with friends Alex and Leo.
“HELP ME!” She screams as she runs into the restaurant.
“DID SHE FOLLOW YOU?” Alex and Leo need to know this first.
Jeymi says that somewhere Kris’ car-accident total rose to four, one for each day she’s spent in Colombia, and one of these accidents resulted in a neck injury so confusing that it somehow feels better smashed sideways into a moosh pillow.
“Kris also said it would be better if you didn’t meet her before we’re already married,” Jeymi frowns.
“Has she been in jail?” Alex has a wager he’s looking to settle. “Is she there now?”
“Does she think everything south of Texas is Mexico?” Leo has a bet of his own. “Is Tucker Carlson her president?”
They tell Jeymi this is why their original advice was to leave her at the airport, and she interjects that Kris is going back there soon enough anyway.
“Because she’s going to jail?” Alex isn’t letting his theory dissolve, but is willing to wait.
Nicole waffles around the house in search of a storyline other than clothing, and settles on slow-motion ironing, which is still clothing, and another reason to be late to Mahmoud’s uncle’s house. Uncle owns a garment factory, and Mahmoud and Nicole think they can turn her designs into a family business, once they’re married to other people. For reasons known only to Mahmoud, he believes this sojourn to the next House of Judgment will relax Nicole.
“I feel that once she sees my aunt completely covered with only her eyes exposed, she’ll understand how respectful this is,” Mahmoud says things.
Nicole’s welcomed into the house, and they share her sketches with the family, while Nicole describes a strange, isolated hamlet of America where women are restricted to short sleeves and skirts with nary a pant to be found.
“What?” Every clothing shop from LA to NYC has questions.
Uncle Fashion reports that Nicole’s designs are a good start, but they’re not quite a burqa yet, and he’s wondering when Mahmoud is going to brainwash Nicole into thinking a similar outfit is her own idea. Nicole thinks this is a very personal question, and thought she made it clear she’s there for a business opportunity. Uncle says if she hadn’t converted and somehow fallen into the strictest circle of religious Egypt this wouldn’t be a thing. Mahmoud tells them that Nicole doesn’t understand the purpose of the hijab, or any facet of the religion beyond the single sentence she willingly recited prior to nuptials, but he’s made a point to repeatedly bring it up while speaking of nothing else. Uncle retorts that the clothing is not the most important part, the praying is, and Nicole says that Mahmoud still has to teach her this.
“I’m having a crisis of faith,” Nicole describes losing something she never had. “I still need to iron it and find the shoes to match.”
“Trust me, praying is more important than the clothes,” Uncle insists.
“Not to Mahmoud!” Nicole objects.
“There are books that could answer a lot of these questions…” God tries.
“I was not told there would be reading!” Nicole objects again.
“Right?!” Jen’s on board.
STILL TO COME THIS SEASON: Kris and Jeymi commit love crimes in front of astonished witnesses, Jen travels through time towards her actual age, Nicole dresses like a lady-sperm on an important ovarian quest, Gabe shares his secrets with Isabel’s family, Daniele goes snorkeling for new complaints, and Yohan finds an excuse to reference the baby-arm in his pants.
Thank you, Patreon supporters!
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“What’s the point of me again?” Trey needs clarification over basketball. “How did we meet?”
“I heard you speaking English?” Gabe tries. “Oh, I’m trans. That and not knowing you is why I didn’t add you on social media.”
“Whoa! And you want to marry this girl?” Trey remembers his lines. “I mean, you should pause and think about it. Do you really want to be with someone who loves and accepts you?”
“Yes?” Gabe isn’t sure Trey is living up to the fake-friend promise.
“Well I would slow down, and definitely don’t ask for her hand in marriage and reveal the trans thing on the same visit with the parents,” Trey advises. “Every sitcom gives you 30 minutes to chew on a coming-out before the wedding episode, and this show is like a thousand minutes long.”
“Yeah, but the cameras make it a bit safer,” Gabe has a point.
“Did that stop River from lamp-smacking Pedro?” Trey has three points!
Gabe remains resolved so Trey takes his doubt on the road and meets up with Gabe and Isabel at a spot where they usually bro-out doing man things like smashing stuff with their beef-mitts in front of tits. Isabel does her best to believe Gabe has a second-life as a nomadic womanizer without guffawing. Perhaps the fake business and the real surgeries and actual families provide sufficient drama without the need for Trey’s services?
“I’m afraid not,” production has notes. “Normally, yes, but we’ve got a LOT of sad white women this season. Without these two, it’s basically crying and Nicole looking like she wants to return to the sea.”
“Speaking of secretos,” Trey isn’t ready to abandon the spotlight just yet. “How about that trans business? Did you know about this, Isabella?”
“Really?” Isabel won’t last much longer.
“It’s Isabel,” Mateo, Isabel’s friend, manifests like Daniele’s watching.
“Did YOU know about this?” Trey needs to ask this some more. “This culture es muy machismo. Mucho cheesimo. Muy.”
“Muy confuso,” M’Hog agrees.
“Colombia is more progressive than Alabama,” Jeymi has been talking to Kris. “Are any of you even armed right now?”
Gabe gets a bit worried when Isabel mentions her dad being religious, since the bulk of Gabe’s daily hate comes from trolls and people who use religion to justify bigotry. All the same, the whole family prepares to head to Isabel’s parents’ house for a few days, with Miguel taking on the turtle-transport task like someone who wants his reptiles to live. The parents are excited to see them, and report endorsing Gabe as a partner, since he has a good heart and a “special disposition to love Isabel.” After greeting and asking about sleeping arrangements, dad says Gabe will sleep in separate quarters since he’s a guest.
“Oh, I’m not a virgin,” Isabel breaks the news to them gently, hiding Miguel behind her back.
“More secretos!” Trey won’t leave.
They sit down to eat, and ask Gabe how Colombian food measures against American cuisine, and Gabe reports food in Miami is just deep-fried golf balls, and Colombian food has ingredients. Gabe adds that he’s calling Colombia home now, to further his relationship with Isabel. Dad can’t help but smile when Gabe mentions wanting to be with her his whole life, and the grandparents quiz the kids to make sure they’re on board with this plan. Miguel shrugs his support, while daughter says that she’s happy when her mom is happy.
“If God is not in our lives it won’t work out,” dad adds ominously.
“Okay,” Gabe is scared. “By God do you mean like God-God, or like red Starbucks cup God, or just-cover-your-body-and-serve-me God, or…”
Jen’s been trying to leave India since her plane landed, and this time tells Rishi she’s not keen to join the family home.
“Okay,” Rishi says.
“Really?” Jen looks for the fire exits.
As a compromise, Jen allows Rishi more time to tell his family he’ll be booing-up with the weird white lady who talks to them like they’re feral children communicating with claps.
Jen’s creeping up on 30 days in India, and she learned watching Jenny’s 23 seasons that all that’s required to stretch a visa to four months is leaving every 30 days. She rolls into a lawyer’s office with one week to spare and no fucks to give about the cost of airfare, to see how far she needs to go to be far enough from India to avoid offending the country.
“You do not have the google?” the lawyer is understandably stunned this is happening.
“I have two masters’ degrees, and haven’t read since,” Jen explains. Then she tells the lawyer and his paternal supervisor that she’s engaged, and would like to remain in India as God allows.
“Why do they keep trying to drag me into this?” God is exhausted.
The lawyer asks to see her visa, so Jen surrenders her phone.
“When are you getting married?” the lawyer asks, scanning her photos for nudes.
“He hasn’t told his family yet,” Jen TMI’s.
“So never,” the lawyer shrugs. “You’re going to need another tourist visa.”
“BUT!”
“This is your phone, correct?” the lawyer is over it. “Do you see where it says ‘number of entries’? The answer to your riddle lies here.”
“Whaaaaa? I thought ‘single’ was my marital status!”
“This is crazy American behavior,’ the lawyer is a touch too on-the-nose.
“Look, this is my fucking livelihood,” Camera #1 needs the lawyer to know what she’s been through. “Just wait until we leave to laugh like everyone else, and focus on distributing doom!”
Jen insists that nothing worth doing has ever been hard, and a life-changing decision should demand minimal effort.
“It’s like, message received, universe!” Jen cries.
“That wasn’t me,” the Universe chimes in.
“Maybe this is God telling me to stop trying to make this work,” Jen sobs.
“When did you start trying?” God is with the Universe on this one.
Jen’s got to tell Rishi this news in front of the chai-guy, and leaves out the part where this information was readily available to her the entire time. Rishi looks like he just took a kick from Oussama’s donkey, and neither of them are ready to get married in just a month, but they don’t want to break up. Tears happen.
“Would anyone like some more chai?” the chai-guy feels helpless.
Debbie and Oussama leave the airport for Rabat, and Oussama wastes no time sharing what every Arabic man tells their non-Muslim western-would-be-wife on this show, so do I even have to type it? Debbie thinks she’s already sacrificed enough by agreeing to like-button his facebook poetry, and Oussama requests she just learn to be “40% of a Moroccan housewife” — and Moroccan housewives work hard.
“I thought hard work kills the creativity?” Debbie needs to understand there’s two different standards at play here. “I’ve already worked hard my entire life. When do you start?”
Still, Debbie says she’ll warm to the idea if their food is primarily take-out and they agree to get fucked up on wine on the regular. Oussama notes that this is fine, they just can’t drink at the house.
“It makes the angels go outside of the home and makes the devil come inside,” Oussama explains how booze works.
“Finally, a fucking invite!” the devil has been waiting for this moment.
“Is that how you got this way?” Debbie starts putting the pieces in place. “Can we slough them off at a brew pub somewhere, or is this an exorcism situation? Do you have an ancient box I can twirl in my hands?”
Debbie colors this whole turn bizarre, and so she anticipates walking out the same 100% Debbie she was when she walked in.
“I need a drink just thinking about it,” Debbie laughs.
“No, this will be fine,” Oussama reads from his *PUA Handbook for Muslim Men Marrying Western Women for Lulz.* “My word is final. Old American women have so much dumb.”
“Excuse me! Did he say old?” Jen has an issue here.
“Me not old,” Memphis wants to be included.
“I don’t know what you’re talking about, so I’m packing, and I’m leaving,” Nicole does her part.
“I don’t know Oussama,” Debbie’s destined for reality tv. “It’s starting to sound like you plan to fuck around and find out.”
They arrive at a gorgeous inn with brilliant decor and architecture, and Debbie marvels at its beauty, before suggesting Oussama might want to be 20% a gentleman and give her back a fucking break and get the bags. God takes revenge on Oussama for suggesting Debbie dilute herself and brains him on his way out of her room.
“He just clotheslined himself bad!” Debbie laughs along with God, who takes full responsibility.
“My neck,” Kris feels it all the way in Colombia.
Debbie puts her stuff away and thinks she’s been left no choice but to remind Oussama of her majesty through jewelry. She makes her grand entrance in a flowing dress, and wants to finalize a few things, since Oussama has already written 40% of her identity out of the story. She asks how long they plan to stay with his parents, and Oussama assures her that she won’t be there long at all, but he’ll probably be there until the planet dies.
“So wait, where am I going to be when the planet dies?”
“Dead,” Oussama hopes this clears things up.
“What if it dies in three months? Where will I be then?”
“Oh, in America,” Oussama thinks she asks a lot of questions, and he swears he explained his policy about cats>humans.
“But I’m wearing a lion’s head,” she directs his attention.
Debbie thinks this information might have been more useful prior to packing, and Oussama says he knew she wouldn’t come then, so as you can see, this deception is fine. Debbie is gobsmacked, and reports the last time she was there he practically floored it to the courthouse, and now he’s demanding a two-month trial run and a return to Georgia before he weighs his options a second time.
“You sure screwed up Oussama,” Debbie sadly shakes her head. “Hell is empty and all the devils are here.”
With that Debbie takes her leave, and vows to get in a quick camel ride and replenish her bead collection before returning to the House of Wonders that has managed to remain enchanted without her.
The Four Day Torment of Kris is ready for Chapter Exhausted, and the box of pills and magic shot have narcolepsied Kris into a denim-coma, granting Jeymi a chance to escape this tit-pillow prison. She asks Kris if she still wants to take photos on the backs of horses wearing cowboy hats, or if it’s cool for her to change out of this outfit, and Kris says Jeymi should go it alone while she face-plants and listens to “Ring of Fire” on repeat. With that, Jeymi scurries off to meet with friends Alex and Leo.
“HELP ME!” She screams as she runs into the restaurant.
“DID SHE FOLLOW YOU?” Alex and Leo need to know this first.
Jeymi says that somewhere Kris’ car-accident total rose to four, one for each day she’s spent in Colombia, and one of these accidents resulted in a neck injury so confusing that it somehow feels better smashed sideways into a moosh pillow.
“Kris also said it would be better if you didn’t meet her before we’re already married,” Jeymi frowns.
“Has she been in jail?” Alex has a wager he’s looking to settle. “Is she there now?”
“Does she think everything south of Texas is Mexico?” Leo has a bet of his own. “Is Tucker Carlson her president?”
They tell Jeymi this is why their original advice was to leave her at the airport, and she interjects that Kris is going back there soon enough anyway.
“Because she’s going to jail?” Alex isn’t letting his theory dissolve, but is willing to wait.
Nicole waffles around the house in search of a storyline other than clothing, and settles on slow-motion ironing, which is still clothing, and another reason to be late to Mahmoud’s uncle’s house. Uncle owns a garment factory, and Mahmoud and Nicole think they can turn her designs into a family business, once they’re married to other people. For reasons known only to Mahmoud, he believes this sojourn to the next House of Judgment will relax Nicole.
“I feel that once she sees my aunt completely covered with only her eyes exposed, she’ll understand how respectful this is,” Mahmoud says things.
Nicole’s welcomed into the house, and they share her sketches with the family, while Nicole describes a strange, isolated hamlet of America where women are restricted to short sleeves and skirts with nary a pant to be found.
“What?” Every clothing shop from LA to NYC has questions.
Uncle Fashion reports that Nicole’s designs are a good start, but they’re not quite a burqa yet, and he’s wondering when Mahmoud is going to brainwash Nicole into thinking a similar outfit is her own idea. Nicole thinks this is a very personal question, and thought she made it clear she’s there for a business opportunity. Uncle says if she hadn’t converted and somehow fallen into the strictest circle of religious Egypt this wouldn’t be a thing. Mahmoud tells them that Nicole doesn’t understand the purpose of the hijab, or any facet of the religion beyond the single sentence she willingly recited prior to nuptials, but he’s made a point to repeatedly bring it up while speaking of nothing else. Uncle retorts that the clothing is not the most important part, the praying is, and Nicole says that Mahmoud still has to teach her this.
“I’m having a crisis of faith,” Nicole describes losing something she never had. “I still need to iron it and find the shoes to match.”
“Trust me, praying is more important than the clothes,” Uncle insists.
“Not to Mahmoud!” Nicole objects.
“There are books that could answer a lot of these questions…” God tries.
“I was not told there would be reading!” Nicole objects again.
“Right?!” Jen’s on board.
STILL TO COME THIS SEASON: Kris and Jeymi commit love crimes in front of astonished witnesses, Jen travels through time towards her actual age, Nicole dresses like a lady-sperm on an important ovarian quest, Gabe shares his secrets with Isabel’s family, Daniele goes snorkeling for new complaints, and Yohan finds an excuse to reference the baby-arm in his pants.
Thank you, Patreon supporters!
2023.03.24 03:25 fractalfay Speaking of secretos: Recap of 90 Days The Other Way S04E07
Gabe and Isabel have nearly enough characters in their tale to warrant a spin-off series, so time to crowd the stage and introduce Gabe’s stunt-friend Trey.
“What’s the point of me again?” Trey needs clarification over basketball. “How did we meet?”
“I heard you speaking English?” Gabe tries. “Oh, I’m trans. That and not knowing you is why I didn’t add you on social media.”
“Whoa! And you want to marry this girl?” Trey remembers his lines. “I mean, you should pause and think about it. Do you really want to be with someone who loves and accepts you?”
“Yes?” Gabe isn’t sure Trey is living up to the fake-friend promise.
“Well I would slow down, and definitely don’t ask for her hand in marriage and reveal the trans thing on the same visit with the parents,” Trey advises. “Every sitcom gives you 30 minutes to chew on a coming-out before the wedding episode, and this show is like a thousand minutes long.”
“Yeah, but the cameras make it a bit safer,” Gabe has a point.
“Did that stop River from lamp-smacking Pedro?” Trey has three points!
Gabe remains resolved so Trey takes his doubt on the road and meets up with Gabe and Isabel at a spot where they usually bro-out doing man things like smashing stuff with their beef-mitts in front of tits. Isabel does her best to believe Gabe has a second-life as a nomadic womanizer without guffawing. Perhaps the fake business and the real surgeries and actual families provide sufficient drama without the need for Trey’s services?
“I’m afraid not,” production has notes. “Normally, yes, but we’ve got a LOT of sad white women this season. Without these two, it’s basically crying and Nicole looking like she wants to return to the sea.”
“Speaking of secretos,” Trey isn’t ready to abandon the spotlight just yet. “How about that trans business? Did you know about this, Isabella?”
“Really?” Isabel won’t last much longer.
“It’s Isabel,” Mateo, Isabel’s friend, manifests like Daniele’s watching.
“Did YOU know about this?” Trey needs to ask this some more. “This culture es muy machismo. Mucho cheesimo. Muy.”
“Muy confuso,” M’Hog agrees.
“Colombia is more progressive than Alabama,” Jeymi has been talking to Kris. “Are any of you even armed right now?”
Gabe gets a bit worried when Isabel mentions her dad being religious, since the bulk of Gabe’s daily hate comes from trolls and people who use religion to justify bigotry. All the same, the whole family prepares to head to Isabel’s parents’ house for a few days, with Miguel taking on the turtle-transport task like someone who wants his reptiles to live. The parents are excited to see them, and report endorsing Gabe as a partner, since he has a good heart and a “special disposition to love Isabel.” After greeting and asking about sleeping arrangements, dad says Gabe will sleep in separate quarters since he’s a guest.
“Oh, I’m not a virgin,” Isabel breaks the news to them gently, hiding Miguel behind her back.
“More secretos!” Trey won’t leave.
They sit down to eat, and ask Gabe how Colombian food measures against American cuisine, and Gabe reports food in Miami is just deep-fried golf balls, and Colombian food has ingredients. Gabe adds that he’s calling Colombia home now, to further his relationship with Isabel. Dad can’t help but smile when Gabe mentions wanting to be with her his whole life, and the grandparents quiz the kids to make sure they’re on board with this plan. Miguel shrugs his support, while daughter says that she’s happy when her mom is happy.
“If God is not in our lives it won’t work out,” dad adds ominously.
“Okay,” Gabe is scared. “By God do you mean like God-God, or like red Starbucks cup God, or just-cover-your-body-and-serve-me God, or…”
Jen’s been trying to leave India since her plane landed, and this time tells Rishi she’s not keen to join the family home.
“Okay,” Rishi says.
“Really?” Jen looks for the fire exits.
As a compromise, Jen allows Rishi more time to tell his family he’ll be booing-up with the weird white lady who talks to them like they’re feral children communicating with claps.
Jen’s creeping up on 30 days in India, and she learned watching Jenny’s 23 seasons that all that’s required to stretch a visa to four months is leaving every 30 days. She rolls into a lawyer’s office with one week to spare and no fucks to give about the cost of airfare, to see how far she needs to go to be far enough from India to avoid offending the country.
“You do not have the google?” the lawyer is understandably stunned this is happening.
“I have two masters’ degrees, and haven’t read since,” Jen explains. Then she tells the lawyer and his paternal supervisor that she’s engaged, and would like to remain in India as God allows.
“Why do they keep trying to drag me into this?” God is exhausted.
The lawyer asks to see her visa, so Jen surrenders her phone.
“When are you getting married?” the lawyer asks, scanning her photos for nudes.
“He hasn’t told his family yet,” Jen TMI’s.
“So never,” the lawyer shrugs. “You’re going to need another tourist visa.”
“BUT!”
“This is your phone, correct?” the lawyer is over it. “Do you see where it says ‘number of entries’? The answer to your riddle lies here.”
“Whaaaaa? I thought ‘single’ was my marital status!”
“This is crazy American behavior,’ the lawyer is a touch too on-the-nose.
“Look, this is my fucking livelihood,” Camera #1 needs the lawyer to know what she’s been through. “Just wait until we leave to laugh like everyone else, and focus on distributing doom!”
Jen insists that nothing worth doing has ever been hard, and a life-changing decision should demand minimal effort.
“It’s like, message received, universe!” Jen cries.
“That wasn’t me,” the Universe chimes in.
“Maybe this is God telling me to stop trying to make this work,” Jen sobs.
“When did you start trying?” God is with the Universe on this one.
Jen’s got to tell Rishi this news in front of the chai-guy, and leaves out the part where this information was readily available to her the entire time. Rishi looks like he just took a kick from Oussama’s donkey, and neither of them are ready to get married in just a month, but they don’t want to break up. Tears happen.
“Would anyone like some more chai?” the chai-guy feels helpless.
Debbie and Oussama leave the airport for Rabat, and Oussama wastes no time sharing what every Arabic man tells their non-Muslim western-would-be-wife on this show, so do I even have to type it? Debbie thinks she’s already sacrificed enough by agreeing to like-button his facebook poetry, and Oussama requests she just learn to be “40% of a Moroccan housewife” — and Moroccan housewives work hard.
“I thought hard work kills the creativity?” Debbie needs to understand there’s two different standards at play here. “I’ve already worked hard my entire life. When do you start?”
Still, Debbie says she’ll warm to the idea if their food is primarily take-out and they agree to get fucked up on wine on the regular. Oussama notes that this is fine, they just can’t drink at the house.
“It makes the angels go outside of the home and makes the devil come inside,” Oussama explains how booze works.
“Finally, a fucking invite!” the devil has been waiting for this moment.
“Is that how you got this way?” Debbie starts putting the pieces in place. “Can we slough them off at a brew pub somewhere, or is this an exorcism situation? Do you have an ancient box I can twirl in my hands?”
Debbie colors this whole turn bizarre, and so she anticipates walking out the same 100% Debbie she was when she walked in.
“I need a drink just thinking about it,” Debbie laughs.
“No, this will be fine,” Oussama reads from his *PUA Handbook for Muslim Men Marrying Western Women for Lulz.* “My word is final. Old American women have so much dumb.”
“Excuse me! Did he say old?” Jen has an issue here.
“Me not old,” Memphis wants to be included.
“I don’t know what you’re talking about, so I’m packing, and I’m leaving,” Nicole does her part.
“I don’t know Oussama,” Debbie’s destined for reality tv. “It’s starting to sound like you plan to fuck around and find out.”
They arrive at a gorgeous inn with brilliant decor and architecture, and Debbie marvels at its beauty, before suggesting Oussama might want to be 20% a gentleman and give her back a fucking break and get the bags. God takes revenge on Oussama for suggesting Debbie dilute herself and brains him on his way out of her room.
“He just clotheslined himself bad!” Debbie laughs along with God, who takes full responsibility.
“My neck,” Kris feels it all the way in Colombia.
Debbie puts her stuff away and thinks she’s been left no choice but to remind Oussama of her majesty through jewelry. She makes her grand entrance in a flowing dress, and wants to finalize a few things, since Oussama has already written 40% of her identity out of the story. She asks how long they plan to stay with his parents, and Oussama assures her that she won’t be there long at all, but he’ll probably be there until the planet dies.
“So wait, where am I going to be when the planet dies?”
“Dead,” Oussama hopes this clears things up.
“What if it dies in three months? Where will I be then?”
“Oh, in America,” Oussama thinks she asks a lot of questions, and he swears he explained his policy about cats>humans.
“But I’m wearing a lion’s head,” she directs his attention.
Debbie thinks this information might have been more useful prior to packing, and Oussama says he knew she wouldn’t come then, so as you can see, this deception is fine. Debbie is gobsmacked, and reports the last time she was there he practically floored it to the courthouse, and now he’s demanding a two-month trial run and a return to Georgia before he weighs his options a second time.
“You sure screwed up Oussama,” Debbie sadly shakes her head. “Hell is empty and all the devils are here.”
With that Debbie takes her leave, and vows to get in a quick camel ride and replenish her bead collection before returning to the House of Wonders that has managed to remain enchanted without her.
The Four Day Torment of Kris is ready for Chapter Exhausted, and the box of pills and magic shot have narcolepsied Kris into a denim-coma, granting Jeymi a chance to escape this tit-pillow prison. She asks Kris if she still wants to take photos on the backs of horses wearing cowboy hats, or if it’s cool for her to change out of this outfit, and Kris says Jeymi should go it alone while she face-plants and listens to “Ring of Fire” on repeat. With that, Jeymi scurries off to meet with friends Alex and Leo.
“HELP ME!” She screams as she runs into the restaurant.
“DID SHE FOLLOW YOU?” Alex and Leo need to know this first.
Jeymi says that somewhere Kris’ car-accident total rose to four, one for each day she’s spent in Colombia, and one of these accidents resulted in a neck injury so confusing that it somehow feels better smashed sideways into a moosh pillow.
“Kris also said it would be better if you didn’t meet her before we’re already married,” Jeymi frowns.
“Has she been in jail?” Alex has a wager he’s looking to settle. “Is she there now?”
“Does she think everything south of Texas is Mexico?” Leo has a bet of his own. “Is Tucker Carlson her president?”
They tell Jeymi this is why their original advice was to leave her at the airport, and she interjects that Kris is going back there soon enough anyway.
“Because she’s going to jail?” Alex isn’t letting his theory dissolve, but is willing to wait.
Nicole waffles around the house in search of a storyline other than clothing, and settles on slow-motion ironing, which is still clothing, and another reason to be late to Mahmoud’s uncle’s house. Uncle owns a garment factory, and Mahmoud and Nicole think they can turn her designs into a family business, once they’re married to other people. For reasons known only to Mahmoud, he believes this sojourn to the next House of Judgment will relax Nicole.
“I feel that once she sees my aunt completely covered with only her eyes exposed, she’ll understand how respectful this is,” Mahmoud says things.
Nicole’s welcomed into the house, and they share her sketches with the family, while Nicole describes a strange, isolated hamlet of America where women are restricted to short sleeves and skirts with nary a pant to be found.
“What?” Every clothing shop from LA to NYC has questions.
Uncle Fashion reports that Nicole’s designs are a good start, but they’re not quite a burqa yet, and he’s wondering when Mahmoud is going to brainwash Nicole into thinking a similar outfit is her own idea. Nicole thinks this is a very personal question, and thought she made it clear she’s there for a business opportunity. Uncle says if she hadn’t converted and somehow fallen into the strictest circle of religious Egypt this wouldn’t be a thing. Mahmoud tells them that Nicole doesn’t understand the purpose of the hijab, or any facet of the religion beyond the single sentence she willingly recited prior to nuptials, but he’s made a point to repeatedly bring it up while speaking of nothing else. Uncle retorts that the clothing is not the most important part, the praying is, and Nicole says that Mahmoud still has to teach her this.
“I’m having a crisis of faith,” Nicole describes losing something she never had. “I still need to iron it and find the shoes to match.”
“Trust me, praying is more important than the clothes,” Uncle insists.
“Not to Mahmoud!” Nicole objects.
“There are books that could answer a lot of these questions…” God tries.
“I was not told there would be reading!” Nicole objects again.
“Right?!” Jen’s on board.
STILL TO COME THIS SEASON: Kris and Jeymi commit love crimes in front of astonished witnesses, Jen travels through time towards her actual age, Nicole dresses like a lady-sperm on an important ovarian quest, Gabe shares his secrets with Isabel’s family, Daniele goes snorkeling for new complaints, and Yohan finds an excuse to reference the baby-arm in his pants.
Thank you, Patreon supporters, and generous Venmo tipper! patreon.com/fractalfay
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“What’s the point of me again?” Trey needs clarification over basketball. “How did we meet?”
“I heard you speaking English?” Gabe tries. “Oh, I’m trans. That and not knowing you is why I didn’t add you on social media.”
“Whoa! And you want to marry this girl?” Trey remembers his lines. “I mean, you should pause and think about it. Do you really want to be with someone who loves and accepts you?”
“Yes?” Gabe isn’t sure Trey is living up to the fake-friend promise.
“Well I would slow down, and definitely don’t ask for her hand in marriage and reveal the trans thing on the same visit with the parents,” Trey advises. “Every sitcom gives you 30 minutes to chew on a coming-out before the wedding episode, and this show is like a thousand minutes long.”
“Yeah, but the cameras make it a bit safer,” Gabe has a point.
“Did that stop River from lamp-smacking Pedro?” Trey has three points!
Gabe remains resolved so Trey takes his doubt on the road and meets up with Gabe and Isabel at a spot where they usually bro-out doing man things like smashing stuff with their beef-mitts in front of tits. Isabel does her best to believe Gabe has a second-life as a nomadic womanizer without guffawing. Perhaps the fake business and the real surgeries and actual families provide sufficient drama without the need for Trey’s services?
“I’m afraid not,” production has notes. “Normally, yes, but we’ve got a LOT of sad white women this season. Without these two, it’s basically crying and Nicole looking like she wants to return to the sea.”
“Speaking of secretos,” Trey isn’t ready to abandon the spotlight just yet. “How about that trans business? Did you know about this, Isabella?”
“Really?” Isabel won’t last much longer.
“It’s Isabel,” Mateo, Isabel’s friend, manifests like Daniele’s watching.
“Did YOU know about this?” Trey needs to ask this some more. “This culture es muy machismo. Mucho cheesimo. Muy.”
“Muy confuso,” M’Hog agrees.
“Colombia is more progressive than Alabama,” Jeymi has been talking to Kris. “Are any of you even armed right now?”
Gabe gets a bit worried when Isabel mentions her dad being religious, since the bulk of Gabe’s daily hate comes from trolls and people who use religion to justify bigotry. All the same, the whole family prepares to head to Isabel’s parents’ house for a few days, with Miguel taking on the turtle-transport task like someone who wants his reptiles to live. The parents are excited to see them, and report endorsing Gabe as a partner, since he has a good heart and a “special disposition to love Isabel.” After greeting and asking about sleeping arrangements, dad says Gabe will sleep in separate quarters since he’s a guest.
“Oh, I’m not a virgin,” Isabel breaks the news to them gently, hiding Miguel behind her back.
“More secretos!” Trey won’t leave.
They sit down to eat, and ask Gabe how Colombian food measures against American cuisine, and Gabe reports food in Miami is just deep-fried golf balls, and Colombian food has ingredients. Gabe adds that he’s calling Colombia home now, to further his relationship with Isabel. Dad can’t help but smile when Gabe mentions wanting to be with her his whole life, and the grandparents quiz the kids to make sure they’re on board with this plan. Miguel shrugs his support, while daughter says that she’s happy when her mom is happy.
“If God is not in our lives it won’t work out,” dad adds ominously.
“Okay,” Gabe is scared. “By God do you mean like God-God, or like red Starbucks cup God, or just-cover-your-body-and-serve-me God, or…”
Jen’s been trying to leave India since her plane landed, and this time tells Rishi she’s not keen to join the family home.
“Okay,” Rishi says.
“Really?” Jen looks for the fire exits.
As a compromise, Jen allows Rishi more time to tell his family he’ll be booing-up with the weird white lady who talks to them like they’re feral children communicating with claps.
Jen’s creeping up on 30 days in India, and she learned watching Jenny’s 23 seasons that all that’s required to stretch a visa to four months is leaving every 30 days. She rolls into a lawyer’s office with one week to spare and no fucks to give about the cost of airfare, to see how far she needs to go to be far enough from India to avoid offending the country.
“You do not have the google?” the lawyer is understandably stunned this is happening.
“I have two masters’ degrees, and haven’t read since,” Jen explains. Then she tells the lawyer and his paternal supervisor that she’s engaged, and would like to remain in India as God allows.
“Why do they keep trying to drag me into this?” God is exhausted.
The lawyer asks to see her visa, so Jen surrenders her phone.
“When are you getting married?” the lawyer asks, scanning her photos for nudes.
“He hasn’t told his family yet,” Jen TMI’s.
“So never,” the lawyer shrugs. “You’re going to need another tourist visa.”
“BUT!”
“This is your phone, correct?” the lawyer is over it. “Do you see where it says ‘number of entries’? The answer to your riddle lies here.”
“Whaaaaa? I thought ‘single’ was my marital status!”
“This is crazy American behavior,’ the lawyer is a touch too on-the-nose.
“Look, this is my fucking livelihood,” Camera #1 needs the lawyer to know what she’s been through. “Just wait until we leave to laugh like everyone else, and focus on distributing doom!”
Jen insists that nothing worth doing has ever been hard, and a life-changing decision should demand minimal effort.
“It’s like, message received, universe!” Jen cries.
“That wasn’t me,” the Universe chimes in.
“Maybe this is God telling me to stop trying to make this work,” Jen sobs.
“When did you start trying?” God is with the Universe on this one.
Jen’s got to tell Rishi this news in front of the chai-guy, and leaves out the part where this information was readily available to her the entire time. Rishi looks like he just took a kick from Oussama’s donkey, and neither of them are ready to get married in just a month, but they don’t want to break up. Tears happen.
“Would anyone like some more chai?” the chai-guy feels helpless.
Debbie and Oussama leave the airport for Rabat, and Oussama wastes no time sharing what every Arabic man tells their non-Muslim western-would-be-wife on this show, so do I even have to type it? Debbie thinks she’s already sacrificed enough by agreeing to like-button his facebook poetry, and Oussama requests she just learn to be “40% of a Moroccan housewife” — and Moroccan housewives work hard.
“I thought hard work kills the creativity?” Debbie needs to understand there’s two different standards at play here. “I’ve already worked hard my entire life. When do you start?”
Still, Debbie says she’ll warm to the idea if their food is primarily take-out and they agree to get fucked up on wine on the regular. Oussama notes that this is fine, they just can’t drink at the house.
“It makes the angels go outside of the home and makes the devil come inside,” Oussama explains how booze works.
“Finally, a fucking invite!” the devil has been waiting for this moment.
“Is that how you got this way?” Debbie starts putting the pieces in place. “Can we slough them off at a brew pub somewhere, or is this an exorcism situation? Do you have an ancient box I can twirl in my hands?”
Debbie colors this whole turn bizarre, and so she anticipates walking out the same 100% Debbie she was when she walked in.
“I need a drink just thinking about it,” Debbie laughs.
“No, this will be fine,” Oussama reads from his *PUA Handbook for Muslim Men Marrying Western Women for Lulz.* “My word is final. Old American women have so much dumb.”
“Excuse me! Did he say old?” Jen has an issue here.
“Me not old,” Memphis wants to be included.
“I don’t know what you’re talking about, so I’m packing, and I’m leaving,” Nicole does her part.
“I don’t know Oussama,” Debbie’s destined for reality tv. “It’s starting to sound like you plan to fuck around and find out.”
They arrive at a gorgeous inn with brilliant decor and architecture, and Debbie marvels at its beauty, before suggesting Oussama might want to be 20% a gentleman and give her back a fucking break and get the bags. God takes revenge on Oussama for suggesting Debbie dilute herself and brains him on his way out of her room.
“He just clotheslined himself bad!” Debbie laughs along with God, who takes full responsibility.
“My neck,” Kris feels it all the way in Colombia.
Debbie puts her stuff away and thinks she’s been left no choice but to remind Oussama of her majesty through jewelry. She makes her grand entrance in a flowing dress, and wants to finalize a few things, since Oussama has already written 40% of her identity out of the story. She asks how long they plan to stay with his parents, and Oussama assures her that she won’t be there long at all, but he’ll probably be there until the planet dies.
“So wait, where am I going to be when the planet dies?”
“Dead,” Oussama hopes this clears things up.
“What if it dies in three months? Where will I be then?”
“Oh, in America,” Oussama thinks she asks a lot of questions, and he swears he explained his policy about cats>humans.
“But I’m wearing a lion’s head,” she directs his attention.
Debbie thinks this information might have been more useful prior to packing, and Oussama says he knew she wouldn’t come then, so as you can see, this deception is fine. Debbie is gobsmacked, and reports the last time she was there he practically floored it to the courthouse, and now he’s demanding a two-month trial run and a return to Georgia before he weighs his options a second time.
“You sure screwed up Oussama,” Debbie sadly shakes her head. “Hell is empty and all the devils are here.”
With that Debbie takes her leave, and vows to get in a quick camel ride and replenish her bead collection before returning to the House of Wonders that has managed to remain enchanted without her.
The Four Day Torment of Kris is ready for Chapter Exhausted, and the box of pills and magic shot have narcolepsied Kris into a denim-coma, granting Jeymi a chance to escape this tit-pillow prison. She asks Kris if she still wants to take photos on the backs of horses wearing cowboy hats, or if it’s cool for her to change out of this outfit, and Kris says Jeymi should go it alone while she face-plants and listens to “Ring of Fire” on repeat. With that, Jeymi scurries off to meet with friends Alex and Leo.
“HELP ME!” She screams as she runs into the restaurant.
“DID SHE FOLLOW YOU?” Alex and Leo need to know this first.
Jeymi says that somewhere Kris’ car-accident total rose to four, one for each day she’s spent in Colombia, and one of these accidents resulted in a neck injury so confusing that it somehow feels better smashed sideways into a moosh pillow.
“Kris also said it would be better if you didn’t meet her before we’re already married,” Jeymi frowns.
“Has she been in jail?” Alex has a wager he’s looking to settle. “Is she there now?”
“Does she think everything south of Texas is Mexico?” Leo has a bet of his own. “Is Tucker Carlson her president?”
They tell Jeymi this is why their original advice was to leave her at the airport, and she interjects that Kris is going back there soon enough anyway.
“Because she’s going to jail?” Alex isn’t letting his theory dissolve, but is willing to wait.
Nicole waffles around the house in search of a storyline other than clothing, and settles on slow-motion ironing, which is still clothing, and another reason to be late to Mahmoud’s uncle’s house. Uncle owns a garment factory, and Mahmoud and Nicole think they can turn her designs into a family business, once they’re married to other people. For reasons known only to Mahmoud, he believes this sojourn to the next House of Judgment will relax Nicole.
“I feel that once she sees my aunt completely covered with only her eyes exposed, she’ll understand how respectful this is,” Mahmoud says things.
Nicole’s welcomed into the house, and they share her sketches with the family, while Nicole describes a strange, isolated hamlet of America where women are restricted to short sleeves and skirts with nary a pant to be found.
“What?” Every clothing shop from LA to NYC has questions.
Uncle Fashion reports that Nicole’s designs are a good start, but they’re not quite a burqa yet, and he’s wondering when Mahmoud is going to brainwash Nicole into thinking a similar outfit is her own idea. Nicole thinks this is a very personal question, and thought she made it clear she’s there for a business opportunity. Uncle says if she hadn’t converted and somehow fallen into the strictest circle of religious Egypt this wouldn’t be a thing. Mahmoud tells them that Nicole doesn’t understand the purpose of the hijab, or any facet of the religion beyond the single sentence she willingly recited prior to nuptials, but he’s made a point to repeatedly bring it up while speaking of nothing else. Uncle retorts that the clothing is not the most important part, the praying is, and Nicole says that Mahmoud still has to teach her this.
“I’m having a crisis of faith,” Nicole describes losing something she never had. “I still need to iron it and find the shoes to match.”
“Trust me, praying is more important than the clothes,” Uncle insists.
“Not to Mahmoud!” Nicole objects.
“There are books that could answer a lot of these questions…” God tries.
“I was not told there would be reading!” Nicole objects again.
“Right?!” Jen’s on board.
STILL TO COME THIS SEASON: Kris and Jeymi commit love crimes in front of astonished witnesses, Jen travels through time towards her actual age, Nicole dresses like a lady-sperm on an important ovarian quest, Gabe shares his secrets with Isabel’s family, Daniele goes snorkeling for new complaints, and Yohan finds an excuse to reference the baby-arm in his pants.
Thank you, Patreon supporters, and generous Venmo tipper! patreon.com/fractalfay
2023.03.24 02:35 SameCalligrapher6185 Why is West African Music and Drumming so Prominent in music education
I might just be biased, but it seems like every western music theorist will reference reference the same styles of music for their go to non-western musical styles: Indian Classical, West African Music, and Gamelan. Specifically with West African Music, It seems as though every music school and many secondary schools have West African Music in their standard non-western music elective. How did these styles of music gain so much prominence in academic circles, rather than say Indigenous American Music, or East Asian Music, or music from the rest of the African Continent?
submitted by SameCalligrapher6185 to musictheory [link] [comments]
2023.03.24 00:41 Imperator424 NC House Bill 376
Text of the bill found here https://www.ncleg.gov/BillLookUp/2023/H376
So several NC GOP state legislators have proposed/sponsored a bill to modify the state constitutional and how senators are apportioned, from the current system based on districts of roughly equal population to one where 1 senator would be elected by a district consisting of 2 counties regardless of their population. Needless to say this amendment, if passed, would give rural GOP counties a massively disproportionate say in the state senate. And while Reynolds v. Sims would normally make such an amendment unconstitutional anyways, I don't have much faith that SCOTUS won't overturn the case and allow state senates to be apportioned based on land.
The only silver lining is that in North Carolina an amendment to the state constitution has to be approved by the voters in a referendum, so hopefully voters in the more populous counties will strike the amendment down.
submitted by Imperator424 to sanepolitics [link] [comments]
So several NC GOP state legislators have proposed/sponsored a bill to modify the state constitutional and how senators are apportioned, from the current system based on districts of roughly equal population to one where 1 senator would be elected by a district consisting of 2 counties regardless of their population. Needless to say this amendment, if passed, would give rural GOP counties a massively disproportionate say in the state senate. And while Reynolds v. Sims would normally make such an amendment unconstitutional anyways, I don't have much faith that SCOTUS won't overturn the case and allow state senates to be apportioned based on land.
The only silver lining is that in North Carolina an amendment to the state constitution has to be approved by the voters in a referendum, so hopefully voters in the more populous counties will strike the amendment down.
2023.03.23 23:29 ndw_dc Voter Guides for Upcoming April 4th Primary Election
One of the issues I've run into with local elections is just a lack of information about what each candidate stands for. Because local investigative journalism is either dead or dying, the information you need to make an informed decision as a voter is sadly very hard to come by.
So I came across these two voter guides put together by two local groups, KC Tenants Power and Promoting Equitable Neighborhoods (PEN), which is associated with LISC of Great Kansas City.
KC Tenants Power 2023 Primary Election Voter Guide
Promoting Equitable Neighborhoods KCMO City Council Candidate Housing Voter Guide April 4th Primary Election
Although I happen to agree with KC Tenants on a lot of issues and I think they're a great organization, I am not saying that you should vote according to these voter guides.
But they provide a huge amount of information about what each candidate stands for and their background. And that is the kind of information that I wasn't really able to find anywhere else. For instance, even if you disagree with KC Tenants I think you'll find their voter guide helpful because they put in all the information they know about each candidate's positions.
If anyone else has some voter guides or other information about the upcoming election please chime in.
The primary is on Tuesday April 4th, but early voting is open now. You can early vote M-F from 8:00 am to 5:00 pm at the following locations:
One thing I learned is that Clay Chastain is running for mayor lol.
submitted by ndw_dc to kansascity [link] [comments]
So I came across these two voter guides put together by two local groups, KC Tenants Power and Promoting Equitable Neighborhoods (PEN), which is associated with LISC of Great Kansas City.
KC Tenants Power 2023 Primary Election Voter Guide
Promoting Equitable Neighborhoods KCMO City Council Candidate Housing Voter Guide April 4th Primary Election
Although I happen to agree with KC Tenants on a lot of issues and I think they're a great organization, I am not saying that you should vote according to these voter guides.
But they provide a huge amount of information about what each candidate stands for and their background. And that is the kind of information that I wasn't really able to find anywhere else. For instance, even if you disagree with KC Tenants I think you'll find their voter guide helpful because they put in all the information they know about each candidate's positions.
If anyone else has some voter guides or other information about the upcoming election please chime in.
The primary is on Tuesday April 4th, but early voting is open now. You can early vote M-F from 8:00 am to 5:00 pm at the following locations:
- Union Station
- Clay County Board of Elections
- Platte County Board of Elections
One thing I learned is that Clay Chastain is running for mayor lol.
2023.03.23 22:54 GothicNova913 Legends of the Whaley House
On May 6th 1956, Thomas Whaley began construction on the two story Greek revival house after the hanging of a thief named Yankee Jim who got hanged in 1852 convicted of stealing horses and his spirit never left. The Whaleys moved into their home in 1857 and became central to the community as a theatre, court house, and a general store. Beyond Yankees death, multiple tragedies took place. Thomas Whaley and his wife Anna died and they were reports of sightings and smell of Anna’s French Perfume. The son, Thomas Jr., died from scarlet fever in 1858 when he was only 18 months old. Violet Whaley took her life after a divorce in 1885. Thomas Whaley died in 1890 and then Anna died 1905. Their daughter Lillian lived in that house until she died in 1953. Supervisors of the County of San Diego purchased the home in 1956 and then transformed it back to its original condition. Other people claimed to see a little girl, named Anna Belle Washburn who was a playmate of the Whaleys. She was playing outside and then ran into a low hanging clothes line and broke her neck. When Thomas Whaley found her, he placed Anna on the table where she died. That’s the legend of the Whaleys house. Thanks for reading. If you wanna tell me your legend feel free to comment and follow me on Snapchat gothgirl913 and my insta at galaxy_wolf913. Thank you :)
submitted by GothicNova913 to urban_legend [link] [comments]
2023.03.23 22:54 Blisspirate Minnesota Senate panel approves trio of gun bills (StarTrib article)
A trio of bills aimed at curbing gun violence received the endorsement of the Senate Judiciary Committee on Thursday, a giant victory for supporters of gun safety measures who have seen similar proposals languish for years under Republican control of the Senate.
The sponsor of the bills, Senate Judiciary Chair Ron Latz, DFL-St. Louis Park, said he doesn't expect to consider any additional gun bills this session. The question now becomes whether these three bills can pass the Senate, where Democrats have a narrow 34-33 advantage.
"Everyone's going to make their own judgment call on it," Latz said. "We have lots of new senators evaluating a lot of things for the first time."
In a hearing that stretched more than five hours, the committee heard from more than 30 members of the public, crime victims and law enforcement, most of whom supported the bills.
A few opponents testified that the measures attempt to incrementally impinge on their Second Amendment rights and inconvenience them. One opponent sharply threatened electoral retaliation against senators who voted for the bills, and received multiple rebukes.
Latz opened his comments by saying: "Gun violence is an epidemic in our society."
He talked about people living in fear, and how more Minnesotans die by suicide using guns than they do from homicides involving guns. The three bills would help the state "step up to the plate a little bit more and prevent firearms tragedies," he said.
The first bill, which the panel endorsed and sent to the Finance Committee on a 6-4 party-line vote, would close a loophole in the law by expanding criminal background checks for pistols and semiautomatic military-style assault weapons sold at shows, online or transferred. Latz noted that the bill wouldn't apply to hunting rifles.
The least controversial bill would increase penalties to 20 years for owning or possessing a machine gun, trigger activator or a conversion kit to make a gun automatic. That bill passed on a voice vote as, did a red flag bill aimed at keeping firearms away from those who are a danger to themselves or others.
House committees have endorsed the background check and red flag bills, but haven't yet acted on the machine gun bill.
Some of the most emotional testimony came from crime victims — including Melissa Kennedy, a physician assistant at the Allina Health Buffalo Crossroads Clinic where Gregory Ulrich shot five people, killing Lindsay Overbay, in February 2021.
"We knew [Ulrich] was dangerous," Kennedy said. "But Minnesota did not have a law to protect its citizens from people in crisis."
Roseville pastor Rolf Olson urged passage of gun safety measures, saying that his daughter Katherine, 24, was shot in the back by a .357 Magnum in 2007 when she answered a Craigslist ad for a babysitter at a house in Shakopee. He told committee members to "consider my daughter who was permanently inconvenienced by being put in a grave."
Under the first bill, those who seek to buy or transfer pistols and semiautomatic assault weapons would be required to seek a permit from law enforcement, which would have 30 days to conduct a background check. The permit could be denied for those who have domestic violence or drug-related convictions, are in a gang database or deemed a danger to themselves or others.
Latz said the bill would close a loophole that allows 40% of such firearms to be sold through gun shows, online or transferred to neighbors and friends without background checks.
Officials with the Minnesota County Attorneys Association, the Minnesota Police and Peace Officers Association and the Minnesota Sheriffs' Association all spoke for the bill. So did Public Safety Commissioner Bob Jacobson, who called it a "common sense" law that's already in place in 21 states.
Ramsey County Attorney John Choi also urged passage, saying it's a critical loophole to close. "We've had this conversation for way too long," he said.
A National Rifle Association lobbyist opposed the bills as did Ben Dorr, director of Minnesota Gun Rights, an advocacy group based in Northfield. He called the bill "an absolute sham" and the hearing a "dog-and-pony show."
Dorr listed a series of mass shootings where the shooters involved had passed background checks before obtaining their firearms, and pledged to bring the "full political fury" of gun supporters on senators in the next election.
Sen. Sandy Pappas, DFL-St. Paul, interrupted Dorr, calling his threat "totally inappropriate."
The bill requires those who are party to a firearms transfer to keep their paperwork for 10 years. Failure to do so would be a misdemeanor.
Sen. Warren Limmer, R-Maple Grove, voted against the bill and said "the federal government doesn't even require us to keep our tax records 10 years." He said the bill focuses "a lot of regulation on a broad law-abiding population."
Sen. Jeff Howe, R-Rockville, argued against the bills, noting that he was a "trained sniper." He asked Latz whether he had ever hunted fox, coyote or "anything at all?" Latz said he went duck hunting with friends once as a child.
Howe told Latz the bill "looks to me to make those of us obeying the law, criminals."
On the red flag bill, Latz said it would create two pathways for getting a gun away from a dangerous person — through filing a petition with law enforcement or requesting an emergency hearing in front of a judge. No such option currently exists.
Rob Doar, vice president and lobbyist for the Minnesota Gun Owners Caucus, said the key to passage of the bill will be two freshmen DFL senators from northern Minnesota, Grant Hauschild of Hermantown and Rob Kupec of Moorhead.
"They certainly have the momentum," Doar said of the bills' advocates. "But we've got a lot of members in these key districts where the senators haven't taken a position."
Doar said he was pleased the Senate panel had not taken up four other bills that have been proposed and were of major concern to his members. Those bills would enhance firearm storage requirements, increase the age for military-style rifles to 21, require reporting of stolen firearms and limit the size of magazines.
https://www.startribune.com/minnesota-senate-panel-approves-trio-of-gun-bills/600261457/
submitted by Blisspirate to MnGuns [link] [comments]
The sponsor of the bills, Senate Judiciary Chair Ron Latz, DFL-St. Louis Park, said he doesn't expect to consider any additional gun bills this session. The question now becomes whether these three bills can pass the Senate, where Democrats have a narrow 34-33 advantage.
"Everyone's going to make their own judgment call on it," Latz said. "We have lots of new senators evaluating a lot of things for the first time."
In a hearing that stretched more than five hours, the committee heard from more than 30 members of the public, crime victims and law enforcement, most of whom supported the bills.
A few opponents testified that the measures attempt to incrementally impinge on their Second Amendment rights and inconvenience them. One opponent sharply threatened electoral retaliation against senators who voted for the bills, and received multiple rebukes.
Latz opened his comments by saying: "Gun violence is an epidemic in our society."
He talked about people living in fear, and how more Minnesotans die by suicide using guns than they do from homicides involving guns. The three bills would help the state "step up to the plate a little bit more and prevent firearms tragedies," he said.
The first bill, which the panel endorsed and sent to the Finance Committee on a 6-4 party-line vote, would close a loophole in the law by expanding criminal background checks for pistols and semiautomatic military-style assault weapons sold at shows, online or transferred. Latz noted that the bill wouldn't apply to hunting rifles.
The least controversial bill would increase penalties to 20 years for owning or possessing a machine gun, trigger activator or a conversion kit to make a gun automatic. That bill passed on a voice vote as, did a red flag bill aimed at keeping firearms away from those who are a danger to themselves or others.
House committees have endorsed the background check and red flag bills, but haven't yet acted on the machine gun bill.
Some of the most emotional testimony came from crime victims — including Melissa Kennedy, a physician assistant at the Allina Health Buffalo Crossroads Clinic where Gregory Ulrich shot five people, killing Lindsay Overbay, in February 2021.
"We knew [Ulrich] was dangerous," Kennedy said. "But Minnesota did not have a law to protect its citizens from people in crisis."
Roseville pastor Rolf Olson urged passage of gun safety measures, saying that his daughter Katherine, 24, was shot in the back by a .357 Magnum in 2007 when she answered a Craigslist ad for a babysitter at a house in Shakopee. He told committee members to "consider my daughter who was permanently inconvenienced by being put in a grave."
Under the first bill, those who seek to buy or transfer pistols and semiautomatic assault weapons would be required to seek a permit from law enforcement, which would have 30 days to conduct a background check. The permit could be denied for those who have domestic violence or drug-related convictions, are in a gang database or deemed a danger to themselves or others.
Latz said the bill would close a loophole that allows 40% of such firearms to be sold through gun shows, online or transferred to neighbors and friends without background checks.
Officials with the Minnesota County Attorneys Association, the Minnesota Police and Peace Officers Association and the Minnesota Sheriffs' Association all spoke for the bill. So did Public Safety Commissioner Bob Jacobson, who called it a "common sense" law that's already in place in 21 states.
Ramsey County Attorney John Choi also urged passage, saying it's a critical loophole to close. "We've had this conversation for way too long," he said.
A National Rifle Association lobbyist opposed the bills as did Ben Dorr, director of Minnesota Gun Rights, an advocacy group based in Northfield. He called the bill "an absolute sham" and the hearing a "dog-and-pony show."
Dorr listed a series of mass shootings where the shooters involved had passed background checks before obtaining their firearms, and pledged to bring the "full political fury" of gun supporters on senators in the next election.
Sen. Sandy Pappas, DFL-St. Paul, interrupted Dorr, calling his threat "totally inappropriate."
The bill requires those who are party to a firearms transfer to keep their paperwork for 10 years. Failure to do so would be a misdemeanor.
Sen. Warren Limmer, R-Maple Grove, voted against the bill and said "the federal government doesn't even require us to keep our tax records 10 years." He said the bill focuses "a lot of regulation on a broad law-abiding population."
Sen. Jeff Howe, R-Rockville, argued against the bills, noting that he was a "trained sniper." He asked Latz whether he had ever hunted fox, coyote or "anything at all?" Latz said he went duck hunting with friends once as a child.
Howe told Latz the bill "looks to me to make those of us obeying the law, criminals."
On the red flag bill, Latz said it would create two pathways for getting a gun away from a dangerous person — through filing a petition with law enforcement or requesting an emergency hearing in front of a judge. No such option currently exists.
Rob Doar, vice president and lobbyist for the Minnesota Gun Owners Caucus, said the key to passage of the bill will be two freshmen DFL senators from northern Minnesota, Grant Hauschild of Hermantown and Rob Kupec of Moorhead.
"They certainly have the momentum," Doar said of the bills' advocates. "But we've got a lot of members in these key districts where the senators haven't taken a position."
Doar said he was pleased the Senate panel had not taken up four other bills that have been proposed and were of major concern to his members. Those bills would enhance firearm storage requirements, increase the age for military-style rifles to 21, require reporting of stolen firearms and limit the size of magazines.
https://www.startribune.com/minnesota-senate-panel-approves-trio-of-gun-bills/600261457/
2023.03.23 21:55 JoeyR510 Flash sale order already came in!!
 | submitted by JoeyR510 to criterion [link] [comments] |
2023.03.23 21:33 nerdaholic360 Healthcare and government whistleblower
Just discovered this sub and I applaud you for saying what so many won't. I recently realized another great way to out abusive employers and fraud within government: Google reviews. Specifically, licensing boards that allow nurses to abuse patients, police departments that refuse to take reports of stalking, and academic departments lead by creeps. I follow the code of ethics for my profession, which calls for me to be a whistleblower and to challenge discrimination, prejudice, etc. When I do, especially in a state-run university, a Medicaid funded hospital, etc. it is always met with an abuse of my labor rights and often my civil. It's next to impossible to get professors, providers, or scientists to help me. When you're a whistleblower in those sectors, your career is done. Most of them have kids, so I can't fault them. I don't and I am in a position where I can survive without working.
So, the next time you see a university, a state bureaucrat, even a police officer displaying hatred towards a protected class of people, don't forget you can leave a Google review and you can toggle between Google accounts if you need to go anonymous. I even posted photos of the supervisor who decided to stalk me online right on my review of his employer.
I have a background in compliance, so I'm down to help members who need to report corruption and don't know how. I personally think it's worthwhile even if you know your review won't change anything because you're creating a record of doing your due diligence and that can be used by the press and courts later to show the organization's negligence.
Some apps are helping to speed up reporting for whistleblowers, like the ATF app and crime stoppers. You can also report abuse of labor practices to your own state agency (e.g. Department of Labor or Department of Commerce). You can also file complaints with the feds Dept of Labor and EEC, OSHA, etc. If your industry is also in the public sector, think about report to HHS, FDA, DoE, etc.
I just put my LinkedIn on Hibernate because the block is hot. They aren't really moderating. I got a software engineer on there right now impersonating me who works for Microsoft.
Microsoft doesn't like me either cause I figured out they were hiring local, elected politicians as contractors who were trying to use their status to coerce Microsoft management.
Oh, and executives at EBay were convicted of cyber stalking reporters and bloggers reporting in their shady practices.
My point is this: cyberstalking is probably used more widely than we assume by bad employers to silence disgruntled staff and whistleblowers so be safe. Companies know their staff do so and I won't be surprised if they admit to this one day.
submitted by nerdaholic360 to antiwork [link] [comments]
So, the next time you see a university, a state bureaucrat, even a police officer displaying hatred towards a protected class of people, don't forget you can leave a Google review and you can toggle between Google accounts if you need to go anonymous. I even posted photos of the supervisor who decided to stalk me online right on my review of his employer.
I have a background in compliance, so I'm down to help members who need to report corruption and don't know how. I personally think it's worthwhile even if you know your review won't change anything because you're creating a record of doing your due diligence and that can be used by the press and courts later to show the organization's negligence.
Some apps are helping to speed up reporting for whistleblowers, like the ATF app and crime stoppers. You can also report abuse of labor practices to your own state agency (e.g. Department of Labor or Department of Commerce). You can also file complaints with the feds Dept of Labor and EEC, OSHA, etc. If your industry is also in the public sector, think about report to HHS, FDA, DoE, etc.
I just put my LinkedIn on Hibernate because the block is hot. They aren't really moderating. I got a software engineer on there right now impersonating me who works for Microsoft.
Microsoft doesn't like me either cause I figured out they were hiring local, elected politicians as contractors who were trying to use their status to coerce Microsoft management.
Oh, and executives at EBay were convicted of cyber stalking reporters and bloggers reporting in their shady practices.
My point is this: cyberstalking is probably used more widely than we assume by bad employers to silence disgruntled staff and whistleblowers so be safe. Companies know their staff do so and I won't be surprised if they admit to this one day.
2023.03.23 21:32 PritchettRobert506 [HIRING] 25 Jobs in ND Hiring Now!
2023.03.23 21:14 yetiupsettispaghetti Gifted Girl Destroyed This App Szn & Lost All Hope For Ivies + T20s
EDIT: NVM GUYS IM FINE I GOT INTO BRANDEIS FULL RIDE MLK FELLOWSHIP 😭
Demographics
Academics
List the highest scores earned and all scores that were reported.
List all extracurricular involvements, including leadership roles, time commitments, major achievements, etc.
Awards/Honors
List all awards and honors submitted on your application.
Letters of Recommendation (FERPA exists so I'm guessing)
Engineering teacher- 6/10 (probably). He's very dry but I would say we're friends. I worked on a robotics portfolio for MIT and Columbia with him and he helped me when I was studying APCSA.
Geometry/AP stats teacher- 6/10. She was the academic team advisor since my freshman year and we were very close. I'm not sure how she rated me as a student, though, since these classes were online and I didn't have a learning plan for my testing anxiety.
Research Mentor- 10/10. He said I performed at a graduate letter and that I was one of the best students he's ever had. I was recognized to perform undergrad research during my internship by him.
English/Philosophy Teacher- 7/10. We're friends, but he only had me in person for our philosophy course. He recognizes how hard I've worked, though, and he used my brag sheet to write the letter.
Music teacheBand director- 8/10. I held the presidency for the band before he left and was in his room practicing for most of my school life. He wrote this from the heart without a brag sheet, but I have no doubts it was genuine.
Counselor(s)- 7/10. Both of them used a brag sheet and I'm sure it was very cookie-cutter, but they really love me and know I worked hard for a spot.
Interviews
UPenn- 10/10. I loved this woman so much and she said she highly recommended me.
Georgetown- 9/10. I don't remember most of this tbh, but we had a really good conversation and he knew how much I cared abt activism and how it applied to Gtown.
I was not offered a SINGLE other interview :) I'm freaking out, guys.
Essays
I spent about two weeks on essays. My personal statement was about living my life as a cartoonish frog character and everyone I've sent it to rated it super high. I'd honestly say a 9/10!
My supplementals were about spending time in Japan and Algeria as well as my motivation as a student in physics. I also wrote about how important being multidisciplinary is to me and how it could benefit the world in the future :)
Decisions (I'm getting destroyed on rn) All RD:
Acceptances:
Waitlists:
Rejections:
Waiting On:
Unrelated but: I rly wish I applied to WashU, Wellesley, Boston College Villanova, UCs, and Emory :P
Additional Information:
submitted a maker portfolio as well as one in visual arts and theater. i'm fluent in 5 languages and learning 3 right now. i also added a resume for acting and one for jobs/internships that i use with a bunch of other school clubs or smaller activities that didn't fit on the app as well as paid work.
my silly little counselors didn't submit my transcript or school report until mid-feb which is insane bcs i kept reminding them. i sent an explanation to a few of my top choices' local admissions counselors, but i was told it won't handicap me in the process when i called offices.
i wrote a bunch of papers, 1 of which is published in physics and 2 others pending publication in biomed and psych!
if you guys could tell me what i did wrong if there even WAS anything (besides the first sat lmfao) that would be great. i'm really devastated rn and lost all hope. i honestly feel numb to this process by now and i'm not taking care of myself anymore :/
thanks <3
submitted by yetiupsettispaghetti to collegeresults [link] [comments]
Demographics
- Gender: Female
- Race/Ethnicity: Mixed (Algerian, Armenian, Japanese)
- Residence: New Jersey
- Income Bracket: >200k
- Type of School: Pretty mid public
- Hooks (Legacy Fordham & NYU, Donor Legacy (around 500k in scholarships a year from my uncle) to Notre Dame, Father is first-gen if it counts, LGBT, National Athlete):
Academics
- GPA (UW/W): 3.8 UW, 4.7 W
- Rank (or percentile): #2 in Class (we don't rank but im in line for salutatorian)
- # of Honors/AP/IB/Dual Enrollment/etc.: All honors besides gym and electives, 30 AP courses/exams (most self-studied/online), and 6 college courses)
- Senior Year Course Load: robotics engineering, college courses (online or outside of school), independent study in art, film, advanced acting (i had more rigorous courses but a lot of teachers left my school this year)
List the highest scores earned and all scores that were reported.
- DIGITAL SAT: 1560 (don't remember splits but pretty even). HOWEVER, the schools that I HAD to send an official report to got my only other SAT from my freshman year, which was a 1210... so I accepted my fate for those since I still don't have an official digital score.
- ACT: 34 (35 ELA, 34 STEM) 11 on writing (December this year so I couldn't send)
- AP/IB: All 4s and 5s
- Other (ex. IELTS, TOEFL, etc.): Passed an EMT test + Private Pilot FAA exam if it counts
List all extracurricular involvements, including leadership roles, time commitments, major achievements, etc.
- Study Abroad 2 summers in Japan
- Co-Founder and Troop Leader of one of the first 10 all-girl Boy Scout Troops in the world
- Model UN Independent Delegate & School President (18 awards)
- National Level Figure Skater (not the levels you typically see on tv but I just tested into it for next season!)
- Nonprofit Founder who rehomed 800 pet shop fish and organizes beach and river cleanups locally. The Largest gathering was 3 large cities with hundreds of volunteers.
- Undergrad-level Researcher at the Metropolitan Museum of Art and Bronx Zoo
- Marching Band President (not this year bcs the director left) with national titles
- Business Owner for a clothing business popular on TikTok and Instagram with over 1000 sales!
- Swim Team co-captain for 4 years. Nothing great, but I usually place at counties.
- Theatre Principal Actress for 3 different well-known organizations as well as school productions + won a few awards :) I also will be directing the summer season for a local group.
- Private tutor for around 12 kids at a time k-12. I do this about 3 times a week and I'm highly rated lol.
Awards/Honors
List all awards and honors submitted on your application.
- AP Scholar with Distinction (3 years)
- National Honors Society Inductee 9-12
- Unit Leader Award (National level, BSA)
- Excellence in research- Metropolitan Museum of Art Internship
- WCS Researcher Fellowship
Letters of Recommendation (FERPA exists so I'm guessing)
Engineering teacher- 6/10 (probably). He's very dry but I would say we're friends. I worked on a robotics portfolio for MIT and Columbia with him and he helped me when I was studying APCSA.
Geometry/AP stats teacher- 6/10. She was the academic team advisor since my freshman year and we were very close. I'm not sure how she rated me as a student, though, since these classes were online and I didn't have a learning plan for my testing anxiety.
Research Mentor- 10/10. He said I performed at a graduate letter and that I was one of the best students he's ever had. I was recognized to perform undergrad research during my internship by him.
English/Philosophy Teacher- 7/10. We're friends, but he only had me in person for our philosophy course. He recognizes how hard I've worked, though, and he used my brag sheet to write the letter.
Music teacheBand director- 8/10. I held the presidency for the band before he left and was in his room practicing for most of my school life. He wrote this from the heart without a brag sheet, but I have no doubts it was genuine.
Counselor(s)- 7/10. Both of them used a brag sheet and I'm sure it was very cookie-cutter, but they really love me and know I worked hard for a spot.
Interviews
UPenn- 10/10. I loved this woman so much and she said she highly recommended me.
Georgetown- 9/10. I don't remember most of this tbh, but we had a really good conversation and he knew how much I cared abt activism and how it applied to Gtown.
I was not offered a SINGLE other interview :) I'm freaking out, guys.
Essays
I spent about two weeks on essays. My personal statement was about living my life as a cartoonish frog character and everyone I've sent it to rated it super high. I'd honestly say a 9/10!
My supplementals were about spending time in Japan and Algeria as well as my motivation as a student in physics. I also wrote about how important being multidisciplinary is to me and how it could benefit the world in the future :)
Decisions (I'm getting destroyed on rn) All RD:
Acceptances:
- Drexel (not MSMD or honors :D)
- University of Vermont
- Stevens Institute of Technology
- Oxford University (UK) but I can't go bcs of costs and distance :(
Waitlists:
- Fordham :)
- Amherst College
Rejections:
- UT Austin
- Colby
- Johns Hopkins
- MIT
- Skidmore
- Swarthmore
- UMass Amherst :D
- Notre Dame
- UChicago
- Tufts
Waiting On:
- Barnard
- Boston University
- Carnegie Mellon
- Brown
- Brandeis
- Clark
- Colgate
- Columbia
- Cornell
- Dartmouth
- Duke
- George Washington
- Georgetown
- Harvard
- NYU
- Princeton
- Rice
- UConn
- Stanford
- Syracuse
- Vanderbilt
- Wesleyan
- Yale
- Northwestern
- USC
Unrelated but: I rly wish I applied to WashU, Wellesley, Boston College Villanova, UCs, and Emory :P
Additional Information:
submitted a maker portfolio as well as one in visual arts and theater. i'm fluent in 5 languages and learning 3 right now. i also added a resume for acting and one for jobs/internships that i use with a bunch of other school clubs or smaller activities that didn't fit on the app as well as paid work.
my silly little counselors didn't submit my transcript or school report until mid-feb which is insane bcs i kept reminding them. i sent an explanation to a few of my top choices' local admissions counselors, but i was told it won't handicap me in the process when i called offices.
i wrote a bunch of papers, 1 of which is published in physics and 2 others pending publication in biomed and psych!
if you guys could tell me what i did wrong if there even WAS anything (besides the first sat lmfao) that would be great. i'm really devastated rn and lost all hope. i honestly feel numb to this process by now and i'm not taking care of myself anymore :/
thanks <3
2023.03.23 20:58 DjangoWexler Wexlair March Patreon: Worldbuilding Deep Dive with Cass Morris
Over from the Patreon. If you haven't read Cass' Aven Cycle, it's really good stuff!
Today we're chatting with Cass Morris, author of the Aven Cycle, a historical fantasy set in an alternate Rome, and co-host of the podcast Worldbuilding for Masochists, an award-nominated podcast discussing the intricacies of worldbuilding in SFF. This means Cass is something of an expert on worldbuilding complexity in fantasy books, which is what I want to talk about today. SFF readers have a particular love of immersing ourselves in richly detailed worlds we can imagine ourselves in viscerally, but let's talk about how writers can actually bring that complexity of detail into focus without totally overwhelming readers.
So to start, I want to talk about political systems, because I love how you managed to make the deep sense of complexity on that front accessible. Ancient Rome: Not an uncomplicated governmental system! And that's before you introduce fantastical elements. People already have trouble understanding how our own governments work, so how do you teach the reader enough that you can play with that complexity for plot intrigue? How do you convey the sense of complexity so the reader understands it without totally bogging down the pacing with exposition?
CASS: Well, one big thing that helps is absolutely the editing process! I'm prone to going into far too much detail on the first try. Multiple pages of too much detail. An entire swamp's worth of getting bogged down. Laying out all the complexities helps me explain them to myself, but it's far more than a reader needs. After the first draft, I could carve out what was totally unnecessary, then simplify the rest enough to be comprehensible, just as, say, The West Wing simplifies the machinations of the White House and Congress without losing what's dramatically interesting about them.
Then, as with so many worldbuilding elements, I think you have to connect political worldbuilding to what a character needs and what's obstructing them. For example: Sempronius Tarren needs to win a certain election to get himself the right provincial posting to set up his longer-term goals. In seeing him make that plan, the reader learns a little about the hierarchy of offices and the powers endowed to each—not a full constitution's worth of details, but enough to understand why the office is desirable and valuable to this character in this moment. Then, the obstruction: His philosophical opponents don't want him gaining what they consider dangerous levels of power, so they throw legal challenges in his way, the same way the US Congress uses things like filibusters. Showing Sempronius' frustration at the block, followed by his own countermove to get around it, feeds the reader more information about how the system works, but through the more engaging lens of his thoughts and emotions.
CASEY: Ha, the existence of editing is a great point. I've done this the opposite way as well—drafted the bones of the story and then filled in later once I knew what kind of detail was called for. But I think the key that you bring up here is that you're focusing on what is relevant to the point-of-view character. They—and we, as the authors—might know and be familiar with all kinds of political nuances the reader isn't, but that doesn't mean you have to teach them all to the reader!
This can get tricky, because deep in the character POV they might notice all those signals, but the ones the reader needs are the ones that are directly relevant to the POV character's goal and its attending conflict. And moreover, it needs to be a specific goal, not something nebulous like, "I want to attain more power." You have a character who wants to accomplish something specific (e.g. win an election), and give them a limited number of people/obstructions who are the actual roadblocks—possibly not the person you'd expect to have the power to stop them, to indicate more nuance in a system, or you can mention in summary other contributing factors that are already in hand, things like that. But limiting the scope helps focus on a few areas to then flesh out in depth, which in turn creates the impression of more depth in general.
It's sort of counterintuitive, but in a way you have room to give more detail with fewer details. And I love how your approach bakes the exposition into the character's agency as they navigate their response to obstructions, because that is so helpful with pacing, too.
DJANGO: A good edit does indeed always help a lot!
For me the biggest barrier to depicting a complex government realistically is the sheer number of people involved. In any government of reasonable size there are hundreds, if not thousands, of potential decision-makers who might have impact on a plot. In a Roman context, beyond the actual elected officials (and there are plenty of those) you have all the other members of important families who didn'tget elected, or are planning to get elected next year, or who lend money to the candidates, or what have you. Thinking about the current US government, the number of characters I personally would recognize (as a more-or-less informed news reader) is both far less than the number who really matter and far morethen we can expect an average novel reader to keep track of.
There are a few techniques that have helped me in the past. The first is just an acceptable break from reality—power in novels tends to be way more centralized than it would "realistically" be. This is true even in very autocratic societies! To go back to my favorite example, in A Game of Thrones the number of major characters involved in the government is probably less than 20—the king, his family, the small council, and the seven Lords Paramount (Stark, Tully, Tyrell, and so on). This is enough that the book has a reputation for complexity and having a lot of characters, but compared to a real government of the type it depicts is probably an order of magnitude too low. GRRM wisely concentrates a lot of functions into personal rule because it works better dramatically for Mace Tyrell or Tywin Lannister to attend to stuff personally than having a hundred ministers and vassals all the time. (It's not a government, but in The Shadow Campaigns the army that the main characters are part of is under-officered in comparison to its historical counterparts—extremely so by British standards!—exactly because this means fewer named characters for everyone to keep track of.)
The other useful trick is to assign representatives—people who can stand in for a large bunch of similar people that we keep coming back to. If you need to write "someone convinces the members of Parliament to vote yes on something," and it doesn't work for there to be some single person who gets to make that choice, you can show the characters meeting with a small number of MPs, say three, and coming back to them several times. With the proper framing as a kind of montage, the reader understands that these are examples and extrapolates. This helps you depict the kind of thing that goes on in the government, which can be just as important as its formal structure. (For example, are you getting the MPs on-side by threats from the party whip, promises of future political favors, or payoffs and patronage?) Joe Abercrombie is particularly good at this, for example in his depiction of the Open Council in Before They Are Hanged.
CASS: Yeah, trimming down the number of people involved is definitely a big help. That's another place where I usually have far too many functionaries and side characters on the first go, then end up consolidating them in following drafts. You can also do a lot just depicting the literal halls of power—how full the building is, how many people are moving around, even the architecture itself can tell the reader a lot about the scale of the governing apparatus, in just a few words of description.
Trimming down the steps of a process also helps. If you look at something like how a bill becomes a law in the United States, it's a lot more complex than Schoolhouse Rock led us to believe! It's not just: 1. Propose Law; 2. Committee Debate; 3: Full Chamber Debate; 4: Vote; 5: Repeat in Other Chamber; 6: President Signs. There are many layers of hearings and markups and financial appropriations, and it's all recursive, because you might have to go through that several times! A little of that may prove interesting, if you can hang an exciting character moment on it or show a really neat procedural trick, but going through the full process will be torture for anyone but the wonkiest of policy wonks.
The Aven Cycle is a fantasy with a strong historical analogue, and I know you have a lot of experience with historical research, between your current dramaturgical work for Camp Halfblood and your formal academic training. So talk to me about how you use history to inform your worldbuilding without restricting your fictional playground with so much research the story becomes didactic. How do you choose what to focus on, and what to leave out? Since women are front and center in these books, I'd love to hear in particular how you focused their stories with a sense of historicity, and how much you could take or chose to invent based on your research.
CASS: I have always been hugely interested in social history: how people live their lives in a given place and time. Sometimes it's strikingly similar to how we experience life today, and sometimes it's so alien—and the same piece of history can be an example of both! I'm fascinated by all the pressure points a society faces and how we create both problems and solutions out of our dominant paradigms. Social history can be hard to uncover, though, because so many of our literary primary sources were composed by wealthy free men, which leaves out most of society. We generally see everyone else through the biased lens of those guys at the top of the heap—at least in what we think of as traditional source material. So, I like exploring less traditional sources.
In the early modern world of my academic training, we do have more surviving written work in the form of letters and journals, but we can also look to things like ecclesiastical records. I promise that's more fascinating than it sounds! Reading up on 17th century slander trials is wild, for example, because those record the exact words that people were using to insult each other—which in turn tells us a lot about what they considered virtuous and what was shameful. Or there's Henslowe's Diary, which gets into granular detail about the income and expenses of a theatre in the 1590s and 1600s.
In the ancient world, archaeology provides more information than words do. The layout of their houses, their furniture, their tools, their kitchen utensils, all of it shows us how people lived. Some of my favorite sources are funerary monuments. Thousands and thousands of these survive, and they document the lives of regular people. The majority, in fact, belong to soldiers or freedmen and their families. They used them to boast of what they'd made of themselves, proud that their children had been born free, proud of the businesses they built. The soldiers spoke about where they'd fought and what awards they won. Some of the most heartbreaking were set up by parents mourning for young children (putting paid to the myth that people didn't get attached to their kids because of high rates of child mortality). Each one is a declaration of the self in defiance of the oblivion of eternity, and I just find that so beautiful.
That's all a long way of saying: I look for the history that shows me people. Those are the details that I want to carry into the text: what they care about, what they value, and the material culture that attends those more abstract concepts. That's the history that ties to character, rather than just being an info-dump.
Even with all that archaeological information, though, we're still stuck with a dearth of information, particularly when it comes to the lives of women and other marginalized groups. So I've had to train myself to look at the absences, the gaps in the record, and try to fill them in, and to look at the sources written by men, then subtract out the biases those men held in order to get to something closer to truth.
It's like looking at the shadow of a tiger. It might give you an idea of the tiger's shape, but only from a particular angle. It may or may not tell you how big a tiger is. It won't tell you that a tiger has stripes, what a tiger sounds like, or what it eats. Examining the lives of marginalized groups in history is often trying to know them by their shadows.
What's clear, though, is that women exerted a lot of power "off-screen" in the ancient world. We have some gorgeous examples: Cornelia, mother of the Gracchi, held up as a paragon of virtue; much-married Fulvia, who ran street gangs, had a feud with Cicero, and waged war against Octavius Caesar; Agrippina Major, popular heroine who gave an emperor so much grief that he had her assassinated; her daughter Agrippina Minor, mother of Nero, whose autobiography is the lost text I'd most like to see miraculously rediscovered. I could go on and on—but I borrowed a lot from all of them when crafting the women of Aven. They were smart and resourceful despite the confines of their society, and whether they played within the boundaries or dared to transgress, they made an impact.
DJANGO: For me this is all about using history to inform my worldbuilding, rather than define it.
I like to think of using history as a case study, an example, rather than a blueprint to be literally followed. If you have a fantasy situation—a type of warfare, an environment, a resource distribution—history provides you with examples of how real people adapted to it, made use of it, and generally applied their ingenuity. People, by and large, don't do obviously stupid things (at least not for very long) and so generally the fact that a society was set up in such-and-such a way and lasted for hundreds of years means that it worked pretty well! (In our modern times of plenty, this can be hard to comprehend; for most of human history, "everyone not dying of starvation" was a great accomplishment requiring constant, unrelenting work.)
This is not to say, of course, that it had to be that way, or that any other way is "unrealistic." The key is to use the historical analogy to understand the kinds of thingsthat were challenges for those people. If they live in, say, a desert, they will have adapted to it in every way: dress, food, shelter, etc. When you read about how they lived, the important thing isn't to copy it exactly, but to make sure that your fantasy people have answers to the same challenges—this is what gives the book verisimilitude!
What I generally find is that no amount of me sitting down and reasoning out the problems people face, a priori, goes even a fraction of the way toward actually understanding those problems; history inevitably throws up fixes that people invented for problems I would never have even considered. (In late medieval France, knife-sharpeners carried circular whetstones—we're talking big, 50 pound stones—on their backs as they went from village to village. The rest of their setup could be constructed from local wood, but big stones of sufficient hardness were very hard to find, and drilling a hole through the middle for the axle was a capital investment!) Lifting these little vignettes for my fantasy society gives it that feel of realism I crave, while still leaving sufficient room to change the aspects of the past that I'm not eager to replicate.
CASS: What gets really fun there is, if you are using a specific historical inspiration but want to make really significant changes, figuring out what happens when you flick the domino. I'm working on a new project now that's a secondworld fantasy instead of an alternate version of our world, but it's inspired by early modern London and the vibe of Shakespeare's theatres. I'm working from that base because I want that aesthetic—but I also want this society to have gender equity, I want them to be accepting of queer identities, I want them to be polytheistic, and the government is more like Venice than England. Those are some really big changes from London in 1600, even before adding magic to the equation!
So then I get to figure out what else in society those things touch: clothing, industry, family structure, bureaucratic structure, and so forth. How would these people, with their worldview, find similar or different answers to problems than the historical examples I'm inspired by? This is why I love worldbuilding, because I find that such a fun game. There are so many possible answers, and I tinker until I find the ones that best fit the story I want to tell.
CASEY: Oh, funerary monuments is a great tip. There's a newsletter called Ælfgif-who? on biographies of early medieval English women, and it's fascinating to see what the author can construct from a combination of records and artifacts and the biases involved, what's said and what's conspicuously not said, what she can guess versus what there's hard evidence for. As a fantasist, I love the possibility space those gaps create that I can fill in.
As Django points out, people have been problem-solving throughout history, and that's not limited to wealthy men. If the records don't talk about what women were doing, it doesn't mean they were sitting on their laurels all day or just accepting whatever men figured out, and you can often get a sense for the space they occupied in the gaps—and if you can't, those gaps can give you ideas for what space they couldoccupy—in history, or in a story.
I think it's also worth noting that historical research can give you a sense of what kinds of social systems go together. I remember reading a fantasy book with a setting inspired by Japan that had all these features that have existed in Japanese history but not at the same time. So it was this mess of things that didn't make any sense together, because the author hadn't paid attention to the historical context.
I don't write historical analogue settings, but even for secondary world fantasy I find it useful to pay attention to what features can work together, and that's especially important once you start changing aspects to suit your story. A society with cell phones is not going to work the same way as one with post. A society where most people can't read won't work the same either! And this matters because it determines what kind of plots you can write, but it's also not super efficient to consider every aspect of the worldbuilding. Like, in a given story I may not need to know how laundry works, or the sewers, or what toys children are playing with. (Sometimes, sure! But not every time.)
But I probably need to know what people are wearing so I can describe them, so it matters what kind of clothing their technology could make and what it costs. I need to know how they communicate with each other, because they're going to do that in pretty much any story.
So I start with a character and plot concept and work backward to build the world around what the story requires them to do, and I do it in this order because otherwise I am exactly the person who will get lost in a worldbuilding rabbit hole at the expense of actually writing the story. But once I start figuring out some of the tentpoles like, This person's unique education makes them critical to the plot (why do they have that education? what education is available to other people?), or more generally, Our heroes will not be able to call for help because the message won't arrive in time (how far does the message need to travel, and how long will it take, and how long to get a response?), that starts to tell you the kinds of things that will be important to put together to make a world that feels internally consistent and enablesyou to tell your story.
If your heroine is rebelling against an arranged marriage, it's worth asking how common arranged marriages are and why and for whom. Like, the whole culture of debutantes in regency England emerged out of economic changes! Social institutions are intertwined, you can't just treat them as piecemeal. But if you do it right, the research gives you more things to play with that inform your characters' histories and choices rather than restricting you based on what "really" happened. Then it's just a matter of focusing on the pieces that actually matter to the story you're actually telling or enhance it in some way.
Lastly, I would be remiss in talking to you specifically about focusing an audience without asking how you use rhetoric to do that very thing (you can find Cass' deep dive on rhetoric in Hamilton, backed by Lin Manuel Miranda himself, on her Patreon). A common piece of writing advice is to never actually write the impossibly dramatic speech in fiction, because it will never be as impressive to readers, and instead focus on the characters' reaction or experience. Do you agree? And are there particular rhetorical devices you like to use to help focus readers' attention on what you want them to notice, whether it's a part of an argument in dialogue or in conveying information in the narrative?
CASS: Oh, you've done a dangerous thing, opening the door of rhetoric for me!
I love rhetoric so much. It's gotten a bad reputation in modern parlance, since most people only ever hear the word in a negative context—political rhetoric, violent rhetoric, and so forth. But rhetoric is nothing more and nothing less than structuring your words to achieve a desired effect. It's deeply woven into everything writers do, whether or not you're the kind of ultra-nerd who memorizes the Greek names for a few hundred devices. I think some of the best writers (like Shakespeare and LMM) do it in part instinctively, because they have such a good ear for how people speak and for the cadence of language, but it's also a skill that you can hone and train.
Rhetoric serves many purposes, and a lot of it is about crafting a character's voice, both in dialogue and in their POV narration. It lends a lot of texture to the story, and it's something I find particularly useful in crafting multi-POV books. Subtle shifts in how characters use language can help center a reader within each individual POV.
In dialogue, I think about vocal quirks that are marks of character and tell you something about the speaker, then I use rhetoric to craft the effect. Who's prone to using more words than necessary, either because they like hearing themselves talk or because they're babbling (devices like pleonasm and accumulatio)? Who likes intricate descriptions (enargia), and who's a champion of deadpan understatement (litotes)? Who, in a state of excitement or eagerness, asks too many questions without waiting for an answer (pysma)? Who's so pompous or instructive that they answer their own questions (anythypophora)? Not that rhetoric is the only tool for playing with these things, of course, but it's the frame I personally like best.
It gets particularly fun when I get to write political arguments, because those speakers are conscious of their own devices to the point of weaponizing them. They'll ask lots of what we call rhetorical questions (erotema), where there's an obvious answer that they're looking for; they'll repeat their ideas in sets of three (tricolon), because that helps the audience to remember them; they'll seize on an important word their opponent used and twist it around some other way (asteismus). They're deliberately showing off, and following the minutiae of the argument often isn't as important for the reader as understanding that they're tweaking each other and trying to one-up each other. The rhetoric lets me communicate those character dynamics in fun ways—similar to the "Cabinet Battle" scenes in Hamilton!
Writers have rhetorical tics, too, which can sometimes become a vice, if you're not aware of them, but which are also part of each author's unique voice. I'm particularly prone to a certain combo of devices: zeugma plus anaphora/isocolon. Zeugma is when two or more words, phrases, or clauses are dependent upon the same other word (usually the main verb of a sentence), as in "I love you truly, madly, deeply." All three adverbs hang on the same main verb. Anaphora is repetition of the same word or phrase at the beginning of successive clauses, and isocolon is parallel structure. "I came, I saw, I conquered" is an example of both: the repeated "I" at the beginning and the structure of "I + [past tense verb]".
I then sometimes layer that combo with auxesis, a series of clauses or phrases that gradually ascend in importance. You make a list, and the most important thing is last. That's the traditional definition, at least, but I had a professor who argued that auxesis can also work in the opposite direction, where your series diminishes rather than growing, and I do think that can be equally impressive, especially when you want to narrow a reader's or listener's focus. So, the zeugma-anaphora/isocolon-auxesis combo move gives me the opportunity to show a character becoming more intense or more pointed as they're working their way through a thought. If that ends up being shaped like self-correction, then it's also epanorthosis. I recognize that I'm nerding hard at this point! But this is what I find so fun about rhetoric: the devices don't operate in isolation, but layer and intertwine to craft specific moments and that desired effect on the reader.
As to writing the Impossibly Dramatic Speech—I don't think it is impossible, but I do think it's something to use cautiously. You have to pick your moment, for one thing, and it's not always the moment you might think. Not all magnificent speeches are Henry V bucking up his followers on the eve of Agincourt. Sometimes, the magnificent speech is a lover pleading to be heard, a con artist deceiving a mark, a sister quietly giving advice. (See? I told you I'm prone to the zeugma-anaphora/isocolon-auxesis combo!)
It's easier to get away with the big speech on stage or film, because there, the actor is an essential component of the equation. On the page of a novel, the writing itself has a heavier load to carry. So I think you can get away with presenting a well-crafted Impossibly Dramatic Speech in a well-chosen moment, but not all in one block. Interposing the speaker's words with other elements helps to break it up and remind the reader why the speech matters. Maybe you cut away to show the audience's reactions; maybe you cut inside the speaker's head to show them nerving themselves up for it, or debating what to say next, or consciously choosing where they pause.
And here I'll throw another device at you: within a speech, choosing to pause is called aposiopesis. Mark Antony does it at the end of the first bit of his "Friends, Romans, countrymen" speech, when he says he's been overcome with emotion, "My heart is in the coffin there with Caesar, and I must pause till it come back to me." Practically speaking, that gives the actor a break so they don't have to do 140 lines all at once, but it also gives the plebeians a chance to speak and the audience a chance to witness how Antony's words are having an effect. In a novel, a writer can effectively use aposiopesis in another way, breaking the speech up with descriptive elements, which helps to ground the lofty rhetoric back in the reality of the world and the immediacy of the moment.
CASEY: Rhetoric gives us so many tools to play with! Thank you for all those examples. I think it's worth highlighting your point that writers don't have to know what specific rhetorical devices are called to be able to employ them effectively. Adjusting sentence structure and word choice to match character or moment or the rhythm of the plot is doing exactly this work, paying close attention to howyour words are working.
Strategic repetition is a favorite of mine. I love repeating a structure multiple times in a row, particularly with paragraph breaks, because then the white space and alignment helps emphasize what I'm doing. That's something you can't do the same way in other mediums! I also love repeating a line a different character said and twisting its meaning in later dialogue—you have to in some way make sure the reader recognizes the reference, but there are lots of ways to do that.
With novels, we can't rely on visible reactions from the audience or an actor's delivery, but we can manage pacing with punctuation, with narration interspersed or removed. I also love doing the equivalent of an anime peanut gallery ("Did she do it?" "Yes, the attack landed!" "But look at her—now she's almost out of power; she only has one more shot. Will she last another round?") as a way to make sure the reader notices the undercurrents and how they're changing the stakes. And that works just as well in fraught conversations as fight scenes.
This can be especially important in scenes like political debates that are doing heavy interplay of character dynamics, but depending on the scene's goals, sometimes you can do this with telling, too, rather than showing—in The Hands of the Emperor,there's an anecdote about a character capping a joke perfectly; we never learn the joke or the reply, but the content of the words isn't what matters in this case as much as the context, that these characters having just met are able to match each other with no regard to the impropriety. That said, if we're instead in a romance where a plot beat hinges on one main character changing the other's mind, in almost all cases we're going to need that whole conversation to track the minute character shifts that drive romances at their core—and you can give those conversations extra impact by grounding them in the specific words they've said to and thought about each other before.
DJANGO: Rhetoric is an area where I don't have much training, I have to say, so I'll be the one who goes for "don't actually write the speech out." =) I do a fair bit of this in The Shadow Campaigns, in particular for Danton's magically-effective speeches in The Shadow Throne, which obviously aren't going to be replicated in text. In addition to the problems of being able to actually write a good speech—as Cass demonstrates, there's a lot more going on there then you might think!—it can also be hard to replicate the effect on an in-universe audience.
First of all, while the people in the book are hearing something delivered live, the readers are getting it written down, stripped of the power that a really good speaker can give it. Second, the diegetic audience are different people than the reader, with a different set of cultural assumptions and values. This can be as simple as feeling a stir of pride when language or music evokes national symbols, and goes all the way to complicated cultural markers and tropes. (What we'd today call memes!) The best rhetoric is often the most targeted at its specific audience, specifically because that can be so effective, but the result can leave modern readers cold. It's definitely one of those areas that depends on the author's strengths and the style of the narrative.
Cass, what have you been working on, and what's coming up for you next?
CASS: The Bloodstained Shade, Book 3 of the Aven Cycle, just released at the end of January. It's out in paperback and ebook now, and there's an audiobook coming in May. There will be a Book 4, someday, but at the moment I'm working on something entirely different—the secondworld fantasy inspired by early modern London that I mentioned earlier. That's still in drafting stage, and I'm so enjoying the ongoing application of everything I've learned about worldbuilding and writing craft in the past few years.
Event-wise, I'm doing a virtual workshop on developing magical systems for the Orange County Public Library on March 21st—open to anyone, whether you're an OCPL member or not! Then I'll be at RavenCon April 21-23 in Richmond, VA and at ConCarolinas June 2-4 in Charlotte, NC.
For more worldbuilding goodness, you can find me along with co-hosts Rowenna Miller and Marshall Ryan Maresca on Worldbuilding for Masochists, our two-time Hugo Finalist podcast! Available on all your favorite podcast platforms, with new episodes dropping every other Wednesday. We start our fifth year in June, and we'll be kicking off the season with a pretty exciting announcement!
I usually direct people to Twitter @CassRMorris as the best place to find me for general chatting, and while that's still the best place for now, with the increasing instability of the old bird, I'll also direct folks toward my LinkTree, which will always have the most up-to-date social media haunts, and my Substack, for major announcements and random acts of blogging.
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Today we're chatting with Cass Morris, author of the Aven Cycle, a historical fantasy set in an alternate Rome, and co-host of the podcast Worldbuilding for Masochists, an award-nominated podcast discussing the intricacies of worldbuilding in SFF. This means Cass is something of an expert on worldbuilding complexity in fantasy books, which is what I want to talk about today. SFF readers have a particular love of immersing ourselves in richly detailed worlds we can imagine ourselves in viscerally, but let's talk about how writers can actually bring that complexity of detail into focus without totally overwhelming readers.
So to start, I want to talk about political systems, because I love how you managed to make the deep sense of complexity on that front accessible. Ancient Rome: Not an uncomplicated governmental system! And that's before you introduce fantastical elements. People already have trouble understanding how our own governments work, so how do you teach the reader enough that you can play with that complexity for plot intrigue? How do you convey the sense of complexity so the reader understands it without totally bogging down the pacing with exposition?
CASS: Well, one big thing that helps is absolutely the editing process! I'm prone to going into far too much detail on the first try. Multiple pages of too much detail. An entire swamp's worth of getting bogged down. Laying out all the complexities helps me explain them to myself, but it's far more than a reader needs. After the first draft, I could carve out what was totally unnecessary, then simplify the rest enough to be comprehensible, just as, say, The West Wing simplifies the machinations of the White House and Congress without losing what's dramatically interesting about them.
Then, as with so many worldbuilding elements, I think you have to connect political worldbuilding to what a character needs and what's obstructing them. For example: Sempronius Tarren needs to win a certain election to get himself the right provincial posting to set up his longer-term goals. In seeing him make that plan, the reader learns a little about the hierarchy of offices and the powers endowed to each—not a full constitution's worth of details, but enough to understand why the office is desirable and valuable to this character in this moment. Then, the obstruction: His philosophical opponents don't want him gaining what they consider dangerous levels of power, so they throw legal challenges in his way, the same way the US Congress uses things like filibusters. Showing Sempronius' frustration at the block, followed by his own countermove to get around it, feeds the reader more information about how the system works, but through the more engaging lens of his thoughts and emotions.
CASEY: Ha, the existence of editing is a great point. I've done this the opposite way as well—drafted the bones of the story and then filled in later once I knew what kind of detail was called for. But I think the key that you bring up here is that you're focusing on what is relevant to the point-of-view character. They—and we, as the authors—might know and be familiar with all kinds of political nuances the reader isn't, but that doesn't mean you have to teach them all to the reader!
This can get tricky, because deep in the character POV they might notice all those signals, but the ones the reader needs are the ones that are directly relevant to the POV character's goal and its attending conflict. And moreover, it needs to be a specific goal, not something nebulous like, "I want to attain more power." You have a character who wants to accomplish something specific (e.g. win an election), and give them a limited number of people/obstructions who are the actual roadblocks—possibly not the person you'd expect to have the power to stop them, to indicate more nuance in a system, or you can mention in summary other contributing factors that are already in hand, things like that. But limiting the scope helps focus on a few areas to then flesh out in depth, which in turn creates the impression of more depth in general.
It's sort of counterintuitive, but in a way you have room to give more detail with fewer details. And I love how your approach bakes the exposition into the character's agency as they navigate their response to obstructions, because that is so helpful with pacing, too.
DJANGO: A good edit does indeed always help a lot!
For me the biggest barrier to depicting a complex government realistically is the sheer number of people involved. In any government of reasonable size there are hundreds, if not thousands, of potential decision-makers who might have impact on a plot. In a Roman context, beyond the actual elected officials (and there are plenty of those) you have all the other members of important families who didn'tget elected, or are planning to get elected next year, or who lend money to the candidates, or what have you. Thinking about the current US government, the number of characters I personally would recognize (as a more-or-less informed news reader) is both far less than the number who really matter and far morethen we can expect an average novel reader to keep track of.
There are a few techniques that have helped me in the past. The first is just an acceptable break from reality—power in novels tends to be way more centralized than it would "realistically" be. This is true even in very autocratic societies! To go back to my favorite example, in A Game of Thrones the number of major characters involved in the government is probably less than 20—the king, his family, the small council, and the seven Lords Paramount (Stark, Tully, Tyrell, and so on). This is enough that the book has a reputation for complexity and having a lot of characters, but compared to a real government of the type it depicts is probably an order of magnitude too low. GRRM wisely concentrates a lot of functions into personal rule because it works better dramatically for Mace Tyrell or Tywin Lannister to attend to stuff personally than having a hundred ministers and vassals all the time. (It's not a government, but in The Shadow Campaigns the army that the main characters are part of is under-officered in comparison to its historical counterparts—extremely so by British standards!—exactly because this means fewer named characters for everyone to keep track of.)
The other useful trick is to assign representatives—people who can stand in for a large bunch of similar people that we keep coming back to. If you need to write "someone convinces the members of Parliament to vote yes on something," and it doesn't work for there to be some single person who gets to make that choice, you can show the characters meeting with a small number of MPs, say three, and coming back to them several times. With the proper framing as a kind of montage, the reader understands that these are examples and extrapolates. This helps you depict the kind of thing that goes on in the government, which can be just as important as its formal structure. (For example, are you getting the MPs on-side by threats from the party whip, promises of future political favors, or payoffs and patronage?) Joe Abercrombie is particularly good at this, for example in his depiction of the Open Council in Before They Are Hanged.
CASS: Yeah, trimming down the number of people involved is definitely a big help. That's another place where I usually have far too many functionaries and side characters on the first go, then end up consolidating them in following drafts. You can also do a lot just depicting the literal halls of power—how full the building is, how many people are moving around, even the architecture itself can tell the reader a lot about the scale of the governing apparatus, in just a few words of description.
Trimming down the steps of a process also helps. If you look at something like how a bill becomes a law in the United States, it's a lot more complex than Schoolhouse Rock led us to believe! It's not just: 1. Propose Law; 2. Committee Debate; 3: Full Chamber Debate; 4: Vote; 5: Repeat in Other Chamber; 6: President Signs. There are many layers of hearings and markups and financial appropriations, and it's all recursive, because you might have to go through that several times! A little of that may prove interesting, if you can hang an exciting character moment on it or show a really neat procedural trick, but going through the full process will be torture for anyone but the wonkiest of policy wonks.
The Aven Cycle is a fantasy with a strong historical analogue, and I know you have a lot of experience with historical research, between your current dramaturgical work for Camp Halfblood and your formal academic training. So talk to me about how you use history to inform your worldbuilding without restricting your fictional playground with so much research the story becomes didactic. How do you choose what to focus on, and what to leave out? Since women are front and center in these books, I'd love to hear in particular how you focused their stories with a sense of historicity, and how much you could take or chose to invent based on your research.
CASS: I have always been hugely interested in social history: how people live their lives in a given place and time. Sometimes it's strikingly similar to how we experience life today, and sometimes it's so alien—and the same piece of history can be an example of both! I'm fascinated by all the pressure points a society faces and how we create both problems and solutions out of our dominant paradigms. Social history can be hard to uncover, though, because so many of our literary primary sources were composed by wealthy free men, which leaves out most of society. We generally see everyone else through the biased lens of those guys at the top of the heap—at least in what we think of as traditional source material. So, I like exploring less traditional sources.
In the early modern world of my academic training, we do have more surviving written work in the form of letters and journals, but we can also look to things like ecclesiastical records. I promise that's more fascinating than it sounds! Reading up on 17th century slander trials is wild, for example, because those record the exact words that people were using to insult each other—which in turn tells us a lot about what they considered virtuous and what was shameful. Or there's Henslowe's Diary, which gets into granular detail about the income and expenses of a theatre in the 1590s and 1600s.
In the ancient world, archaeology provides more information than words do. The layout of their houses, their furniture, their tools, their kitchen utensils, all of it shows us how people lived. Some of my favorite sources are funerary monuments. Thousands and thousands of these survive, and they document the lives of regular people. The majority, in fact, belong to soldiers or freedmen and their families. They used them to boast of what they'd made of themselves, proud that their children had been born free, proud of the businesses they built. The soldiers spoke about where they'd fought and what awards they won. Some of the most heartbreaking were set up by parents mourning for young children (putting paid to the myth that people didn't get attached to their kids because of high rates of child mortality). Each one is a declaration of the self in defiance of the oblivion of eternity, and I just find that so beautiful.
That's all a long way of saying: I look for the history that shows me people. Those are the details that I want to carry into the text: what they care about, what they value, and the material culture that attends those more abstract concepts. That's the history that ties to character, rather than just being an info-dump.
Even with all that archaeological information, though, we're still stuck with a dearth of information, particularly when it comes to the lives of women and other marginalized groups. So I've had to train myself to look at the absences, the gaps in the record, and try to fill them in, and to look at the sources written by men, then subtract out the biases those men held in order to get to something closer to truth.
It's like looking at the shadow of a tiger. It might give you an idea of the tiger's shape, but only from a particular angle. It may or may not tell you how big a tiger is. It won't tell you that a tiger has stripes, what a tiger sounds like, or what it eats. Examining the lives of marginalized groups in history is often trying to know them by their shadows.
What's clear, though, is that women exerted a lot of power "off-screen" in the ancient world. We have some gorgeous examples: Cornelia, mother of the Gracchi, held up as a paragon of virtue; much-married Fulvia, who ran street gangs, had a feud with Cicero, and waged war against Octavius Caesar; Agrippina Major, popular heroine who gave an emperor so much grief that he had her assassinated; her daughter Agrippina Minor, mother of Nero, whose autobiography is the lost text I'd most like to see miraculously rediscovered. I could go on and on—but I borrowed a lot from all of them when crafting the women of Aven. They were smart and resourceful despite the confines of their society, and whether they played within the boundaries or dared to transgress, they made an impact.
DJANGO: For me this is all about using history to inform my worldbuilding, rather than define it.
I like to think of using history as a case study, an example, rather than a blueprint to be literally followed. If you have a fantasy situation—a type of warfare, an environment, a resource distribution—history provides you with examples of how real people adapted to it, made use of it, and generally applied their ingenuity. People, by and large, don't do obviously stupid things (at least not for very long) and so generally the fact that a society was set up in such-and-such a way and lasted for hundreds of years means that it worked pretty well! (In our modern times of plenty, this can be hard to comprehend; for most of human history, "everyone not dying of starvation" was a great accomplishment requiring constant, unrelenting work.)
This is not to say, of course, that it had to be that way, or that any other way is "unrealistic." The key is to use the historical analogy to understand the kinds of thingsthat were challenges for those people. If they live in, say, a desert, they will have adapted to it in every way: dress, food, shelter, etc. When you read about how they lived, the important thing isn't to copy it exactly, but to make sure that your fantasy people have answers to the same challenges—this is what gives the book verisimilitude!
What I generally find is that no amount of me sitting down and reasoning out the problems people face, a priori, goes even a fraction of the way toward actually understanding those problems; history inevitably throws up fixes that people invented for problems I would never have even considered. (In late medieval France, knife-sharpeners carried circular whetstones—we're talking big, 50 pound stones—on their backs as they went from village to village. The rest of their setup could be constructed from local wood, but big stones of sufficient hardness were very hard to find, and drilling a hole through the middle for the axle was a capital investment!) Lifting these little vignettes for my fantasy society gives it that feel of realism I crave, while still leaving sufficient room to change the aspects of the past that I'm not eager to replicate.
CASS: What gets really fun there is, if you are using a specific historical inspiration but want to make really significant changes, figuring out what happens when you flick the domino. I'm working on a new project now that's a secondworld fantasy instead of an alternate version of our world, but it's inspired by early modern London and the vibe of Shakespeare's theatres. I'm working from that base because I want that aesthetic—but I also want this society to have gender equity, I want them to be accepting of queer identities, I want them to be polytheistic, and the government is more like Venice than England. Those are some really big changes from London in 1600, even before adding magic to the equation!
So then I get to figure out what else in society those things touch: clothing, industry, family structure, bureaucratic structure, and so forth. How would these people, with their worldview, find similar or different answers to problems than the historical examples I'm inspired by? This is why I love worldbuilding, because I find that such a fun game. There are so many possible answers, and I tinker until I find the ones that best fit the story I want to tell.
CASEY: Oh, funerary monuments is a great tip. There's a newsletter called Ælfgif-who? on biographies of early medieval English women, and it's fascinating to see what the author can construct from a combination of records and artifacts and the biases involved, what's said and what's conspicuously not said, what she can guess versus what there's hard evidence for. As a fantasist, I love the possibility space those gaps create that I can fill in.
As Django points out, people have been problem-solving throughout history, and that's not limited to wealthy men. If the records don't talk about what women were doing, it doesn't mean they were sitting on their laurels all day or just accepting whatever men figured out, and you can often get a sense for the space they occupied in the gaps—and if you can't, those gaps can give you ideas for what space they couldoccupy—in history, or in a story.
I think it's also worth noting that historical research can give you a sense of what kinds of social systems go together. I remember reading a fantasy book with a setting inspired by Japan that had all these features that have existed in Japanese history but not at the same time. So it was this mess of things that didn't make any sense together, because the author hadn't paid attention to the historical context.
I don't write historical analogue settings, but even for secondary world fantasy I find it useful to pay attention to what features can work together, and that's especially important once you start changing aspects to suit your story. A society with cell phones is not going to work the same way as one with post. A society where most people can't read won't work the same either! And this matters because it determines what kind of plots you can write, but it's also not super efficient to consider every aspect of the worldbuilding. Like, in a given story I may not need to know how laundry works, or the sewers, or what toys children are playing with. (Sometimes, sure! But not every time.)
But I probably need to know what people are wearing so I can describe them, so it matters what kind of clothing their technology could make and what it costs. I need to know how they communicate with each other, because they're going to do that in pretty much any story.
So I start with a character and plot concept and work backward to build the world around what the story requires them to do, and I do it in this order because otherwise I am exactly the person who will get lost in a worldbuilding rabbit hole at the expense of actually writing the story. But once I start figuring out some of the tentpoles like, This person's unique education makes them critical to the plot (why do they have that education? what education is available to other people?), or more generally, Our heroes will not be able to call for help because the message won't arrive in time (how far does the message need to travel, and how long will it take, and how long to get a response?), that starts to tell you the kinds of things that will be important to put together to make a world that feels internally consistent and enablesyou to tell your story.
If your heroine is rebelling against an arranged marriage, it's worth asking how common arranged marriages are and why and for whom. Like, the whole culture of debutantes in regency England emerged out of economic changes! Social institutions are intertwined, you can't just treat them as piecemeal. But if you do it right, the research gives you more things to play with that inform your characters' histories and choices rather than restricting you based on what "really" happened. Then it's just a matter of focusing on the pieces that actually matter to the story you're actually telling or enhance it in some way.
Lastly, I would be remiss in talking to you specifically about focusing an audience without asking how you use rhetoric to do that very thing (you can find Cass' deep dive on rhetoric in Hamilton, backed by Lin Manuel Miranda himself, on her Patreon). A common piece of writing advice is to never actually write the impossibly dramatic speech in fiction, because it will never be as impressive to readers, and instead focus on the characters' reaction or experience. Do you agree? And are there particular rhetorical devices you like to use to help focus readers' attention on what you want them to notice, whether it's a part of an argument in dialogue or in conveying information in the narrative?
CASS: Oh, you've done a dangerous thing, opening the door of rhetoric for me!
I love rhetoric so much. It's gotten a bad reputation in modern parlance, since most people only ever hear the word in a negative context—political rhetoric, violent rhetoric, and so forth. But rhetoric is nothing more and nothing less than structuring your words to achieve a desired effect. It's deeply woven into everything writers do, whether or not you're the kind of ultra-nerd who memorizes the Greek names for a few hundred devices. I think some of the best writers (like Shakespeare and LMM) do it in part instinctively, because they have such a good ear for how people speak and for the cadence of language, but it's also a skill that you can hone and train.
Rhetoric serves many purposes, and a lot of it is about crafting a character's voice, both in dialogue and in their POV narration. It lends a lot of texture to the story, and it's something I find particularly useful in crafting multi-POV books. Subtle shifts in how characters use language can help center a reader within each individual POV.
In dialogue, I think about vocal quirks that are marks of character and tell you something about the speaker, then I use rhetoric to craft the effect. Who's prone to using more words than necessary, either because they like hearing themselves talk or because they're babbling (devices like pleonasm and accumulatio)? Who likes intricate descriptions (enargia), and who's a champion of deadpan understatement (litotes)? Who, in a state of excitement or eagerness, asks too many questions without waiting for an answer (pysma)? Who's so pompous or instructive that they answer their own questions (anythypophora)? Not that rhetoric is the only tool for playing with these things, of course, but it's the frame I personally like best.
It gets particularly fun when I get to write political arguments, because those speakers are conscious of their own devices to the point of weaponizing them. They'll ask lots of what we call rhetorical questions (erotema), where there's an obvious answer that they're looking for; they'll repeat their ideas in sets of three (tricolon), because that helps the audience to remember them; they'll seize on an important word their opponent used and twist it around some other way (asteismus). They're deliberately showing off, and following the minutiae of the argument often isn't as important for the reader as understanding that they're tweaking each other and trying to one-up each other. The rhetoric lets me communicate those character dynamics in fun ways—similar to the "Cabinet Battle" scenes in Hamilton!
Writers have rhetorical tics, too, which can sometimes become a vice, if you're not aware of them, but which are also part of each author's unique voice. I'm particularly prone to a certain combo of devices: zeugma plus anaphora/isocolon. Zeugma is when two or more words, phrases, or clauses are dependent upon the same other word (usually the main verb of a sentence), as in "I love you truly, madly, deeply." All three adverbs hang on the same main verb. Anaphora is repetition of the same word or phrase at the beginning of successive clauses, and isocolon is parallel structure. "I came, I saw, I conquered" is an example of both: the repeated "I" at the beginning and the structure of "I + [past tense verb]".
I then sometimes layer that combo with auxesis, a series of clauses or phrases that gradually ascend in importance. You make a list, and the most important thing is last. That's the traditional definition, at least, but I had a professor who argued that auxesis can also work in the opposite direction, where your series diminishes rather than growing, and I do think that can be equally impressive, especially when you want to narrow a reader's or listener's focus. So, the zeugma-anaphora/isocolon-auxesis combo move gives me the opportunity to show a character becoming more intense or more pointed as they're working their way through a thought. If that ends up being shaped like self-correction, then it's also epanorthosis. I recognize that I'm nerding hard at this point! But this is what I find so fun about rhetoric: the devices don't operate in isolation, but layer and intertwine to craft specific moments and that desired effect on the reader.
As to writing the Impossibly Dramatic Speech—I don't think it is impossible, but I do think it's something to use cautiously. You have to pick your moment, for one thing, and it's not always the moment you might think. Not all magnificent speeches are Henry V bucking up his followers on the eve of Agincourt. Sometimes, the magnificent speech is a lover pleading to be heard, a con artist deceiving a mark, a sister quietly giving advice. (See? I told you I'm prone to the zeugma-anaphora/isocolon-auxesis combo!)
It's easier to get away with the big speech on stage or film, because there, the actor is an essential component of the equation. On the page of a novel, the writing itself has a heavier load to carry. So I think you can get away with presenting a well-crafted Impossibly Dramatic Speech in a well-chosen moment, but not all in one block. Interposing the speaker's words with other elements helps to break it up and remind the reader why the speech matters. Maybe you cut away to show the audience's reactions; maybe you cut inside the speaker's head to show them nerving themselves up for it, or debating what to say next, or consciously choosing where they pause.
And here I'll throw another device at you: within a speech, choosing to pause is called aposiopesis. Mark Antony does it at the end of the first bit of his "Friends, Romans, countrymen" speech, when he says he's been overcome with emotion, "My heart is in the coffin there with Caesar, and I must pause till it come back to me." Practically speaking, that gives the actor a break so they don't have to do 140 lines all at once, but it also gives the plebeians a chance to speak and the audience a chance to witness how Antony's words are having an effect. In a novel, a writer can effectively use aposiopesis in another way, breaking the speech up with descriptive elements, which helps to ground the lofty rhetoric back in the reality of the world and the immediacy of the moment.
CASEY: Rhetoric gives us so many tools to play with! Thank you for all those examples. I think it's worth highlighting your point that writers don't have to know what specific rhetorical devices are called to be able to employ them effectively. Adjusting sentence structure and word choice to match character or moment or the rhythm of the plot is doing exactly this work, paying close attention to howyour words are working.
Strategic repetition is a favorite of mine. I love repeating a structure multiple times in a row, particularly with paragraph breaks, because then the white space and alignment helps emphasize what I'm doing. That's something you can't do the same way in other mediums! I also love repeating a line a different character said and twisting its meaning in later dialogue—you have to in some way make sure the reader recognizes the reference, but there are lots of ways to do that.
With novels, we can't rely on visible reactions from the audience or an actor's delivery, but we can manage pacing with punctuation, with narration interspersed or removed. I also love doing the equivalent of an anime peanut gallery ("Did she do it?" "Yes, the attack landed!" "But look at her—now she's almost out of power; she only has one more shot. Will she last another round?") as a way to make sure the reader notices the undercurrents and how they're changing the stakes. And that works just as well in fraught conversations as fight scenes.
This can be especially important in scenes like political debates that are doing heavy interplay of character dynamics, but depending on the scene's goals, sometimes you can do this with telling, too, rather than showing—in The Hands of the Emperor,there's an anecdote about a character capping a joke perfectly; we never learn the joke or the reply, but the content of the words isn't what matters in this case as much as the context, that these characters having just met are able to match each other with no regard to the impropriety. That said, if we're instead in a romance where a plot beat hinges on one main character changing the other's mind, in almost all cases we're going to need that whole conversation to track the minute character shifts that drive romances at their core—and you can give those conversations extra impact by grounding them in the specific words they've said to and thought about each other before.
DJANGO: Rhetoric is an area where I don't have much training, I have to say, so I'll be the one who goes for "don't actually write the speech out." =) I do a fair bit of this in The Shadow Campaigns, in particular for Danton's magically-effective speeches in The Shadow Throne, which obviously aren't going to be replicated in text. In addition to the problems of being able to actually write a good speech—as Cass demonstrates, there's a lot more going on there then you might think!—it can also be hard to replicate the effect on an in-universe audience.
First of all, while the people in the book are hearing something delivered live, the readers are getting it written down, stripped of the power that a really good speaker can give it. Second, the diegetic audience are different people than the reader, with a different set of cultural assumptions and values. This can be as simple as feeling a stir of pride when language or music evokes national symbols, and goes all the way to complicated cultural markers and tropes. (What we'd today call memes!) The best rhetoric is often the most targeted at its specific audience, specifically because that can be so effective, but the result can leave modern readers cold. It's definitely one of those areas that depends on the author's strengths and the style of the narrative.
Cass, what have you been working on, and what's coming up for you next?
CASS: The Bloodstained Shade, Book 3 of the Aven Cycle, just released at the end of January. It's out in paperback and ebook now, and there's an audiobook coming in May. There will be a Book 4, someday, but at the moment I'm working on something entirely different—the secondworld fantasy inspired by early modern London that I mentioned earlier. That's still in drafting stage, and I'm so enjoying the ongoing application of everything I've learned about worldbuilding and writing craft in the past few years.
Event-wise, I'm doing a virtual workshop on developing magical systems for the Orange County Public Library on March 21st—open to anyone, whether you're an OCPL member or not! Then I'll be at RavenCon April 21-23 in Richmond, VA and at ConCarolinas June 2-4 in Charlotte, NC.
For more worldbuilding goodness, you can find me along with co-hosts Rowenna Miller and Marshall Ryan Maresca on Worldbuilding for Masochists, our two-time Hugo Finalist podcast! Available on all your favorite podcast platforms, with new episodes dropping every other Wednesday. We start our fifth year in June, and we'll be kicking off the season with a pretty exciting announcement!
I usually direct people to Twitter @CassRMorris as the best place to find me for general chatting, and while that's still the best place for now, with the increasing instability of the old bird, I'll also direct folks toward my LinkTree, which will always have the most up-to-date social media haunts, and my Substack, for major announcements and random acts of blogging.
2023.03.23 20:53 Mamaykim wea ≠ weá
 | submitted by Mamaykim to DylanteroYT [link] [comments] |
2023.03.23 20:38 nahimavegan (Selling) Huge list of 1200+ movies! Lots of New and Rare titles!
Prices are firm, but I take off $.75 for every $10 spent (multiple items)
I accept PayPal, Venmo, & Cashapp
Codes are always split/dual portion where applicable, & have no DMI
Only redeem the portion you pay for
New additions:
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1408 HD/VU $4.5
48 Hrs 4K/VU $6
50/50 HD/VU $4
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I Frankenstein HD/VU or IT $2.5
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I Wanna Dance with Somebody (2022) HD/MA $8
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Men (2022) HD/VU $4.5
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Resident Evil: Retribution 4K/MA $5.5
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Rise of the Planet of the Apes SD/IT $1.5
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Saw 7-Film Collection (Unrated) HD/VU $18
Saw 8-Film Collection HD/VU $18
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Scream (2022) 4K/VU $6 or HD/VU $4.5
Sense and Sensibility 4K/MA $5
Seven HD/MA $5
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Silk Road 4K/VU $5
Sing Street HD/VU $4
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The Forbidden Kingdom HD/VU $4.5
The Gentlemen 4K/IT $4.5
The Great Wall 4K/IT $3.5
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The Limey (1999) 4K/VU $5.5
The Lion King (1994) 4K/MA $5 or HD/GP $3
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The Northman (2022) 4K/MA $6 or HD/MA $4.5
The Prince of Egypt HD/MA $4.5
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The Purge 5-Film Collection 4K/MA $22
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The Scorpion King 4-Film Bundle (1, 3-5) HD/MA $12
The Skeleton Twins HD/VU $4.5
The Spirit HD/VU $4
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The Suicide Squad (2021) 4K/MA $5.5
The Virtuoso 4K/VU $5
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The Warriors HD/VU $4
The Watch HD/MA or IT $3.5
The Weekend HD/VU $4
The Wicker Man (1973) HD/VU $4.5
The Witches (2020) 4K/MA $6
The Wolf Man (1941) 4K/MA $5
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There's Something About Mary HD/MA $5
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Those Who Wish Me Dead HD/MA $4.5
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Twilight HD/VU $4
Uncharted (2022) HD/MA $4
Underwater HD/MA $4.5
Unfriended: Dark Web HD/MA $4
Universal Classic Monsters 4-Film Set (Dracula, Frankenstein, Wolf Man, Invisible Man) 4K/MA $16
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Warlock (1989) HD/VU $4.5
We Bought a Zoo SD/IT $1.5
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X-Men Beginnings Trilogy (First Class, Days of Future Past, Apocalypse) HD/MA $9
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Zero Dark Thirty HD/MA $3.5
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101 Dalmatians HD/MA $3.5 or HD/GP $3
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1917 HD/MA $3.5
2 Fast 2 Furious HD/VU $3 or 4K/IT $3.5
2 Guns HD/VU or IT $2.5
21 Jump Street HD/MA $3 or SD/MA $1.5
22 Jump Street SD/MA $1.5
3 From Hell (Unrated) 4K/VU $4 or HD/VU $2.5
3:10 to Yuma 4K/VU $5
31 (2016) HD/VU $2.5
47 Meters Down HD/IT $3.5
47 Meters Down: Uncaged HD/VU $3.5
47 Ronin 4K/VU or IT $4.5 or HD/VU $3
71 HD/VU $4
A Clockwork Orange 4K/MA $5
A Most Wanted Man HD/VU $3.5
A Quiet Place HD/VU $2.5 or 4K/IT $3
A Quiet Place Part 2 4K/VU $5.5
A Star is Born (2018) 4K/MA $5.5 or HD/MA $4
A Thousand Words HD/VU $4
A Wrinkle in Time 4K/MA $4.5 or HD/MA $3 or HD/GP $2.5
About Time HD/VU or IT $3.5
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Adore HD/VU or IT $3.5
After Earth HD/MA $3
Age of Adaline HD/IT $2.5
Aladdin (2019) 4K/MA $4.5 or HD/MA $3 or HD/GP $2.5
Alex Cross HD/VU or IT $2
Alexander and the Terrible, Horrible, No Good, Very Bad Day HD/GP $3
Alfred Hitchcock 5-Film Set (Saboteur, Shadow of Doubt, Trouble with Harry, Marnie, Family Plot) 4K/MA $24
Alice Through the Looking Glass HD/MA $3.5 or HD/GP $3
Alien 4K/MA $5 or HD/MA $3.5
Alien 6-Film Collection HD/MA $18
Alien Covenant HD/MA $2.5
Alita Battle Angel 4K/MA $5 or HD/MA $3.5
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All is Lost HD/VU $3.5
All Nighter HD/MA $3.5
All the Money in the World HD/MA $3.5
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American Frontier Trilogy (Sicario, Wind River, Hell or High Water) HD/VU $7.5
American Hustle SD/MA $1.5
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American Psycho (Uncut) 4K/VU $5
American Reunion HD/VU or IT $3
American Ultra HD/IT $4
Anchorman 2: Legend Continues HD/VU $2.5
Angel Heart 4K/VU $5.5
Angel of Mine 4K/VU $5.5
Anna 4K/VU $5
Anna Karenina HD/IT $3.5
Annie (2014) HD/MA $3.5 or SD/MA $1.5
Annihilation HD/VU $3 or 4K/IT $3.5
Antebellum 4K/VU $5
Ant-Man and the Wasp 4K/MA $5 or HD/MA $3.5 or HD/GP $3
Ant-Man HD/MA $4 or HD/GP $3.5
Apollo 13 4K/MA or IT $5 or HD/MA $3.5
Arctic HD/MA $4
Arnold Schwarzenegger 6-Film Collection (Last Stand, Total Recall, T-2, Red Heat, Maggie, Hercules in NY) HD/VU $14
Arrival HD/VU $2.5
Ash vs Evil Dead: Season 3 HD/VU $5
Ash vs Evil Dead: The Complete Series HD/VU $14
Assassination Nation HD/MA $3.5
Assassin's Creed HD/MA $3
Atomic Blonde 4K/MA or IT $4.5
August Osage County HD/VU $3
Avengers Age of Ultron HD/MA $3.5 pr HD/GP $3
Avengers Endgame 4K/MA $4.5 or HD/MA $2.5 or HD/GP $2
Avengers Infinity War HD/MA $2.5 or HD/GP $2
Back to the Future Trilogy 4K/MA $14.5 or HD/MA $10
Bad Boys for Life HD/MA $4
Bad Grandpa HD/VU or IT $2.5
Bad Words HD/IT $3
Bambi HD/MA $4 or HD/GP $3.5
Bangkok Dangerous HD/VU $4
Barb and Star go to Vista Del Mar 4K/VU $5.5
Barbie & Her Sisters in the Great Puppy Adventure HD/VU or IT $3.5
Barbie in Princess Power HD/IT $3.5
Barbie: Star Light Adventure HD/IT $3.5
Batman Animated 3-Film (Gotham Knight, Under Red Hood, Year One) HD/MA $11
Battle of the Year HD/MA $3.5
Battleship HD/VU $3 or 4K/IT $3.5
Baywatch HD/VU $2.5 or 4K/IT $3
Beatriz at Dinner HD/VU $4.5
Beauty and the Beast (1991) HD/MA $3.5 or HD/GP $3
Beauty and the Beast (2017) HD/MA $2.5 or HD/GP $2
Before I Fall HD/VU or IT $3.5
Begin Again HD/VU $3.5
Ben-Hur (2016) HD/VU or IT $3.5
Big Eyes HD/VU $3.5
Big Hero 6 4K/MA $5 or HD/MA $3.5 or HD/GP $3
Big Little Lies: Season 1 HD/GP $2.5
Billy Elliot HD/IT $3.5
Billy Lynn's Long Halftime Walk HD/MA $4
Black Panther 4K/MA $4.5 or HD/GP $2.5
Black Widow HD/GP $3
Blackhat HD/IT $3.5
Blockers HD/MA $3.5
Boardwalk Empire: Season 1 HD/VU or IT $4
Bombshell 4K/VU $5
Book Club HD/VU $2.5 or 4K/IT $3
Book of Eli HD/MA $4
Born a Champion 4K/VU $5
Boy Erased HD/MA $4
Boyhood HD/VU or IT $2.5
Braven HD/VU $4
Brian Banks HD/MA $3.5
Bullet to the Head HD/MA $3
Bumblebee HD/VU $3 or 4K/IT $3.5
Captain America: Civil War HD/GP $2.5
Captain America: First Avenger HD/MA $4 or HD/GP $3.5
Captain America: Winter Soldier HD/GP $3.5 or SD/IT $1.5
Captain Marvel 4K/MA $3.5 or HD/GP $2
Captain Phillips SD/MA $1.5
Carol HD/VU $4
Carrie (2013) HD/VU $3.5
Cars 3 HD/MA $3 or HD/GP $2.5
Cars HD/GP $3
Cell (2016) HD/VU $3.5
Chaos Walking 4K/VU $5
Chappie SD/MA $1.5
Charlotte's Web (2006) HD/VU $4
Chicago (Diamond Edition) HD/VU $4
Chips HD/MA $3
Christopher Robin HD/MA $4 or HD/GP $3.5
Cloverfield 4K/VU $5.5
Cloverfield HD/VU $4
Coco HD/GP $2.5
Cold Pursuit 4K/VU $5 or HD/VU $3.5
Collateral Beauty HD/MA $3.5
Columbiana (Unrated) HD/MA $4
Come and Find Me HD/VU $4
Company of Heroes HD/MA $4
Contagion HD/MA $3.5
Contraband HD/IT $3
Cooties HD/VU $4
Cosmic Sin HD/VU $4
Crank 4K/VU $5.5
Crash (2004) HD/VU $4.5
Crawl 4K/VU or IT $4.5 or HD/VU $3
Creature from the Black Lagoon (1954) HD/MA $3.5
Crimson Peak HD/IT $3.5
Cruella HD/GP $3
Cry Macho HD/MA $4.5
Daddy's Home 2 HD/VU or IT $3
Daddy's Home HD/VU $3
Darkest Hour (2017) 4K/MA $5.5
Dawn of the Planet of the Apes HD/MA $3.5
Daybreakers 4K/VU $5.5
Deadpool 2 (w/Super Duper Cut) 4K/MA $5.5 or HD/MA $4
Deadpool HD/MA $2.5
Deadwood: The Movie HD/VU $4
Dear Evan Hansen HD/MA $3.5
Dear White People HD/VU $3.5
Dementia 13 (Director's Cut) HD/VU $4
Denial (2016) HD/IT $4
Despicable Me 2 HD/VU $3.5 or 4K/IT $4
Despicable Me 4K/IT $5 or SD/IT $1.5
Detroit HD/MA $3.5
Dirty Dancing 4K/VU $5 or HD/VU $3.5
Disney Animated Short Films Collection HD/MA $3.5 or HD/GP $3
Divergent HD/VU $1.5 or 4K/IT $2 or SD/VU $0.5
Divergent: Allegiant HD/VU $3.5 or 4K/IT $4
Divergent: Insurgent HD/VU $2.5 or 4K/IT $3
Django Unchained HD/VU $3
Do the Right Thing 4K/MA $5.5 or HD/MA $4
Doctor Strange HD/GP $2.5
Dom Hemingway HD/MA $3.5
Don't Worry, He Won't Get Far on Foot HD/VU $4
Doom (Unrated) 4K/MA $5.5
Dora and the Lost City of Gold HD/VU $3.5 or 4K/IT $4
Downton Abbey: The Movie HD/MA $4
Dracula (1931) HD/MA $3.5
Dracula Untold HD/VU $3 or 4K/IT $3.5
Draft Day HD/VU $3.5
Dragged Across Concrete HD/VU $3.5
Dream House HD/IT $3
Dreamkatcher HD/VU $4
Dredd HD/VU $2.5 or 4K/IT $3
Dumbo (2019) HD/GP $3
Dune (2021) 4K/MA $5.5 or HD/MA $4
Dying of the Light HD/VU $2.5
E.T. The Extra Terrestrial 4K/VU or IT $5 or HD/MA $3.5
Edge of Tomorrow 4K/MA $5
Edward Scissorhands HD/MA $3.5
El Chicano HD/MA $4
Encanto 4K/GP $3.5
Enemy at the Gates HD/VU $4
Enough Said HD/MA $3.5
Epic HD/MA $3
Escape Plan HD/VU $2
Eternals HD/MA $3.5 or HD/GP $3
Everest 4K/IT $5
Ex Machina HD/VU $3
Exodus: Gods and Kings HD/MA $3.5
Extreme Prejudice (1987) HD/VU $4
Fast and Furious (2009) HD/VU $3.5 or 4K/IT $4
Fast and Furious 6 (Extended) HD/VU $2 or 4K/IT $2.5
Fast Color 4K/VU $5.5
Fast Five (Extended) HD/VU or IT $2.5
Fatale 4K/VU $5 or HD/VU $3.5
Father Figures HD/MA $3.5
Fences HD/VU $2.5 or 4K/IT $3
Ferdinand HD/MA $3.5
Fifty Shades Darker (Unrated) HD/VU $2.5 or 4K/IT $3
Fifty Shades Freed HD/MA $4.5
Fifty Shades of Grey (Unrated) HD/VU $2.5 or 4K/IT $3
Finding Dory HD/GP $2
Finding Nemo HD/MA $4 or HD/GP $3.5
First Blood 4K/VU $5
First Man HD/MA $4
Flight HD/VU or IT $3
Florence Foster Jenkins HD/VU or IT $3
Footloose (2011) HD/IT $3
Forever My Girl HD/IT $3
Forrest Gump HD/VU $3.5
Fortress HD/VU $4
Four Brothers HD/VU $4
Four Kids and It HD/VU $3.5
Fox and the Hound 2 HD/MA $4
Frank and Lola HD/VU or IT $3
Frankenstein (1931) HD/VU $3.5
Free Guy HD/GP $3.5
Friday the 13th: Pt 3 HD/VU $3.5
Frozen (Sing-Along Edition) HD/MA $2 or HD/GP $1.5
Frozen 2 HD/MA $2.5 or HD/GP $2
Frozen HD/GP $2
Furious 7 (Extended) HD/VU $2 or 4K/IT $2.5
Fury HD/MA $3.5
G.I. Joe Retaliation HD/VU $3 or 4K/IT $3.5
Gambit (2012) HD/MA $4
Game of Thrones: Season 2 HD/VU $3
Gamer SD/IT $1.5
Gemini Man 4K/VU or IT $4.5 or HD/VU $3
Get Out HD/MA $3.5 or 4K/IT $4
Ghost in the Shell (1995) 4K/VU $5
Ghostbusters (1984) HD/MA $3.5
Ghostbusters 2 HD/MA $3.5
Ghostbusters: Afterlife HD/MA $4
Girls Trip HD/VU or IT $2
God's Not Dead 2 HD/MA or IT $2.5
Gods of Egypt HD/VU $2.5 or 4K/IT $3
Gold (2016) HD/VU or IT $2.5
Good Kill HD/VU or IT $3.5
Grace Unplugged HD/VU $2
Gran Torino SD/IT $1.5
Guardians of the Galaxy Vol 1 HD/MA $3.5 or HD/GP $3
Guardians of the Galaxy Vol 2 HD/GP $2
Guest House 4K/VU $5
Gulliver's Travels SD/IT $1.5
Hacksaw Ridge HD/VU $3.5 or 4K/IT $4
Hail, Caesar! HD/IT $3
Hammer of the Gods HD/VU $2
Hancock SD/IT $1.5
Hands of Stone HD/VU $3.5
Hannibal: Season 1 HD/VU $5
Hansel and Gretel: Witch Hunters (Unrated) HD/VU $3.5 or 4K/IT $4
Hard Target 2 HD/IT $1.5
Hardcore Henry HD/VU or IT $3.5
Heaven is for Real SD/MA $1.5
Hell Fest 4K/VU $5
Hell or High Water HD/VU $2.5
Hellboy (2019) HD/VU $3 or 4K/VU $4.5
Hercules (1997) HD/MA $4.5 or HD/GP $4
Hercules (2014) HD/VU $2.5 or 4K/IT $3
Here Comes the Boom HD/MA $3.5
Hidden Figures HD/MA $3
Hillsong: Let Hope Rise HD/IT $2
Hocus Pocus HD/MA $3.5 or HD/GP $3
Home Alone HD/MA $3.5
Honey 2 HD/VU $3
Hop HD/MA or IT $3
Hope Springs HD/MA $2.5 or SD/MA $1
Hostiles HD/VU $3
Hot Fuzz HD/VU $4
Hotel Mumbai HD/MA $4
Hours (2013) HD/VU $4
How the Grinch Stole Christmas (2000) 4K/MA or IT $5 or HD/MA $3.5
How to be Single HD/MA $3
How to Train Your Dragon 2 HD/MA $2.5
How to Train Your Dragon HD/VU $3.5
How to Train Your Dragon Trilogy HD/MA $9
Hugo HD/VU or IT $3
Hunter Killer 4K/VU $4.5 or HD/VU $3
I Can Only Imagine HD/VU $4
I Feel Pretty HD/IT $2
Ice Age HD/MA $3
Ice Age: Continental Drift HD/MA $3
In the Heights HD/MA $4 or SD/MA $2
Incredibles 2 4K/MA $4.5 or HD/MA $3.5 or HD/GP $3
Independence Day Resurgence HD/MA $2.5
Indiana Jones and the Temple of Doom 4K/VU $5.5
Indignation HD/VU $4
Initiation 4K/VU $5
Inside Out HD/GP $2
Instant Family HD/VU $3 or 4K/IT $3.5
Interstellar HD/VU $3.5 or 4K/IT $5
Into the Woods HD/MA $3 or HD/GP $2.5
Iron Man 2 HD/MA $4 or HD/GP $3.5 or SD/IT $1.5
Iron Man 3 HD/GP $2
Iron Man HD/MA $4 or HD/GP $3.5
It Follows HD/VU $3.5
It's a Wonderful Life 4K/VU or IT $4.5 or HD/VU $3
Jack and Jill HD/MA $3.5
Jack Reacher HD/VU $3 or 4K/IT $4.5
Jack Ryan: Shadow Recruit HD/VU $2.5 or 4K/IT $3
Jacob's Ladder HD/VU $4
Jarhead 3: The Siege (Unrated) HD/IT $2.5
Jason Bourne HD/VU $2.5
Jason Statham 4-Film (War, Crank 1 & 2, Transporter 3) HD/VU $10
Jason Statham 6-Film (War, Crank 1 & 2, Bank Job, Wild Card, Transporter 3) HD/VU $14
Jaws HD/VU $3.5 or 4K/IT $4
Jay and Silent Bob Reboot HD/VU $3
Jersey Boys HD/MA $2.5
Jigsaw 4K/VU $4.5
Joe HD/VU $3.5
John Wick 1 & 2 Bundle HD/VU $4
John Wick 3 Parabellum 4K/VU $4.5
John Wick Chapter 2 HD/VU $3.5
John Wick HD/VU $2 or 4K/IT $2.5
John Wick Trilogy (Parabellum 4K) HD/VU $9
John Wick Trilogy 4K/VU $13
Jonah Hex HD/MA $4.5
Journey 2: The Mysterious Island HD/MA $3
Judy 4K/VU $5
Jungle Cruise HD/MA $4 or HD/GP $3.5
Jurassic Park 4K/MA $5 or HD/MA $3.5
Jurassic World 5-Film Collection HD/MA $14
Jurassic World Fallen Kingdom HD/MA $3
Jurassic World HD/VU $2.5
Just Mercy HD/MA $3.5 or SD/MA $1.5
Justice (2017) HD/VU or IT $3
Justin Bieber: Never Say Never SD/IT $1.5
Kevin Hart: Let Me Explain HD/VU or IT $3
Kick-Ass 4K/VU $5.5 or HD/VU $4
Kidnap HD/VU or IT $2.5
Killer Elite HD/IT $3
Killerman HD/VU $4
Kin (2018) 4K/VU $4.5 or HD/VU $3
King Kong (2005) 4K/MA or IT $5
Kingsman: The Golden Circle 4K/MA $5 or HD/MA $3
Kingsman: The Secret Service HD/MA $3.5
Kiss Kiss Bang Bang HD/MA $4.5
Kung Fu Panda 3 HD/MA $3
La La Land 4K/IT $3.5
Labor Day HD/VU or IT $3
Lady Macbeth HD/VU $4.5
Lara Croft Tomb Raider (2001) 4K/VU $5
Last Knights HD/VU $3.5 or SD/VU $1.5
Last Vegas HD/MA $3.5
Lawless HD/VU $4
Lawrence of Arabia (Restored) HD/MA $4
Leatherface HD/VU $4
Leprechaun 7-Film Collection HD/VU $12
Les Miserables (2012) HD/VU or IT $2
Let Me Explain HD/IT $2.5
Let's be Cops HD/MA $3.5
Life (2017) HD/MA $3.5
Life of Crime HD/VU $3.5
Light of My Life HD/IT $3.5
Like a Boss HD/VU $3.5
Lilo and Stitch 2: Stitch Has a Glitch HD/MA $4 or HD/GP $3.5
Lincoln Lawyer 4K/VU $6.5 or HD/VU $4
Live by Night HD/MA $3
Logan HD/MA $3
Logan Lucky 4K/MA or IT $4.5
London Has Fallen HD/IT $3
Lone Survivor 4K/MA or IT $4.5 or HD/VU $2.5
Long Shot HD/VU $3.5
Looper HD/MA $3.5
Love and Monsters 4K/VU $5 or HD/VU $4.5
Love the Coopers HD/VU or IT $4
Love, Simon HD/MA $3.5
Loving HD/VU or IT $3.5
Luca HD/MA $3.5 or HD/GP $3
Lucy HD/VU $3 or 4K/IT $3.5
Madagascar 3: Europe's Most Wanted HD/VU or IT $3
Madea's Witness Protection SD/IT $1.5
Maleficent 4K/MA $4 or HD/MA $2.5 or HD/GP $2
Maleficent Mistress of Evil HD/MA $3 or HD/GP $2.5
Mama HD/IT $3
Mamma Mia Here We Go Again HD/MA $2.5
Mandela: Long Walk to Freedom HD/VU $4
Mary Poppins (1964) HD/MA $3.5 or HD/GP $3
Mary Poppins Returns HD/MA $3 or HD/GP $2.5
Max HD/MA $3.5
Max Steel HD/IT $3
McKenna Shoots for the Stars HD/IT $2
Mechanic Resurrection HD/VU $2.5
Megan Leavey HD/VU or IT $3
Midnight Sun HD/MA $3.5
Midway 4K/VU $4.5 or HD/VU $3
Mile 22 HD/IT $3
Million Dollar Arm HD/MA $3 or HD/GP $2.5
MindGamers HD/MA or IT $3.5
Minions 4K/MA or IT $4.5 HD/VU $3
Misconduct HD/VU $2.5
Miss Peregrine's Home for Peculiar Children HD/MA $3
Mission: Impossible 4 Ghost Protocol HD/VU $2
Mission: Impossible 6 Fallout 4K/VU or IT $4.5
Mission: Impossible 6-film Set 4K/VU or IT $23 or HD/VU $17
Moana HD/MA $2.5 or HD/GP $2
Moneyball HD/MA $3
Monkey Kingdom HD/MA $3
Monsters University HD/MA $3.5 or HD/GP $3
Mortal Engines HD/MA $4
Mortal HD/VU $4
Mother! HD/VU $2.5
Mr. Poppers Penguins SD/IT $1.5
Much Ado About Nothing (2013) HD/VU $4
Mud HD/VU $2.5
Mulan (2020) HD/GP $2.5
Muppets Most Wanted HD/MA $3.5 or HD/GP $3
Murder on the Orient Express HD/MA $3.5
My All American HD/MA or IT $3.5
Nebraska HD/VU $3
Nerve HD/IT $3.5
New Year's Eve HD/MA $2
News of the World HD/MA $4
Night at the Museum: Secret of the Tomb HD/MA $3
Nightmare Alley HD/GP $3.5
No Escape (2015) HD/VU $3
No Strings Attached HD/VU or IT $4
No Time to Die 4K/IT $4.5
Noah HD/VU or IT $2.5
Nobody's Fool HD/IT $2.5
Non-Stop HD/VU or IT $3
Norm of the North HD/VU $2.5
Nostalgia (2018) HD/MA $3.5
Now You See Me 2 HD/VU $3.5 or 4K/IT $4
Now You See Me HD/VU or IT $2.5 or SD/VU $1
Oblivion HD/MA $3.5
Occupation (2018) HD/VU $3.5
Occupation: Rainfall HD/VU $4
Office Christmas Party HD/VU $3 or 4K/IT $3.5
Olaf's Frozen Adventure HD/MA $3.5 or HD/GP $3
One Direction: This is Us SD/MA $1.5
Ong Bak 2 HD/VU $3
Onward HD/MA $3 or HD/GP $2.5
Ouija HD/IT $3.5
Ouija: Origin of Evil HD/VU or IT $3.5
Our Brand is Crisis HD/MA $3.5
Outlander: Season 1 Vol 1 HD/VU $5.5
Overdrive HD/IT $2.5
Overlord 4K/IT $3.5
Oz the Great and Powerful HD/GP $2.5
Paddington HD/VU $3.5
Pain and Gain HD/VU or IT $3.5
Paranormal Activity 3 (Extended) HD/VU or IT $3
Paranormal Activity 4 HD/IT $2.5
Paranormal Activity HD/VU or IT $4
Paranormal Activity: The Marked Ones HD/VU $3.5
Passengers HD/MA $3
Patriot Games 4K/VU $5
Patriot's Day HD/VU $3 or 4K/IT $3.5
Paul Blart: Mall Cop 2 HD/MA $3.5
Penguins of Madagascar HD/MA $3.5
Pet Sematary (2019) 4K/IT $3.5
Pete's Dragon (2016) HD/MA $3.5 or HD/GP $3
Philomena HD/VU $2.5
Pinocchio (1940) HD/MA $3.5 or HD/GP $3
Pirates of the Caribbean: Dead Men Tell No Tales HD/GP $2.5
Pitch Perfect 2 4K/MA $4 or HD/VU $2.5
Pitch Perfect HD/VU $2.5 or 4K/IT $3
Pixar Short Films Collection Vol. 3 HD/MA $3.5 or HD/GP $3
Planes HD/MA $2.5 or HD/GP $2
Planes: Fire and Rescue HD/MA $3.5 or HD/GP $3
Playing with Fire HD/IT $2.5
Pocahontas HD/MA $4.5 or HD/GP $4
Point Break (2015) 4K/MA $5 or HD/MA $3.5
Power Rangers (2017) 4K/VU or IT $4.5
Precious HD/VU $4.5
Predator 4-Film Collection HD/MA $11
Premium Rush HD/MA $3.5
Pride and Prejudice and Zombies SD/MA $1.5
Primal HD/VU $3.5
Project Almanac HD/IT $3.5
Prometheus HD/MA $2.5
Punisher War Zone 4K/VU $5.5
Queen and Slim HD/MA $4
Ralph Breaks the Internet HD/GP $2
Rambo (2008) 4K/VU $5.5
Rambo 3 4K/VU $5.5
Rambo 5-Film Collection 4K/VU $23 or HD/VU $17
Rambo: First Blood Pt 2 4K/VU $5.5
Rambo: Last Blood 4K/VU $4.5
Rango HD/VU $3.5
Raya and the Last Dragon HD/MA $3.5 or HD/GP $3
Reclaim HD/VU $3.5
RED 2 HD/VU $2
Red Dawn (2012) HD/IT $3
Red Riding Hood HD/MA $4
Red Sparrow HD/MA $3.5
Replicant (2001) HD/VU $3.5
Replicas HD/VU $3.5
Requiem for a Dream (Director's Cut) 4K/VU $5.5
Riddick (Unrated) HD/VU or IT $3
Ride Along HD/VU or IT $2.5
Rings HD/VU or IT $2.5
Riot HD/VU or IT $3
RIPD HD/VU or IT $2.5
Risen HD/MA $3
Robin Hood (1973) HD/MA $3.5 or HD/VU $3
Robocop (2014) HD/VU $2.5
Rocketman (2019) 4K/IT $4
Rogue One: A Star Wars Story HD/GP $2
Ron's Gone Wrong HD/MA $3.5 or HD/GP $3
Rough Night 4K/MA $5 or HD/MA $3.5
Rugrats Go Wild HD/VU $4
Run All Night HD/MA $2
Runner Runner HD/MA $3.5
Rush HD/VU or IT $3
Safe HD/VU or IT $2.5
Saige Paints the Sky HD/IT $3
Same Kind of Different as Me HD/VU or IT $3
Samson HD/MA $3.5
Savages HD/IT $3
Saving Mr. Banks HD/GP $3
Saw HD/VU $3
Scarface HD/VU $4
Scary Movie 5 HD/VU $4.5
Scary Stories to Tell in the Dark 4K/VU $4.5
Schindler's List 4K/MA $5.5
Scouts Guide to the Zombie Apocalypse HD/IT $3
Scream (1996) HD/VU $4
Scream 2 4K/VU $5.5
Scrooged HD/IT $4
Selma HD/VU or IT $2.5
Serenity (2005) 4K/MA or IT $5.5
Shang-Chi Legend of the Ten Rings HD/GP $3
Sharp Objects HD/GP $2
Shaun the Sheep Movie HD/VU $3
Sherlock Gnomes HD/VU or IT $2.5
She's Having a Baby HD/VU $3.5
Shivers HD/VU $4
Siberia (2020) HD/VU $4
Sicario HD/VU $2.5
Side Effects HD/IT $3.5
Sing (2016) 4K/VU or IT $4.5
Singing in the Rain 4K/MA $5.5
Sinister HD/VU or IT $2.5
Sisters (Unrated) HD/IT $2.5
Skyfall HD/VU $2.5
Skyscraper HD/MA $3.5
Sleeping Beauty (1959) HD/MA $4 or HD/GP $3.5
Sleepless HD/IT $2
Smurfs: The Lost Village HD/MA $3.5
Snatched HD/MA $2
Snitch HD/VU $2.5 or 4K/IT $3 or SD/VU or IT $1.5
Snow White and the Huntsman (Extended Edition) 4K/VU or IT $4.5 or HD/VU $3
Snow White and the Seven Dwarfs (1937) HD/MA $3.5 or HD/GP $3
Solo: A Star Wars Story HD/MA $3.5 or HD/GP $3
Some Kind of Wonderful HD/VU $3.5
Songbird 4K/IT $4.5
Sonic the Hedgehog HD/VU $3.5
Soul HD/GP $2.5
Southpaw HD/VU $3
Southside With You HD/VU $4.5
Spider-Man 4-Cut Set (Spider-Man 2 w/ Theatrical & Extended) HD/MA $11.5
Spider-Man 5-Cut Set (Spider-Man 2 & 3 w/ Theatrical & Extended) HD/MA $14.5
Spider-Man Far From Home HD/MA $3.5
Spider-Man Homecoming HD/MA $3
Spider-Man Homecoming/Far From Home Bundle HD/MA $6
Spider-Man No Way Home SD/MA $2
Spies in Disguise HD/MA $3.5 or HD/GP $3
Spiral (2021) 4K/VU or IT $4.5
Split 4K/MA or IT $5 or HD/MA $3.5
Spongebob Sponge out of Water HD/IT $2.5
Spy (Unrated) HD/MA $3.5
St. Vincent HD/VU $3
Stand Up Guys HD/VU $3.5
Star Trek (2009) HD/VU $3.5 or 4K/IT $4
Star Trek 1-4 (Motion Picture, Wrath of Khan, Search for Spock, Voyage Home) 4K/VU $18
Star Trek Beyond HD/VU $3 or 4K/IT $3.5
Star Trek Into Darkness HD/VU $2.5 or 4K/IT $3
Star Wars The Force Awakens HD/GP $1.5
Star Wars The Last Jedi HD/MA $3 or HD/GP $2.5
Star Wars The Rise of Skywalker 4K/MA $5 or HD/GP $2.5
Step Up: Revolution HD/IT $3
Straight Outta Compton (Theatrical and Unrated) 4K/MA $4.5 or HD/MA $3 or 4K/IT $3.5
Stronger HD/VU $4.5
Stuber 4K/MA $6
Suburbicon HD/VU $3 or 4K/IT $3.5
Succession Season 1 HD/IT $3.5
Suits Season 2 HD/IT $3.5
Sully HD/MA $3.5
Sundown: The Vampire in Retreat HD/VU $3.5
Super 8 4K/VU $5 or HD/VU $3.5
Super Buddies HD/GP $2
Sword in the Stone HD/MA $4 or HD/GP $3.5
Ted (Unrated) HD/IT $3
Teenage Mutant Ninja Turtles (2014) HD/VU $2.5 or 4K/IT $3
Teenage Mutant Ninja Turtles: Out of the Shadows HD/VU $3.5 or 4K/IT $4
Terminator 2: Judgment Day (Extended) HD/VU $4.5
Terminator 2: Judgment Day 4K/VU $5
Terminator Dark Fate 4K/IT $3
Terminator Genisys HD/VU $2.5
That Awkward Moment SD/MA $1.5
The 15:17 to Paris HD/MA $3.5
The 33 HD/MA $2.5
The 5th Wave HD/VU $3
The Adventures Of TinTin HD/IT $2.5
The Amazing Spider-Man 2 HD/MA $4
The Amazing Spider-Man HD/MA $3.5 or SD/MA $1.5
The Art of Racing in the Rain HD/VU $4
The Avengers HD/GP $3
The Bank Job HD/VU $3.5
The Batman: The Complete Series (2000s) HD/VU $18
The BFG HD/MA $3.5
The Big Lebowski 4K/MA or IT $5.5 or HD/MA $4
The Big Short HD/VU or IT $3.5
The Big Wedding SD/IT $1
The Birth of a Nation HD/MA $3.5
The Blair Witch Project (1999) HD/VU $4
The Book of Life HD/MA $3.5
The Boss Baby HD/MA $3
The Bourne 5-Film Collection 4K/MA $22
The Bourne Identity HD/VU $3.5
The Bourne Legacy HD/VU $2
The Bourne Supremacy HD/VU $3.5
The Bourne Ultimatum 4K/MA $5.5
The Boy 2 HD/IT $3.5
The Boy HD/IT $3.5
The Butler HD/VU $3
The Butterfly Effect HD/MA $4
The Bye Bye Man (Unrated) HD/IT $2.5
The Cabin in the Woods 4K/VU or IT $4.5 or HD/VU $2.5
The Call of the Wild 4K/MA $4.5 or HD/GP $2.5
The Case for Christ HD/IT $2.5
The Children (2008) HD/VU $4
The Collection HD/VU $3.5
The Commuter 4K/VU $5 or HD/VU $3.5
The Cornetto Trilogy (Shaun of the Dead, Hot Fuzz, World's End) 4K/MA $15
The Counselor HD/MA $4
The Courier 4K/VU $5.5 or HD/VU $4
The Croods HD/VU $3.5
The Curse of La Llorona HD/MA $4
The D Train 4K/IT $4
The Dark Tower HD/MA $3.5
The Darkness HD/IT $3
The Descendants SD/IT $1.5
The Descent (Unrated) HD/VU $4
The Dilemma HD/VU $3.5 or SD/IT $1.5
The Doorman 4K/MA $5 or HD/VU $3.5
The Doors 4K/VU $5.5 or HD/VU $4
The Duff SD/VU $1.5
The Edge of Seventeen HD/VU or IT $3
The Equalizer HD/MA $3
The Expendables 2 HD/VU or IT $1
The Expendables 3 (Theatrical) HD/VU $2 or 4K/IT $2.5
The Expendables 3 (Unrated) HD/IT $2.5
The Fast and the Furious 6-film Collection HD/VU $12.5 or (Fast 5 HD) 4K/IT $16
The Fast and the Furious 7-film Collection HD/VU $14 or (Fast 5 HD) 4K/IT $17
The Fast and the Furious 8-film Collection (9 Films) HD/MA $17.5
The Fast and the Furious 9-film Collection (11 Films) HD/MA $20
The Fast and the Furious HD/VU $3.5
The Fate of the Furious (Extended) HD/VU $2
The Fate of the Furious (Theatrical) HD/VU or IT $1.5
The Fault in Our Stars HD/MA $3.5
The Finest Hours HD/GP $3
The French Dispatch HD/MA $4 or HD/GP $3.5
The Frozen Ground (2013) HD/VU $3.5
The Gallows HD/MA $3
The Gambler HD/IT $3
The Gambler HD/VU $3
The Girl on the Train HD/VU $3 or 4K/IT $3.5
The Girl With All The Gifts HD/VU $4
The Glass Castle 4K/VU $5.5
The Glorias 4K/VU $5
The Godfather Coda: Death of Michael Corleone HD/VU $4
The Good Dinosaur HD/MA $3 or HD/GP $2.5
The Good Lie HD/MA $3
The Greatest Showman HD/MA $3.5
The Green Mile 4K/MA $5.5
The Grey HD/VU or IT $3
The Guilt Trip HD/VU or IT $3
The Gunman HD/MA $3
The Hangover SD/IT $1.5
The Hateful Eight HD/VU $3.5
The Heat HD/MA $3
The Hitman's Bodyguard 4K/VU $5 or HD/VU $3.5
The Hitman's Wife's Bodyguard 4K/VU $5.5 or HD/VU $4
The Homesman HD/VU $3
The Hundred-Foot Journey HD/MA $3.5
The Hunger Games 4-Film Collection HD/VU $8
The Hunger Games Catching Fire HD/VU $1.5 or 4K/IT $2 or SD/VU $.5
The Hunger Games HD/VU $1.5 or 4K/IT $2 or SD/VU $.0.5
The Hunger Games Mockingjay Part 1 HD/VU $2.5 or 4K/IT $3 or SD/VU $1
The Huntsman Winter's War (Extended) HD/VU $3 or 4K/IT $3.5
The Hurricane Heist 4K/VU $5
The Incredibles HD/GP $3.5
The Internship SD/IT $1.5
The Intruder HD/MA $3
The Invisible Man (1933) HD/MA $3.5
The Invisible Man (2020) 4K/MA $5.5 or HD/MA $4
The Jesus Music HD/VU $3.5
The Knick: Season 1 HD/IT $3.5
The Knick: Season 2 HD/IT or GP $3.5
The Last Airbender HD/VU $4.5
The Last Exorcism HD/VU $4
The Last Man (2019) HD/VU $4
The Last Stand HD/IT $2
The Last Witch Hunter HD/VU $3 or 4K/IT $3.5
The Life of Pi 4K/MA $5 or HD/MA or IT $3.5
The Lion King (2019) HD/GP $2
The Lone Ranger HD/MA $3.5 or HD/GP $3
The Longest Ride HD/MA $3
The Longest Week HD/VU $3.5
The Lorax (1972) HD/MA $5
The Lorax HD/VU $3
The Lords of Salem HD/VU $4
The Lost World: Jurassic Park HD/MA $3
The Lucky One HD/MA $2.5
The Magnificent Seven (2016) HD/VU $3
The Man from U.N.C.L.E. HD/MA $4
The Man Who Shot Liberty Vance 4K/VU $5.5
The Martian (Extended) 4K/MA $6
The Martian HD/MA $3.5
The Matrix Resurrections HD/MA $4
The Meg HD/MA $3.5
The Monuments Men HD/MA $3.5
The Mortal Instruments: City of Bones HD/MA $3 or SD/MA $1.5
The Mule HD/MA $4
The Mummy (1999) HD/VU $4
The Mummy (2017) 4K/MA or IT $4.5
The Mummy Trilogy HD/MA $10
The NeverEnding Story HD/MA $4
The New Mutants HD/MA $3.5 or HD/GP $3
The Nice Guys HD/MA $3.5
The Nightmare Before Christmas HD/GP $3.5
The Nutcracker and the Four Realms HD/MA $3.5 or HD/GP $3
The Other Woman HD/MA $3
The Peanuts Movie HD/MA $3
The Perks of Being a Wallflower SD/VU or IT $1
The Poison Rose 4K/VU $4.5
The Possession HD/VU or IT $2.5
The Predator (2018) HD/MA $3
The Prodigy HD/VU $4
The Protector 2 SD/VU $1.5
The Punisher 4K/VU $5.5
The Purge HD/VU $3 or 4K/IT $3.5
The Purge: Anarchy HD/VU $3 or 4K/IT $3.5
The Purge: Election Year 4K/MA $5 or HD/MA $3.5
The Quarry 4K/VU $5
The Resurrection of Gavin Stone HD/VU or IT $2.5
The Revenant HD/MA $3.5
The Santa Clause 2 HD/MA $3.5 or HD/GP $3
The Santa Clause 3 HD/MA $3
The Santa Clause HD/MA $3.5
The Santa Clause Trilogy HD/MA $9.5 or HD/GP $8
The Secret Life of Pets 4K/VU or IT $4.5
The Secret Life of Walter Mitty HD/MA $3
The Shack HD/IT $2.5
The Shallows HD/MA $3.5
The Shape of Water HD/MA $3.5
The Spy Who Dumped Me 4K/VU $5 or HD/VU $3.5
The Star SD/MA $1.5
The Strangers: Prey at Night HD/MA $3
The Sum of All Fears 4K/VU $5.5
The Trust HD/VU $4
The Turning HD/MA $4
The Untouchables 4K/VU $5
The Upside HD/IT $3
The Vanishing (2018) HD/VU $4
The Voices (2014) HD/VU $4
The Vow SD/MA $1.5
The Walk HD/MA $3.5
The Way Back HD/MA $4
The Wedding Ringer HD/MA $3.5
The White Queen HD/VU $5.5
The Wolf of Wall Street HD/VU or IT $3.5
The Wolverine (Unrated) (w/Theatrical) HD/MA $4
The Wraith HD/VU $4
They Came Together HD/VU $4.5
This is 40 HD/MA $3.5
This Is Where I Leave You HD/MA $3.5
Thor Dark World HD/MA $4 or HD/GP $3.5
Thor HD/GP $3.5 or SD/IT $1.5
Thor Ragnarok HD/MA $2.5 or HD/GP $2
Three Billboards Outside Ebbing, Missouri HD/MA $3.5
Tomorrowland HD/MA $3.5 or HD/GP $3
Tooth Fairy SD/IT $1.5
Top Gun (1986) 4K/VU $5 or HD/VU $3.5
Total Recall (1990) 4K/VU $5
Toy Story 2 HD/GP $3.5
Toy Story 4 4K/MA $4.5 or HD/MA $2.5 or HD/GP $2
Toy Story HD/MA $4 or HD/GP $3.5
Toy Story of Terror HD/MA $4 or HD/GP $3.5
Toy Story that Time Forgot HD/MA $4
Transformers The Last Knight HD/VU $2.5 or 4K/IT $3
Transporter 3 SD/IT $1.5
Tremors A Cold Day In Hell HD/MA $2.5
Trolls HD/MA $2.5
Trumbo HD/IT $3.5
Turbo HD/IT $3
Twilight Breaking Dawn 2 HD/VU $1.5 or 4K/IT $2 or SD/VU $0.5
Tyler Perry's A Madea Christmas SD/VU $1.5
Tyler Perry's Madea's Witness Protection SD/VU $1
Tyler Perry's Temptation HD/GP $3
Unbreakable 4K/MA $5 or HD/GP $3.5
Unbroken HD/VU or IT $3
Uncle Drew HD/VU $3.5
Underworld: Awakening HD/MA $3
Unforgettable HD/MA $2.5
Unhinged HD/VU $3.5
V for Vendetta HD/MA $4
Valerian and the City of a Thousand Planets HD/VU $3.5
Vampire Academy HD/VU $4
Van Helsing 4K/MA $5
Veep: Season 6 HD/IT $3.5
Venom HD/MA $3.5
Veronica Mars HD/MA $2.5
Victoria and Abdul HD/MA $4
Vivarium HD/VU $4
Walking with Dinosaurs HD/MA $3
War for the Planet of the Apes HD/MA $3
War Room SD/MA $1.5
Warcraft HD/VU $3 or 4K/IT $3.5
Warm Bodies 4K/VU $4.5 or HD/VU $3 or 4K/IT $3.5 or SD/VU $1.5
Warrior 4K/VU $5 or HD/VU $3.5
Werewolf: The Beast Among Us (Unrated) HD/IT $3.5
West Side Story (2021) HD/MA $3.5 or HD/GP $3
What Men Want HD/VU $3 or 4K/IT $3.5
What to Expect When You're Expecting SD/IT $1.5
When the Game Stands Tall HD/MA $3 or SD/MA $1.5
Whisky Tango Foxtrot HD/IT $3
White House Down HD/MA $3.5
Why Him? HD/MA $3
Widows HD/MA $3.5
Wild Card HD/VU $3
Wild HD/MA $3.5
Willow HD/MA $4 or HD/GP $3.5
Wilson HD/MA $3.5
Winchester HD/VU $3.5
Winter's Tale HD/MA $2
Wonder HD/VU $3
Wonder Park 4K/IT $2.5
Wonder Woman 1984 4K/MA $5.5
Woodlawn HD/IT $3.5
World War Z HD/VU or IT $2.5
Wrath of the Titans HD/MA $2.5
X-Men Apocalypse HD/MA $3
X-Men Days of Future Past HD/MA $3
XXX Return of Xander Cage HD/VU $2 or 4K/IT $2.5
You Were Never Really Here HD/VU $4
You're Next HD/VU $3.5
Z for Zachariah HD/VU $4
Zeros and Ones HD/VU $4.5
Zootopia HD/GP $2.5
submitted by nahimavegan to DigitalCodeSELL [link] [comments]
I accept PayPal, Venmo, & Cashapp
Codes are always split/dual portion where applicable, & have no DMI
Only redeem the portion you pay for
New additions:
10 Cloverfield Lane 4K/IT $3.5
1408 HD/VU $4.5
48 Hrs 4K/VU $6
50/50 HD/VU $4
600 Miles HD/VU $4
8 Mile 4K/MA $6
A Dog's Purpose HD/VU or IT $3
A Good Day to Die Hard (Extended) HD/VU $2.5
A Journal for Jordan HD/MA $5
A Man Called Otto (2022) HD/MA $10
A Private War HD/MA $4.5
A Simple Favor 4K/VU $5
A24 5-Film Horror Set (X, Hereditary, Green Room, It Comes at Night, Witch) HD/VU $15
Absolutely Fabulous The Movie HD/MA $4.5
Act of Valor SD/IT $1.5
After Yang (2022) HD/VU $5
Age of Adeline HD/VU or IT $3
Agent Game (2022) 4K/VU $5.5
Alien v Predator & AVP Requiem Bundle HD/MA $8
Almost Famous 4K/VU $5.5
Ambulance (2022) HD/MA $4.5
American Carnage (2022) 4K/VU $5.5
American Underdog HD/VU $4.5
Amores Perros 4K/VU $5.5
Amsterdam (2022) HD/MA $4.5
An American Pickle 4K/MA $6
Antlers HD/MA $4 or HD/GP $3.5
Apocalypse Now (Final Cut) 4K/VU $5
Aqua Teen Forever: Plantasm (2022) HD/MA $6
Army of One HD/VU $3
Baby Driver HD/MA $4
Babylon (2022) HD/VU $10
Back to the Future SD/IT $1.5
Bad Times at The El Royale HD/MA $4.5
Batman Long Halloween Deluxe (2022) HD/MA $7
Belly 4K/VU $5.5
Black Adam (2022) HD/MA $5
Black Panther: Wakanda Forever (2022) HD/GP $5
Blacklight (2022) HD/MA $4.5
Blair Witch (2016) HD/VU or IT $2.5
Blazing Saddles HD/MA $4.5
Blindspotting 4K/VU $5.5
Bloodshot HD/MA $4
Bloodwork HD/MA $4
Boss Baby 2-Film Set HD/MA $6
Brave 4K/MA $5.5
Bros (2022) HD/MA $6
Bullet Train (2022) 4K/MA $6.5 or HD/MA $5
Cecil B. Demented HD/VU $4.5
Chappaquiddick 4K/VU $5
Charlie's Angels: Full Throttle HD/MA $4
Cinderella (2021) HD/MA $5
Clifford the Big Red Dog HD/VU $4
Clint Eastwood: A Cinematic Legacy HD/MA $3.5
Constantine: House of Mystery (2022) HD/MA $4.5
Cop Out HD/MA $4
Cotton Club Encore 4K/VU $5.5
Crouching Tiger Hidden Dragon 4K/MA $6.5
Cutthroat Island HD/VU $4.5
Daniel Craig 007 5-Film Set 4K/VU $23
Death of Me HD/VU $4
Death on the Nile (2022) HD/GP $3.5
Deepwater Horizon 4K/IT $3
Defiance HD/VU $4
Den of Thieves HD/IT $3.5
Despicable Me 3 4K/IT $5
Die in a Gunfight 4K/VU $5
Dig HD/VU $6.5
Dirty Harry & Magnum Force Bundle HD/MA $8
Disturbia HD/VU $4.5
Doctor Strange in the Multiverse of Madness (2022) HD/GP $3.5
Dolittle 4K/MA $5
Downton Abbey: A New Era (2022) HD/MA $5
Duck Dynasty Wedding Special HD/VU $4
Earth Girls are Easy HD/VU $4
Elvis (2022) HD/MA $4.5
Empire of Light (2022) HD/GP $6.5
Ender's Game HD/VU $2.5
Equalizer 2 HD/MA $3.5
Expired (2022) 4K/VU $5.5
F9: The Fast Saga (Theatrical & Extended) HD/MA $4
Face/Off HD/VU $4.5
Fair Game (Director's Cut) HD/VU $4
Fantastic Beasts: The Secrets of Dumbledore (2022) HD/MA $4.5
Fantastic Four (2015) HD/MA $3.5
Fantastic Mr. Fox HD/MA $4
Fatherhood HD/MA $4
Finding You 4K/VU $5
Flashback HD/VU $4
Fortress: Sniper's Eye (2022) HD/VU $5
Foxcatcher HD/MA $4
Friday the 13th 8-Film Set HD/VU $22
Friends With Kids HD/VU $4
From Here to Eternity 4K/MA $5.5
Ghost in the Shell (2017) 4K/VU or IT $4.5 or HD/VU $3
Ghost Team One HD/VU or IT $3.5
Glengarry Glen Ross HD/VU $5
Gods and Generals (Director's Cut) HD/MA $4
Godzilla (1998) 4K/MA $6.5
Gone Girl HD/MA $4
Goosebumps HD/MA $3.5
Grease 4K/VU or IT $5.5
Green Lantern: Beware My Power (2022) HD/MA $4
Green Room HD/VU $4
Groundhog Day 4K/MA $7
Guns Akimbo HD/VU $4.5
Habit 4K/VU $5.5
Halloween Curse of Michael Myers HD/VU $4
Halloween Kills (Extended Cut) 4K/MA $6 or HD/MA $4.5
Hard Luck Love Song 4K/VU $5.5
Heat (Director's Cut) (1995) 4K/MA $5
Hellboy Animated Double Feature (Sword of Storms, Blood & Iron) 4K/VU $7.5
Hellraiser Judgment HD/VU $4
Hitman (Uncut) & Hitman 47 Bundle HD/MA $7
Home Alone 2 HD/MA $3.5
Honk for Jesus. Save Your Soul. (2022) HD/MA $5.5
Hotel Transylvania HD/MA $3.5
Hulk (2003) HD/MA $4
Hustle and Flow HD/VU $4
I Frankenstein HD/VU or IT $2.5
I Know What You Did Last Summer 4K/MA $5.5
I Wanna Dance with Somebody (2022) HD/MA $8
I, Tonya HD/MA $4
In Secret (2014) HD/VU $4.5
In the Blood HD/MA $4
Indiana Jones 1-4 HD/VU $15
Indiana Jones Trilogy HD/VU $12
Interview with the Vampire HD/MA $4
Iron Man & Hulk: Heroes United HD/MA $4 or HD/GP $3.5
Iron Mask (2019) HD/VU $4.5
Isle of Dogs HD/MA $4
Jeff Who Lives at Home HD/VU $4
Joe Kidd HD/MA or IT $4
Jordan Peele 3-Film Collection (Nope, Us, Get Out) HD/MA $12
Journey to the Center of the Earth SD/IT $1.5
Journey to the West: Conquering the Demons HD/VU $3.5
Joy HD/MA $3
Judy Moody SD/IT $1.5
Juno SD/IT $1.5
Ju-On: The Grudge HD/VU $4.5
Jurassic World 6-Film Collection (Dominion: Theatrical & Extended) HD/MA $18
King Richard 4K/MA $5.5
Knives Out 4K/VU $5.5
Knowing 4K/VU $5.5
Knowing/Push Double Feature HD/VU $7.5
Labyrinth HD/MA $4.5
Lady of the Manor 4K/VU $5
Last Action Hero 4K/MA $5.5
Last Christmas HD/MA $4
Last Night in Soho (2022) 4K/MA $5.5
Let Me In HD/VU $4.5
Let Them All Talk 4K/MA $5.5
Lightyear (2022) HD/GP $3
Lilo and Stitch HD/MA $4.5 or HD/GP $4
Little Monsters (1989) HD/VU $3.5
Locked Down 4K/MA $5.5
Lockout (Unrated) & Battle: Los Angeles Bundle HD/MA $7
Lord of War 4K/VU $5
Mack & Rita (2022) HD/VU $5.5
Mad Men: The Complete Series HD/VU $35
Mallrats HD/MA $4
Man of Tai Chi HD/VU $4
Meatballs HD/VU $4
Memory (2022) HD/MA $4.5
Men (2022) HD/VU $4.5
Men in Black 3 HD/MA $3
Mickey and Minnie 10 Classic Shorts HD/MA $6.5 or HD/GP $6
Midsommar HD/VU $4
Minions: Rise of Gru (2022) HD/MA $5.5
Miracle on 34th Street (1947) HD/MA $4
Missing Link HD/MA $4
Mission: Impossible 3 4K/VU $4.5
Mommy HD/VU $4
Monster High Electrified HD/VU or IT $2.5
Moonfall (2022) 4K/VU $5
Moonrise Kingdom HD/MA or IT $4
Morbius (2022) 4K/MA $5.5 or HD/MA $4 or SD/MA $2
My Fair Lady 4K/VU $5.5
Nashville (1975) HD/VU $4
Needle in a Timestack 4K/VU $5.5
Next Avengers: Heroes of Tomorrow HD/VU $4.5
Nights in Rodanthe SD/IT $1.5
No Suddent Move 4K/MA $6.5
Paranormal Activity: Ghost Dimension (Unrated) HD/VU $4.5
Paterson HD/MA $4.5
Paws of Fury: Legend of Hank (2022) HD/VU $4.5
Percy Jackson Sea of Monsters HD/MA $3
Perfectos Desconocidos HD/VU $4
Peter Pan (1953) HD/MA $4
Peter Pan Return to Neverland HD/MA $4.5 or HD/GP $4
Phantom Thread HD/MA $4
Pitch Black (Unrated) HD/IT $4
Pixels HD/MA $3.5
Planet of the Apes (1968) HD/MA $5
Pocahontas 2: Journey to a New World HD/MA $4 or HD/GP $3.5
Poltergeist (1982) 4K/MA $6
Pompeii HD/MA $3.5
Ran (1985) 4K/VU $5.5
Rear Window HD/MA $3.5
Red Heat (1988) 4K/VU $5
Reminiscence HD/MA $3.5
Repo: The Genetic Opera HD/VU $4.5
Reservoir Dogs 4K/VU $5.5 or HD/VU $4
Resident Evil: Retribution 4K/MA $5.5
Retaliation (2017) HD/VU $4
Ride Like a Girl HD/VU $4
Rio 2 HD/MA $3
Rio SD/IT $1.5
Rise of the Planet of the Apes SD/IT $1.5
Rumble (2022) HD/VU $5
Saint Maud HD/VU $4.5
Saw 7-Film Collection (Unrated) HD/VU $18
Saw 8-Film Collection HD/VU $18
Scott Pilgrim vs the World 4K/MA $5.5
Scream (2022) 4K/VU $6 or HD/VU $4.5
Sense and Sensibility 4K/MA $5
Seven HD/MA $5
Sex Tape HD/MA $3.5
Siberia (2018) HD/VU $3
Silent Night, Deadly Night 3-Film Set (3-5) HD/VU $8
Silk Road 4K/VU $5
Sing Street HD/VU $4
Slender Man HD/MA $4
Smile (2022) 4K/VU $7.5
Smokin' Aces 4K/MA $5.5
Snake Eyes: G.I. Joe Origins 4K/VU $5.5
Sorry to Bother You HD/MA $4
Source Code 4K/VU $5.5
Spartacus (1960) HD/MA $3.5
Spinning Man HD/VU $4
Spontaneous HD/VU $4.5
Strange World (2022) HD/MA $7 or HD/GP $6.5
Sucker Punch HD/MA $4
Superman Unbound HD/MA $4.5
Tar (2022) HD/MA $6.5
Tar (2022) HD/MA $6.5
Taxi Driver HD/MA $4
Teen Spirit (2019) HD/MA $4
Tetro HD/VU $4
Thanks for Sharing HD/VU $4
The Addams Family: With More Mamushka! (1991) 4K/VU $5.5
The Art of Self-Defense HD/MA $4
The Assignment HD/VU $4
The Banshees of Inisherin (2022) HD/MA $5 or HD/GP $4.5
The Batman (2022) 4K/MA $5.5
The Bodyguard (1992) HD/MA $4
The Breakfast Club HD/MA or IT $4
The Chronicles of Riddick (Unrated) HD/IT $4
The Colony 4K/VU $5
The Contractor (2022) HD/VU $4
The Dark Crystal 4K/MA $6
The Dentist 1 & 2 Collection HD/VU $6
The Disaster Artist HD/VU $4
The Emoji Movie HD/MA $3
The Favourite HD/MA $4.5
The Forbidden Kingdom HD/VU $4.5
The Gentlemen 4K/IT $4.5
The Great Wall 4K/IT $3.5
The Green Inferno HD/IT $4
The Hate U Give HD/MA $4
The High Note HD/MA $3.5
The House Next Door: Meet The Blacks 2 4K/VU $5.5
The House with a Clock in Its Walls 4K/MA $5.5 or HD/MA $4
The Humans HD/VU $4.5
The Hunt HD/MA $4.5
The Incredible Hulk 4K/MA $6 or HD/MA $4.5
The Inhabitant (2022) HD/VU $5.5
The Interview HD/MA $3.5
The Island HD/VU $4.5
The Kid Who Would Be King 4K/MA $5.5 or HD/MA $4
The King's Man 4K/MA $5.5 or HD/GP $3.5
The Last Duel HD/GP $3.5
The Last Samurai HD/MA $4
The Legend of Hercules 4K/IT $3
The Limey (1999) 4K/VU $5.5
The Lion King (1994) 4K/MA $5 or HD/GP $3
The Lost Boys (1987) 4K/MA $6
The Lost City (2022) 4K/VU $5.5
The Many Saints of Newark HD/MA $4
The Mask of Zorro 4K/MA $6
The Maze Runner HD/MA $3.5
The Menu (2022) HD/MA $5.5 or HD/GP $5
The Midnight Meat Train (Unrated) HD/VU $4
The Mitchells vs the Machines HD/MA $4.5
The Night House HD/GP $4
The Northman (2022) 4K/MA $6 or HD/MA $4.5
The Prince of Egypt HD/MA $4.5
The Princess and The Frog HD/GP $3.5
The Protege HD/VU $4
The Purge 5-Film Collection 4K/MA $22
The Raid: Redemption (Theatrical & Unrated) HD/MA $5
The Rescuers Down Under HD/GP $4.5
The Rescuers HD/MA $5 or HD/GP $4.5
The Right One 4K/VU $5.5
The Ring HD/VU $4.5
The Rules of Attraction HD/VU $4
The Scorpion King 4-Film Bundle (1, 3-5) HD/MA $12
The Skeleton Twins HD/VU $4.5
The Spirit HD/VU $4
The Sting 4K/MA $5
The Suicide Squad (2021) 4K/MA $5.5
The Virtuoso 4K/VU $5
The Walking Dead: Season 5 HD/VU $6.5
The Warriors HD/VU $4
The Watch HD/MA or IT $3.5
The Weekend HD/VU $4
The Wicker Man (1973) HD/VU $4.5
The Witches (2020) 4K/MA $6
The Wolf Man (1941) 4K/MA $5
The Woman King (2022) HD/MA $5.5
There's Something About Mary HD/MA $5
Thor: Love and Thunder (2022) HD/GP $3.5
Those Who Wish Me Dead HD/MA $4.5
To Kill a Mockingbird 4K/MA $5.5
Tommy Lee Jones 4-Film Set (US Marshalls HD, The Client, Cobb, Space Cowboys) SD/MA $10
Touched With Fire HD/VU $4.5
Trading Places HD/VU $4
Triple 9 HD/IT $3.5
Troy (Director's Cut) HD/MA $4.5
Truth or Dare (Unrated) HD/MA $4
Tucker: The Man and His Dream 4K/VU $5
Turning Red (2022) HD/GP $3.5
Twilight HD/VU $4
Uncharted (2022) HD/MA $4
Underwater HD/MA $4.5
Unfriended: Dark Web HD/MA $4
Universal Classic Monsters 4-Film Set (Dracula, Frankenstein, Wolf Man, Invisible Man) 4K/MA $16
Vengeance (2022) HD/MA $5.5
Venom: Let There Be Carnage HD/MA $4
W. HD/VU $4
Wall Street: Money Never Sleeps SD/IT $1.5
Warhunt (2022) 4K/VU $5.5
Warlock (1989) HD/VU $4.5
We Bought a Zoo SD/IT $1.5
Where the Crawdads Sing (2022) HD/MA $4.5
Willy Wonka and the Chocolate Factory 4K/MA $5.5
X-Men Beginnings Trilogy (First Class, Days of Future Past, Apocalypse) HD/MA $9
X-Men First Class & Days of Future Past HD/MA $6.5
Zero Dark Thirty HD/MA $3.5
All other movies (A-Z)
101 Dalmatians HD/MA $3.5 or HD/GP $3
12 Strong HD/MA $3.5
12 Years a Slave HD/MA $3.5
13 Hours Soldiers of Benghazi HD/VU $2.5
1917 HD/MA $3.5
2 Fast 2 Furious HD/VU $3 or 4K/IT $3.5
2 Guns HD/VU or IT $2.5
21 Jump Street HD/MA $3 or SD/MA $1.5
22 Jump Street SD/MA $1.5
3 From Hell (Unrated) 4K/VU $4 or HD/VU $2.5
3:10 to Yuma 4K/VU $5
31 (2016) HD/VU $2.5
47 Meters Down HD/IT $3.5
47 Meters Down: Uncaged HD/VU $3.5
47 Ronin 4K/VU or IT $4.5 or HD/VU $3
71 HD/VU $4
A Clockwork Orange 4K/MA $5
A Most Wanted Man HD/VU $3.5
A Quiet Place HD/VU $2.5 or 4K/IT $3
A Quiet Place Part 2 4K/VU $5.5
A Star is Born (2018) 4K/MA $5.5 or HD/MA $4
A Thousand Words HD/VU $4
A Wrinkle in Time 4K/MA $4.5 or HD/MA $3 or HD/GP $2.5
About Time HD/VU or IT $3.5
Action Point HD/IT $2
Adore HD/VU or IT $3.5
After Earth HD/MA $3
Age of Adaline HD/IT $2.5
Aladdin (2019) 4K/MA $4.5 or HD/MA $3 or HD/GP $2.5
Alex Cross HD/VU or IT $2
Alexander and the Terrible, Horrible, No Good, Very Bad Day HD/GP $3
Alfred Hitchcock 5-Film Set (Saboteur, Shadow of Doubt, Trouble with Harry, Marnie, Family Plot) 4K/MA $24
Alice Through the Looking Glass HD/MA $3.5 or HD/GP $3
Alien 4K/MA $5 or HD/MA $3.5
Alien 6-Film Collection HD/MA $18
Alien Covenant HD/MA $2.5
Alita Battle Angel 4K/MA $5 or HD/MA $3.5
All Eyez on Me HD/VU or IT $3
All is Lost HD/VU $3.5
All Nighter HD/MA $3.5
All the Money in the World HD/MA $3.5
Aloha HD/MA $3.5 or SD/MA $1
Alvin and the Chipmunks: Road Chip HD/MA $2.5
America: Imagine the World Without Her HD/VU $1.5
American Assassin 4K/VU $4.5 or HD/VU $3
American Frontier Trilogy (Sicario, Wind River, Hell or High Water) HD/VU $7.5
American Hustle SD/MA $1.5
American Made 4K/MA $5 or HD/MA $3.5
American Night HD/VU $4
American Psycho (Uncut) 4K/VU $5
American Reunion HD/VU or IT $3
American Ultra HD/IT $4
Anchorman 2: Legend Continues HD/VU $2.5
Angel Heart 4K/VU $5.5
Angel of Mine 4K/VU $5.5
Anna 4K/VU $5
Anna Karenina HD/IT $3.5
Annie (2014) HD/MA $3.5 or SD/MA $1.5
Annihilation HD/VU $3 or 4K/IT $3.5
Antebellum 4K/VU $5
Ant-Man and the Wasp 4K/MA $5 or HD/MA $3.5 or HD/GP $3
Ant-Man HD/MA $4 or HD/GP $3.5
Apollo 13 4K/MA or IT $5 or HD/MA $3.5
Arctic HD/MA $4
Arnold Schwarzenegger 6-Film Collection (Last Stand, Total Recall, T-2, Red Heat, Maggie, Hercules in NY) HD/VU $14
Arrival HD/VU $2.5
Ash vs Evil Dead: Season 3 HD/VU $5
Ash vs Evil Dead: The Complete Series HD/VU $14
Assassination Nation HD/MA $3.5
Assassin's Creed HD/MA $3
Atomic Blonde 4K/MA or IT $4.5
August Osage County HD/VU $3
Avengers Age of Ultron HD/MA $3.5 pr HD/GP $3
Avengers Endgame 4K/MA $4.5 or HD/MA $2.5 or HD/GP $2
Avengers Infinity War HD/MA $2.5 or HD/GP $2
Back to the Future Trilogy 4K/MA $14.5 or HD/MA $10
Bad Boys for Life HD/MA $4
Bad Grandpa HD/VU or IT $2.5
Bad Words HD/IT $3
Bambi HD/MA $4 or HD/GP $3.5
Bangkok Dangerous HD/VU $4
Barb and Star go to Vista Del Mar 4K/VU $5.5
Barbie & Her Sisters in the Great Puppy Adventure HD/VU or IT $3.5
Barbie in Princess Power HD/IT $3.5
Barbie: Star Light Adventure HD/IT $3.5
Batman Animated 3-Film (Gotham Knight, Under Red Hood, Year One) HD/MA $11
Battle of the Year HD/MA $3.5
Battleship HD/VU $3 or 4K/IT $3.5
Baywatch HD/VU $2.5 or 4K/IT $3
Beatriz at Dinner HD/VU $4.5
Beauty and the Beast (1991) HD/MA $3.5 or HD/GP $3
Beauty and the Beast (2017) HD/MA $2.5 or HD/GP $2
Before I Fall HD/VU or IT $3.5
Begin Again HD/VU $3.5
Ben-Hur (2016) HD/VU or IT $3.5
Big Eyes HD/VU $3.5
Big Hero 6 4K/MA $5 or HD/MA $3.5 or HD/GP $3
Big Little Lies: Season 1 HD/GP $2.5
Billy Elliot HD/IT $3.5
Billy Lynn's Long Halftime Walk HD/MA $4
Black Panther 4K/MA $4.5 or HD/GP $2.5
Black Widow HD/GP $3
Blackhat HD/IT $3.5
Blockers HD/MA $3.5
Boardwalk Empire: Season 1 HD/VU or IT $4
Bombshell 4K/VU $5
Book Club HD/VU $2.5 or 4K/IT $3
Book of Eli HD/MA $4
Born a Champion 4K/VU $5
Boy Erased HD/MA $4
Boyhood HD/VU or IT $2.5
Braven HD/VU $4
Brian Banks HD/MA $3.5
Bullet to the Head HD/MA $3
Bumblebee HD/VU $3 or 4K/IT $3.5
Captain America: Civil War HD/GP $2.5
Captain America: First Avenger HD/MA $4 or HD/GP $3.5
Captain America: Winter Soldier HD/GP $3.5 or SD/IT $1.5
Captain Marvel 4K/MA $3.5 or HD/GP $2
Captain Phillips SD/MA $1.5
Carol HD/VU $4
Carrie (2013) HD/VU $3.5
Cars 3 HD/MA $3 or HD/GP $2.5
Cars HD/GP $3
Cell (2016) HD/VU $3.5
Chaos Walking 4K/VU $5
Chappie SD/MA $1.5
Charlotte's Web (2006) HD/VU $4
Chicago (Diamond Edition) HD/VU $4
Chips HD/MA $3
Christopher Robin HD/MA $4 or HD/GP $3.5
Cloverfield 4K/VU $5.5
Cloverfield HD/VU $4
Coco HD/GP $2.5
Cold Pursuit 4K/VU $5 or HD/VU $3.5
Collateral Beauty HD/MA $3.5
Columbiana (Unrated) HD/MA $4
Come and Find Me HD/VU $4
Company of Heroes HD/MA $4
Contagion HD/MA $3.5
Contraband HD/IT $3
Cooties HD/VU $4
Cosmic Sin HD/VU $4
Crank 4K/VU $5.5
Crash (2004) HD/VU $4.5
Crawl 4K/VU or IT $4.5 or HD/VU $3
Creature from the Black Lagoon (1954) HD/MA $3.5
Crimson Peak HD/IT $3.5
Cruella HD/GP $3
Cry Macho HD/MA $4.5
Daddy's Home 2 HD/VU or IT $3
Daddy's Home HD/VU $3
Darkest Hour (2017) 4K/MA $5.5
Dawn of the Planet of the Apes HD/MA $3.5
Daybreakers 4K/VU $5.5
Deadpool 2 (w/Super Duper Cut) 4K/MA $5.5 or HD/MA $4
Deadpool HD/MA $2.5
Deadwood: The Movie HD/VU $4
Dear Evan Hansen HD/MA $3.5
Dear White People HD/VU $3.5
Dementia 13 (Director's Cut) HD/VU $4
Denial (2016) HD/IT $4
Despicable Me 2 HD/VU $3.5 or 4K/IT $4
Despicable Me 4K/IT $5 or SD/IT $1.5
Detroit HD/MA $3.5
Dirty Dancing 4K/VU $5 or HD/VU $3.5
Disney Animated Short Films Collection HD/MA $3.5 or HD/GP $3
Divergent HD/VU $1.5 or 4K/IT $2 or SD/VU $0.5
Divergent: Allegiant HD/VU $3.5 or 4K/IT $4
Divergent: Insurgent HD/VU $2.5 or 4K/IT $3
Django Unchained HD/VU $3
Do the Right Thing 4K/MA $5.5 or HD/MA $4
Doctor Strange HD/GP $2.5
Dom Hemingway HD/MA $3.5
Don't Worry, He Won't Get Far on Foot HD/VU $4
Doom (Unrated) 4K/MA $5.5
Dora and the Lost City of Gold HD/VU $3.5 or 4K/IT $4
Downton Abbey: The Movie HD/MA $4
Dracula (1931) HD/MA $3.5
Dracula Untold HD/VU $3 or 4K/IT $3.5
Draft Day HD/VU $3.5
Dragged Across Concrete HD/VU $3.5
Dream House HD/IT $3
Dreamkatcher HD/VU $4
Dredd HD/VU $2.5 or 4K/IT $3
Dumbo (2019) HD/GP $3
Dune (2021) 4K/MA $5.5 or HD/MA $4
Dying of the Light HD/VU $2.5
E.T. The Extra Terrestrial 4K/VU or IT $5 or HD/MA $3.5
Edge of Tomorrow 4K/MA $5
Edward Scissorhands HD/MA $3.5
El Chicano HD/MA $4
Encanto 4K/GP $3.5
Enemy at the Gates HD/VU $4
Enough Said HD/MA $3.5
Epic HD/MA $3
Escape Plan HD/VU $2
Eternals HD/MA $3.5 or HD/GP $3
Everest 4K/IT $5
Ex Machina HD/VU $3
Exodus: Gods and Kings HD/MA $3.5
Extreme Prejudice (1987) HD/VU $4
Fast and Furious (2009) HD/VU $3.5 or 4K/IT $4
Fast and Furious 6 (Extended) HD/VU $2 or 4K/IT $2.5
Fast Color 4K/VU $5.5
Fast Five (Extended) HD/VU or IT $2.5
Fatale 4K/VU $5 or HD/VU $3.5
Father Figures HD/MA $3.5
Fences HD/VU $2.5 or 4K/IT $3
Ferdinand HD/MA $3.5
Fifty Shades Darker (Unrated) HD/VU $2.5 or 4K/IT $3
Fifty Shades Freed HD/MA $4.5
Fifty Shades of Grey (Unrated) HD/VU $2.5 or 4K/IT $3
Finding Dory HD/GP $2
Finding Nemo HD/MA $4 or HD/GP $3.5
First Blood 4K/VU $5
First Man HD/MA $4
Flight HD/VU or IT $3
Florence Foster Jenkins HD/VU or IT $3
Footloose (2011) HD/IT $3
Forever My Girl HD/IT $3
Forrest Gump HD/VU $3.5
Fortress HD/VU $4
Four Brothers HD/VU $4
Four Kids and It HD/VU $3.5
Fox and the Hound 2 HD/MA $4
Frank and Lola HD/VU or IT $3
Frankenstein (1931) HD/VU $3.5
Free Guy HD/GP $3.5
Friday the 13th: Pt 3 HD/VU $3.5
Frozen (Sing-Along Edition) HD/MA $2 or HD/GP $1.5
Frozen 2 HD/MA $2.5 or HD/GP $2
Frozen HD/GP $2
Furious 7 (Extended) HD/VU $2 or 4K/IT $2.5
Fury HD/MA $3.5
G.I. Joe Retaliation HD/VU $3 or 4K/IT $3.5
Gambit (2012) HD/MA $4
Game of Thrones: Season 2 HD/VU $3
Gamer SD/IT $1.5
Gemini Man 4K/VU or IT $4.5 or HD/VU $3
Get Out HD/MA $3.5 or 4K/IT $4
Ghost in the Shell (1995) 4K/VU $5
Ghostbusters (1984) HD/MA $3.5
Ghostbusters 2 HD/MA $3.5
Ghostbusters: Afterlife HD/MA $4
Girls Trip HD/VU or IT $2
God's Not Dead 2 HD/MA or IT $2.5
Gods of Egypt HD/VU $2.5 or 4K/IT $3
Gold (2016) HD/VU or IT $2.5
Good Kill HD/VU or IT $3.5
Grace Unplugged HD/VU $2
Gran Torino SD/IT $1.5
Guardians of the Galaxy Vol 1 HD/MA $3.5 or HD/GP $3
Guardians of the Galaxy Vol 2 HD/GP $2
Guest House 4K/VU $5
Gulliver's Travels SD/IT $1.5
Hacksaw Ridge HD/VU $3.5 or 4K/IT $4
Hail, Caesar! HD/IT $3
Hammer of the Gods HD/VU $2
Hancock SD/IT $1.5
Hands of Stone HD/VU $3.5
Hannibal: Season 1 HD/VU $5
Hansel and Gretel: Witch Hunters (Unrated) HD/VU $3.5 or 4K/IT $4
Hard Target 2 HD/IT $1.5
Hardcore Henry HD/VU or IT $3.5
Heaven is for Real SD/MA $1.5
Hell Fest 4K/VU $5
Hell or High Water HD/VU $2.5
Hellboy (2019) HD/VU $3 or 4K/VU $4.5
Hercules (1997) HD/MA $4.5 or HD/GP $4
Hercules (2014) HD/VU $2.5 or 4K/IT $3
Here Comes the Boom HD/MA $3.5
Hidden Figures HD/MA $3
Hillsong: Let Hope Rise HD/IT $2
Hocus Pocus HD/MA $3.5 or HD/GP $3
Home Alone HD/MA $3.5
Honey 2 HD/VU $3
Hop HD/MA or IT $3
Hope Springs HD/MA $2.5 or SD/MA $1
Hostiles HD/VU $3
Hot Fuzz HD/VU $4
Hotel Mumbai HD/MA $4
Hours (2013) HD/VU $4
How the Grinch Stole Christmas (2000) 4K/MA or IT $5 or HD/MA $3.5
How to be Single HD/MA $3
How to Train Your Dragon 2 HD/MA $2.5
How to Train Your Dragon HD/VU $3.5
How to Train Your Dragon Trilogy HD/MA $9
Hugo HD/VU or IT $3
Hunter Killer 4K/VU $4.5 or HD/VU $3
I Can Only Imagine HD/VU $4
I Feel Pretty HD/IT $2
Ice Age HD/MA $3
Ice Age: Continental Drift HD/MA $3
In the Heights HD/MA $4 or SD/MA $2
Incredibles 2 4K/MA $4.5 or HD/MA $3.5 or HD/GP $3
Independence Day Resurgence HD/MA $2.5
Indiana Jones and the Temple of Doom 4K/VU $5.5
Indignation HD/VU $4
Initiation 4K/VU $5
Inside Out HD/GP $2
Instant Family HD/VU $3 or 4K/IT $3.5
Interstellar HD/VU $3.5 or 4K/IT $5
Into the Woods HD/MA $3 or HD/GP $2.5
Iron Man 2 HD/MA $4 or HD/GP $3.5 or SD/IT $1.5
Iron Man 3 HD/GP $2
Iron Man HD/MA $4 or HD/GP $3.5
It Follows HD/VU $3.5
It's a Wonderful Life 4K/VU or IT $4.5 or HD/VU $3
Jack and Jill HD/MA $3.5
Jack Reacher HD/VU $3 or 4K/IT $4.5
Jack Ryan: Shadow Recruit HD/VU $2.5 or 4K/IT $3
Jacob's Ladder HD/VU $4
Jarhead 3: The Siege (Unrated) HD/IT $2.5
Jason Bourne HD/VU $2.5
Jason Statham 4-Film (War, Crank 1 & 2, Transporter 3) HD/VU $10
Jason Statham 6-Film (War, Crank 1 & 2, Bank Job, Wild Card, Transporter 3) HD/VU $14
Jaws HD/VU $3.5 or 4K/IT $4
Jay and Silent Bob Reboot HD/VU $3
Jersey Boys HD/MA $2.5
Jigsaw 4K/VU $4.5
Joe HD/VU $3.5
John Wick 1 & 2 Bundle HD/VU $4
John Wick 3 Parabellum 4K/VU $4.5
John Wick Chapter 2 HD/VU $3.5
John Wick HD/VU $2 or 4K/IT $2.5
John Wick Trilogy (Parabellum 4K) HD/VU $9
John Wick Trilogy 4K/VU $13
Jonah Hex HD/MA $4.5
Journey 2: The Mysterious Island HD/MA $3
Judy 4K/VU $5
Jungle Cruise HD/MA $4 or HD/GP $3.5
Jurassic Park 4K/MA $5 or HD/MA $3.5
Jurassic World 5-Film Collection HD/MA $14
Jurassic World Fallen Kingdom HD/MA $3
Jurassic World HD/VU $2.5
Just Mercy HD/MA $3.5 or SD/MA $1.5
Justice (2017) HD/VU or IT $3
Justin Bieber: Never Say Never SD/IT $1.5
Kevin Hart: Let Me Explain HD/VU or IT $3
Kick-Ass 4K/VU $5.5 or HD/VU $4
Kidnap HD/VU or IT $2.5
Killer Elite HD/IT $3
Killerman HD/VU $4
Kin (2018) 4K/VU $4.5 or HD/VU $3
King Kong (2005) 4K/MA or IT $5
Kingsman: The Golden Circle 4K/MA $5 or HD/MA $3
Kingsman: The Secret Service HD/MA $3.5
Kiss Kiss Bang Bang HD/MA $4.5
Kung Fu Panda 3 HD/MA $3
La La Land 4K/IT $3.5
Labor Day HD/VU or IT $3
Lady Macbeth HD/VU $4.5
Lara Croft Tomb Raider (2001) 4K/VU $5
Last Knights HD/VU $3.5 or SD/VU $1.5
Last Vegas HD/MA $3.5
Lawless HD/VU $4
Lawrence of Arabia (Restored) HD/MA $4
Leatherface HD/VU $4
Leprechaun 7-Film Collection HD/VU $12
Les Miserables (2012) HD/VU or IT $2
Let Me Explain HD/IT $2.5
Let's be Cops HD/MA $3.5
Life (2017) HD/MA $3.5
Life of Crime HD/VU $3.5
Light of My Life HD/IT $3.5
Like a Boss HD/VU $3.5
Lilo and Stitch 2: Stitch Has a Glitch HD/MA $4 or HD/GP $3.5
Lincoln Lawyer 4K/VU $6.5 or HD/VU $4
Live by Night HD/MA $3
Logan HD/MA $3
Logan Lucky 4K/MA or IT $4.5
London Has Fallen HD/IT $3
Lone Survivor 4K/MA or IT $4.5 or HD/VU $2.5
Long Shot HD/VU $3.5
Looper HD/MA $3.5
Love and Monsters 4K/VU $5 or HD/VU $4.5
Love the Coopers HD/VU or IT $4
Love, Simon HD/MA $3.5
Loving HD/VU or IT $3.5
Luca HD/MA $3.5 or HD/GP $3
Lucy HD/VU $3 or 4K/IT $3.5
Madagascar 3: Europe's Most Wanted HD/VU or IT $3
Madea's Witness Protection SD/IT $1.5
Maleficent 4K/MA $4 or HD/MA $2.5 or HD/GP $2
Maleficent Mistress of Evil HD/MA $3 or HD/GP $2.5
Mama HD/IT $3
Mamma Mia Here We Go Again HD/MA $2.5
Mandela: Long Walk to Freedom HD/VU $4
Mary Poppins (1964) HD/MA $3.5 or HD/GP $3
Mary Poppins Returns HD/MA $3 or HD/GP $2.5
Max HD/MA $3.5
Max Steel HD/IT $3
McKenna Shoots for the Stars HD/IT $2
Mechanic Resurrection HD/VU $2.5
Megan Leavey HD/VU or IT $3
Midnight Sun HD/MA $3.5
Midway 4K/VU $4.5 or HD/VU $3
Mile 22 HD/IT $3
Million Dollar Arm HD/MA $3 or HD/GP $2.5
MindGamers HD/MA or IT $3.5
Minions 4K/MA or IT $4.5 HD/VU $3
Misconduct HD/VU $2.5
Miss Peregrine's Home for Peculiar Children HD/MA $3
Mission: Impossible 4 Ghost Protocol HD/VU $2
Mission: Impossible 6 Fallout 4K/VU or IT $4.5
Mission: Impossible 6-film Set 4K/VU or IT $23 or HD/VU $17
Moana HD/MA $2.5 or HD/GP $2
Moneyball HD/MA $3
Monkey Kingdom HD/MA $3
Monsters University HD/MA $3.5 or HD/GP $3
Mortal Engines HD/MA $4
Mortal HD/VU $4
Mother! HD/VU $2.5
Mr. Poppers Penguins SD/IT $1.5
Much Ado About Nothing (2013) HD/VU $4
Mud HD/VU $2.5
Mulan (2020) HD/GP $2.5
Muppets Most Wanted HD/MA $3.5 or HD/GP $3
Murder on the Orient Express HD/MA $3.5
My All American HD/MA or IT $3.5
Nebraska HD/VU $3
Nerve HD/IT $3.5
New Year's Eve HD/MA $2
News of the World HD/MA $4
Night at the Museum: Secret of the Tomb HD/MA $3
Nightmare Alley HD/GP $3.5
No Escape (2015) HD/VU $3
No Strings Attached HD/VU or IT $4
No Time to Die 4K/IT $4.5
Noah HD/VU or IT $2.5
Nobody's Fool HD/IT $2.5
Non-Stop HD/VU or IT $3
Norm of the North HD/VU $2.5
Nostalgia (2018) HD/MA $3.5
Now You See Me 2 HD/VU $3.5 or 4K/IT $4
Now You See Me HD/VU or IT $2.5 or SD/VU $1
Oblivion HD/MA $3.5
Occupation (2018) HD/VU $3.5
Occupation: Rainfall HD/VU $4
Office Christmas Party HD/VU $3 or 4K/IT $3.5
Olaf's Frozen Adventure HD/MA $3.5 or HD/GP $3
One Direction: This is Us SD/MA $1.5
Ong Bak 2 HD/VU $3
Onward HD/MA $3 or HD/GP $2.5
Ouija HD/IT $3.5
Ouija: Origin of Evil HD/VU or IT $3.5
Our Brand is Crisis HD/MA $3.5
Outlander: Season 1 Vol 1 HD/VU $5.5
Overdrive HD/IT $2.5
Overlord 4K/IT $3.5
Oz the Great and Powerful HD/GP $2.5
Paddington HD/VU $3.5
Pain and Gain HD/VU or IT $3.5
Paranormal Activity 3 (Extended) HD/VU or IT $3
Paranormal Activity 4 HD/IT $2.5
Paranormal Activity HD/VU or IT $4
Paranormal Activity: The Marked Ones HD/VU $3.5
Passengers HD/MA $3
Patriot Games 4K/VU $5
Patriot's Day HD/VU $3 or 4K/IT $3.5
Paul Blart: Mall Cop 2 HD/MA $3.5
Penguins of Madagascar HD/MA $3.5
Pet Sematary (2019) 4K/IT $3.5
Pete's Dragon (2016) HD/MA $3.5 or HD/GP $3
Philomena HD/VU $2.5
Pinocchio (1940) HD/MA $3.5 or HD/GP $3
Pirates of the Caribbean: Dead Men Tell No Tales HD/GP $2.5
Pitch Perfect 2 4K/MA $4 or HD/VU $2.5
Pitch Perfect HD/VU $2.5 or 4K/IT $3
Pixar Short Films Collection Vol. 3 HD/MA $3.5 or HD/GP $3
Planes HD/MA $2.5 or HD/GP $2
Planes: Fire and Rescue HD/MA $3.5 or HD/GP $3
Playing with Fire HD/IT $2.5
Pocahontas HD/MA $4.5 or HD/GP $4
Point Break (2015) 4K/MA $5 or HD/MA $3.5
Power Rangers (2017) 4K/VU or IT $4.5
Precious HD/VU $4.5
Predator 4-Film Collection HD/MA $11
Premium Rush HD/MA $3.5
Pride and Prejudice and Zombies SD/MA $1.5
Primal HD/VU $3.5
Project Almanac HD/IT $3.5
Prometheus HD/MA $2.5
Punisher War Zone 4K/VU $5.5
Queen and Slim HD/MA $4
Ralph Breaks the Internet HD/GP $2
Rambo (2008) 4K/VU $5.5
Rambo 3 4K/VU $5.5
Rambo 5-Film Collection 4K/VU $23 or HD/VU $17
Rambo: First Blood Pt 2 4K/VU $5.5
Rambo: Last Blood 4K/VU $4.5
Rango HD/VU $3.5
Raya and the Last Dragon HD/MA $3.5 or HD/GP $3
Reclaim HD/VU $3.5
RED 2 HD/VU $2
Red Dawn (2012) HD/IT $3
Red Riding Hood HD/MA $4
Red Sparrow HD/MA $3.5
Replicant (2001) HD/VU $3.5
Replicas HD/VU $3.5
Requiem for a Dream (Director's Cut) 4K/VU $5.5
Riddick (Unrated) HD/VU or IT $3
Ride Along HD/VU or IT $2.5
Rings HD/VU or IT $2.5
Riot HD/VU or IT $3
RIPD HD/VU or IT $2.5
Risen HD/MA $3
Robin Hood (1973) HD/MA $3.5 or HD/VU $3
Robocop (2014) HD/VU $2.5
Rocketman (2019) 4K/IT $4
Rogue One: A Star Wars Story HD/GP $2
Ron's Gone Wrong HD/MA $3.5 or HD/GP $3
Rough Night 4K/MA $5 or HD/MA $3.5
Rugrats Go Wild HD/VU $4
Run All Night HD/MA $2
Runner Runner HD/MA $3.5
Rush HD/VU or IT $3
Safe HD/VU or IT $2.5
Saige Paints the Sky HD/IT $3
Same Kind of Different as Me HD/VU or IT $3
Samson HD/MA $3.5
Savages HD/IT $3
Saving Mr. Banks HD/GP $3
Saw HD/VU $3
Scarface HD/VU $4
Scary Movie 5 HD/VU $4.5
Scary Stories to Tell in the Dark 4K/VU $4.5
Schindler's List 4K/MA $5.5
Scouts Guide to the Zombie Apocalypse HD/IT $3
Scream (1996) HD/VU $4
Scream 2 4K/VU $5.5
Scrooged HD/IT $4
Selma HD/VU or IT $2.5
Serenity (2005) 4K/MA or IT $5.5
Shang-Chi Legend of the Ten Rings HD/GP $3
Sharp Objects HD/GP $2
Shaun the Sheep Movie HD/VU $3
Sherlock Gnomes HD/VU or IT $2.5
She's Having a Baby HD/VU $3.5
Shivers HD/VU $4
Siberia (2020) HD/VU $4
Sicario HD/VU $2.5
Side Effects HD/IT $3.5
Sing (2016) 4K/VU or IT $4.5
Singing in the Rain 4K/MA $5.5
Sinister HD/VU or IT $2.5
Sisters (Unrated) HD/IT $2.5
Skyfall HD/VU $2.5
Skyscraper HD/MA $3.5
Sleeping Beauty (1959) HD/MA $4 or HD/GP $3.5
Sleepless HD/IT $2
Smurfs: The Lost Village HD/MA $3.5
Snatched HD/MA $2
Snitch HD/VU $2.5 or 4K/IT $3 or SD/VU or IT $1.5
Snow White and the Huntsman (Extended Edition) 4K/VU or IT $4.5 or HD/VU $3
Snow White and the Seven Dwarfs (1937) HD/MA $3.5 or HD/GP $3
Solo: A Star Wars Story HD/MA $3.5 or HD/GP $3
Some Kind of Wonderful HD/VU $3.5
Songbird 4K/IT $4.5
Sonic the Hedgehog HD/VU $3.5
Soul HD/GP $2.5
Southpaw HD/VU $3
Southside With You HD/VU $4.5
Spider-Man 4-Cut Set (Spider-Man 2 w/ Theatrical & Extended) HD/MA $11.5
Spider-Man 5-Cut Set (Spider-Man 2 & 3 w/ Theatrical & Extended) HD/MA $14.5
Spider-Man Far From Home HD/MA $3.5
Spider-Man Homecoming HD/MA $3
Spider-Man Homecoming/Far From Home Bundle HD/MA $6
Spider-Man No Way Home SD/MA $2
Spies in Disguise HD/MA $3.5 or HD/GP $3
Spiral (2021) 4K/VU or IT $4.5
Split 4K/MA or IT $5 or HD/MA $3.5
Spongebob Sponge out of Water HD/IT $2.5
Spy (Unrated) HD/MA $3.5
St. Vincent HD/VU $3
Stand Up Guys HD/VU $3.5
Star Trek (2009) HD/VU $3.5 or 4K/IT $4
Star Trek 1-4 (Motion Picture, Wrath of Khan, Search for Spock, Voyage Home) 4K/VU $18
Star Trek Beyond HD/VU $3 or 4K/IT $3.5
Star Trek Into Darkness HD/VU $2.5 or 4K/IT $3
Star Wars The Force Awakens HD/GP $1.5
Star Wars The Last Jedi HD/MA $3 or HD/GP $2.5
Star Wars The Rise of Skywalker 4K/MA $5 or HD/GP $2.5
Step Up: Revolution HD/IT $3
Straight Outta Compton (Theatrical and Unrated) 4K/MA $4.5 or HD/MA $3 or 4K/IT $3.5
Stronger HD/VU $4.5
Stuber 4K/MA $6
Suburbicon HD/VU $3 or 4K/IT $3.5
Succession Season 1 HD/IT $3.5
Suits Season 2 HD/IT $3.5
Sully HD/MA $3.5
Sundown: The Vampire in Retreat HD/VU $3.5
Super 8 4K/VU $5 or HD/VU $3.5
Super Buddies HD/GP $2
Sword in the Stone HD/MA $4 or HD/GP $3.5
Ted (Unrated) HD/IT $3
Teenage Mutant Ninja Turtles (2014) HD/VU $2.5 or 4K/IT $3
Teenage Mutant Ninja Turtles: Out of the Shadows HD/VU $3.5 or 4K/IT $4
Terminator 2: Judgment Day (Extended) HD/VU $4.5
Terminator 2: Judgment Day 4K/VU $5
Terminator Dark Fate 4K/IT $3
Terminator Genisys HD/VU $2.5
That Awkward Moment SD/MA $1.5
The 15:17 to Paris HD/MA $3.5
The 33 HD/MA $2.5
The 5th Wave HD/VU $3
The Adventures Of TinTin HD/IT $2.5
The Amazing Spider-Man 2 HD/MA $4
The Amazing Spider-Man HD/MA $3.5 or SD/MA $1.5
The Art of Racing in the Rain HD/VU $4
The Avengers HD/GP $3
The Bank Job HD/VU $3.5
The Batman: The Complete Series (2000s) HD/VU $18
The BFG HD/MA $3.5
The Big Lebowski 4K/MA or IT $5.5 or HD/MA $4
The Big Short HD/VU or IT $3.5
The Big Wedding SD/IT $1
The Birth of a Nation HD/MA $3.5
The Blair Witch Project (1999) HD/VU $4
The Book of Life HD/MA $3.5
The Boss Baby HD/MA $3
The Bourne 5-Film Collection 4K/MA $22
The Bourne Identity HD/VU $3.5
The Bourne Legacy HD/VU $2
The Bourne Supremacy HD/VU $3.5
The Bourne Ultimatum 4K/MA $5.5
The Boy 2 HD/IT $3.5
The Boy HD/IT $3.5
The Butler HD/VU $3
The Butterfly Effect HD/MA $4
The Bye Bye Man (Unrated) HD/IT $2.5
The Cabin in the Woods 4K/VU or IT $4.5 or HD/VU $2.5
The Call of the Wild 4K/MA $4.5 or HD/GP $2.5
The Case for Christ HD/IT $2.5
The Children (2008) HD/VU $4
The Collection HD/VU $3.5
The Commuter 4K/VU $5 or HD/VU $3.5
The Cornetto Trilogy (Shaun of the Dead, Hot Fuzz, World's End) 4K/MA $15
The Counselor HD/MA $4
The Courier 4K/VU $5.5 or HD/VU $4
The Croods HD/VU $3.5
The Curse of La Llorona HD/MA $4
The D Train 4K/IT $4
The Dark Tower HD/MA $3.5
The Darkness HD/IT $3
The Descendants SD/IT $1.5
The Descent (Unrated) HD/VU $4
The Dilemma HD/VU $3.5 or SD/IT $1.5
The Doorman 4K/MA $5 or HD/VU $3.5
The Doors 4K/VU $5.5 or HD/VU $4
The Duff SD/VU $1.5
The Edge of Seventeen HD/VU or IT $3
The Equalizer HD/MA $3
The Expendables 2 HD/VU or IT $1
The Expendables 3 (Theatrical) HD/VU $2 or 4K/IT $2.5
The Expendables 3 (Unrated) HD/IT $2.5
The Fast and the Furious 6-film Collection HD/VU $12.5 or (Fast 5 HD) 4K/IT $16
The Fast and the Furious 7-film Collection HD/VU $14 or (Fast 5 HD) 4K/IT $17
The Fast and the Furious 8-film Collection (9 Films) HD/MA $17.5
The Fast and the Furious 9-film Collection (11 Films) HD/MA $20
The Fast and the Furious HD/VU $3.5
The Fate of the Furious (Extended) HD/VU $2
The Fate of the Furious (Theatrical) HD/VU or IT $1.5
The Fault in Our Stars HD/MA $3.5
The Finest Hours HD/GP $3
The French Dispatch HD/MA $4 or HD/GP $3.5
The Frozen Ground (2013) HD/VU $3.5
The Gallows HD/MA $3
The Gambler HD/IT $3
The Gambler HD/VU $3
The Girl on the Train HD/VU $3 or 4K/IT $3.5
The Girl With All The Gifts HD/VU $4
The Glass Castle 4K/VU $5.5
The Glorias 4K/VU $5
The Godfather Coda: Death of Michael Corleone HD/VU $4
The Good Dinosaur HD/MA $3 or HD/GP $2.5
The Good Lie HD/MA $3
The Greatest Showman HD/MA $3.5
The Green Mile 4K/MA $5.5
The Grey HD/VU or IT $3
The Guilt Trip HD/VU or IT $3
The Gunman HD/MA $3
The Hangover SD/IT $1.5
The Hateful Eight HD/VU $3.5
The Heat HD/MA $3
The Hitman's Bodyguard 4K/VU $5 or HD/VU $3.5
The Hitman's Wife's Bodyguard 4K/VU $5.5 or HD/VU $4
The Homesman HD/VU $3
The Hundred-Foot Journey HD/MA $3.5
The Hunger Games 4-Film Collection HD/VU $8
The Hunger Games Catching Fire HD/VU $1.5 or 4K/IT $2 or SD/VU $.5
The Hunger Games HD/VU $1.5 or 4K/IT $2 or SD/VU $.0.5
The Hunger Games Mockingjay Part 1 HD/VU $2.5 or 4K/IT $3 or SD/VU $1
The Huntsman Winter's War (Extended) HD/VU $3 or 4K/IT $3.5
The Hurricane Heist 4K/VU $5
The Incredibles HD/GP $3.5
The Internship SD/IT $1.5
The Intruder HD/MA $3
The Invisible Man (1933) HD/MA $3.5
The Invisible Man (2020) 4K/MA $5.5 or HD/MA $4
The Jesus Music HD/VU $3.5
The Knick: Season 1 HD/IT $3.5
The Knick: Season 2 HD/IT or GP $3.5
The Last Airbender HD/VU $4.5
The Last Exorcism HD/VU $4
The Last Man (2019) HD/VU $4
The Last Stand HD/IT $2
The Last Witch Hunter HD/VU $3 or 4K/IT $3.5
The Life of Pi 4K/MA $5 or HD/MA or IT $3.5
The Lion King (2019) HD/GP $2
The Lone Ranger HD/MA $3.5 or HD/GP $3
The Longest Ride HD/MA $3
The Longest Week HD/VU $3.5
The Lorax (1972) HD/MA $5
The Lorax HD/VU $3
The Lords of Salem HD/VU $4
The Lost World: Jurassic Park HD/MA $3
The Lucky One HD/MA $2.5
The Magnificent Seven (2016) HD/VU $3
The Man from U.N.C.L.E. HD/MA $4
The Man Who Shot Liberty Vance 4K/VU $5.5
The Martian (Extended) 4K/MA $6
The Martian HD/MA $3.5
The Matrix Resurrections HD/MA $4
The Meg HD/MA $3.5
The Monuments Men HD/MA $3.5
The Mortal Instruments: City of Bones HD/MA $3 or SD/MA $1.5
The Mule HD/MA $4
The Mummy (1999) HD/VU $4
The Mummy (2017) 4K/MA or IT $4.5
The Mummy Trilogy HD/MA $10
The NeverEnding Story HD/MA $4
The New Mutants HD/MA $3.5 or HD/GP $3
The Nice Guys HD/MA $3.5
The Nightmare Before Christmas HD/GP $3.5
The Nutcracker and the Four Realms HD/MA $3.5 or HD/GP $3
The Other Woman HD/MA $3
The Peanuts Movie HD/MA $3
The Perks of Being a Wallflower SD/VU or IT $1
The Poison Rose 4K/VU $4.5
The Possession HD/VU or IT $2.5
The Predator (2018) HD/MA $3
The Prodigy HD/VU $4
The Protector 2 SD/VU $1.5
The Punisher 4K/VU $5.5
The Purge HD/VU $3 or 4K/IT $3.5
The Purge: Anarchy HD/VU $3 or 4K/IT $3.5
The Purge: Election Year 4K/MA $5 or HD/MA $3.5
The Quarry 4K/VU $5
The Resurrection of Gavin Stone HD/VU or IT $2.5
The Revenant HD/MA $3.5
The Santa Clause 2 HD/MA $3.5 or HD/GP $3
The Santa Clause 3 HD/MA $3
The Santa Clause HD/MA $3.5
The Santa Clause Trilogy HD/MA $9.5 or HD/GP $8
The Secret Life of Pets 4K/VU or IT $4.5
The Secret Life of Walter Mitty HD/MA $3
The Shack HD/IT $2.5
The Shallows HD/MA $3.5
The Shape of Water HD/MA $3.5
The Spy Who Dumped Me 4K/VU $5 or HD/VU $3.5
The Star SD/MA $1.5
The Strangers: Prey at Night HD/MA $3
The Sum of All Fears 4K/VU $5.5
The Trust HD/VU $4
The Turning HD/MA $4
The Untouchables 4K/VU $5
The Upside HD/IT $3
The Vanishing (2018) HD/VU $4
The Voices (2014) HD/VU $4
The Vow SD/MA $1.5
The Walk HD/MA $3.5
The Way Back HD/MA $4
The Wedding Ringer HD/MA $3.5
The White Queen HD/VU $5.5
The Wolf of Wall Street HD/VU or IT $3.5
The Wolverine (Unrated) (w/Theatrical) HD/MA $4
The Wraith HD/VU $4
They Came Together HD/VU $4.5
This is 40 HD/MA $3.5
This Is Where I Leave You HD/MA $3.5
Thor Dark World HD/MA $4 or HD/GP $3.5
Thor HD/GP $3.5 or SD/IT $1.5
Thor Ragnarok HD/MA $2.5 or HD/GP $2
Three Billboards Outside Ebbing, Missouri HD/MA $3.5
Tomorrowland HD/MA $3.5 or HD/GP $3
Tooth Fairy SD/IT $1.5
Top Gun (1986) 4K/VU $5 or HD/VU $3.5
Total Recall (1990) 4K/VU $5
Toy Story 2 HD/GP $3.5
Toy Story 4 4K/MA $4.5 or HD/MA $2.5 or HD/GP $2
Toy Story HD/MA $4 or HD/GP $3.5
Toy Story of Terror HD/MA $4 or HD/GP $3.5
Toy Story that Time Forgot HD/MA $4
Transformers The Last Knight HD/VU $2.5 or 4K/IT $3
Transporter 3 SD/IT $1.5
Tremors A Cold Day In Hell HD/MA $2.5
Trolls HD/MA $2.5
Trumbo HD/IT $3.5
Turbo HD/IT $3
Twilight Breaking Dawn 2 HD/VU $1.5 or 4K/IT $2 or SD/VU $0.5
Tyler Perry's A Madea Christmas SD/VU $1.5
Tyler Perry's Madea's Witness Protection SD/VU $1
Tyler Perry's Temptation HD/GP $3
Unbreakable 4K/MA $5 or HD/GP $3.5
Unbroken HD/VU or IT $3
Uncle Drew HD/VU $3.5
Underworld: Awakening HD/MA $3
Unforgettable HD/MA $2.5
Unhinged HD/VU $3.5
V for Vendetta HD/MA $4
Valerian and the City of a Thousand Planets HD/VU $3.5
Vampire Academy HD/VU $4
Van Helsing 4K/MA $5
Veep: Season 6 HD/IT $3.5
Venom HD/MA $3.5
Veronica Mars HD/MA $2.5
Victoria and Abdul HD/MA $4
Vivarium HD/VU $4
Walking with Dinosaurs HD/MA $3
War for the Planet of the Apes HD/MA $3
War Room SD/MA $1.5
Warcraft HD/VU $3 or 4K/IT $3.5
Warm Bodies 4K/VU $4.5 or HD/VU $3 or 4K/IT $3.5 or SD/VU $1.5
Warrior 4K/VU $5 or HD/VU $3.5
Werewolf: The Beast Among Us (Unrated) HD/IT $3.5
West Side Story (2021) HD/MA $3.5 or HD/GP $3
What Men Want HD/VU $3 or 4K/IT $3.5
What to Expect When You're Expecting SD/IT $1.5
When the Game Stands Tall HD/MA $3 or SD/MA $1.5
Whisky Tango Foxtrot HD/IT $3
White House Down HD/MA $3.5
Why Him? HD/MA $3
Widows HD/MA $3.5
Wild Card HD/VU $3
Wild HD/MA $3.5
Willow HD/MA $4 or HD/GP $3.5
Wilson HD/MA $3.5
Winchester HD/VU $3.5
Winter's Tale HD/MA $2
Wonder HD/VU $3
Wonder Park 4K/IT $2.5
Wonder Woman 1984 4K/MA $5.5
Woodlawn HD/IT $3.5
World War Z HD/VU or IT $2.5
Wrath of the Titans HD/MA $2.5
X-Men Apocalypse HD/MA $3
X-Men Days of Future Past HD/MA $3
XXX Return of Xander Cage HD/VU $2 or 4K/IT $2.5
You Were Never Really Here HD/VU $4
You're Next HD/VU $3.5
Z for Zachariah HD/VU $4
Zeros and Ones HD/VU $4.5
Zootopia HD/GP $2.5
2023.03.23 20:00 AristocratJackal Boeing E-4B 'Doomsday' Plane with an Interesting Callsign...
 | submitted by AristocratJackal to flightradar24 [link] [comments] |